Robert Storm Petersen

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Robert Storm Petersen (19 September 1882–6 March 1949) was a Danish cartoonist, writer, animator, illustrator, painter and humorist. He is known almost exclusively by his pen name Storm P.

Contents

[edit] Biography

He was the son of a butcher and grew up in Copenhagen in a lower middle class/worker’s milieu whose jargon is felt in much of his writings. After an interrupted study on the Academy of Art, he worked as a free-lance painter, illustrator and cabaret entertainer. Already during World War I he was a well-known artist, and from about 1920 onward he was almost a national “institution” as a humorist, partly because of his versatile interests. He was for many years connected to the Copenhagen newspaper “Berlingske Tidende” as a comic writer and cartoonist.

As a humorist, Storm P. is related to British and American humour, with a strong touch of craziness and absurdity. However, he is less marked by total nonsense than, for instance, Lewis Carroll. Often his starting point is a plain Copenhagen jargon, combined with a Danish down-to-earth homespun philosophy and all kinds of cosy fun and comedy; the “little” man’s unimpressed comments on a crazy world.

Though normally loved by most of his countrymen, Storm P. has also been criticised for being too toothless, cosy and petit bourgeois. In spite of his social background and interest of poor milieus, he very seldom shows deeper social criticism or revolutionary opinions; the dramatic age in which he lived left rather small stamps on his work. On the other hand he was no staunch giggler; many of his paintings deal with death, sorrow and macabre themes. Though not a revolutionary, he has indeed painted the victims of social injustice and misery, often with a strong touch of compassion. Melancholy and fear are not unknown to him, but his official appearance was an optimistic one.

1977 a "Storm P. Museum" was opened. In 1982 he was featured on a Danish stamp.

[edit] Drawings and paintings

Storm P. left about 60,000 drawings and 100 paintings of varied quality. His drawings are very often illustrated jokes, or series of a theme besides artist sketches. Among his favourite themes are the vagabonds - who are portrayed as grotesquely dressed-up petty philosophers - and the circus milieu that he regarded with much warmth. He is best known for his Storm P machines, which are comic drawings of machines that perform very simple tasks through an unnecessarily complex series of actions. Other cartoonists who are known for similar machine drawings are Rube Goldberg and Heath Robinson. Besides that, he illustrated many books, often written by congenial authors--among others Mark Twain, Jerome K. Jerome and G. K. Chesterton.

As a painter he is clearly influed by names like Edvard Munch and Toulouse-Lautrec, but often with an independent naivist touch. Later on, Paul Klee and Wassili Kandinsky seem to have been an inspiration in spite of his often outspoken ridiculing of modern art. Among his many themes are exterieurs from Paris, from prostitution milieus and nature scenes. La Morgue (1906) and Kultur (1908, “Culture”) are two of his most well known paintings.

[edit] The Author

As an author he wrote many short-stories and tales, often parodies on detective stories or melodramas, small cosy snap-shots from the Copenhagen lower middle class milieu, crazy tales or, especially, “monologues” put into the mouth of bums, artists, etc. Special kinds of tales were the monologues put into the mouth of his own dog (the Grog, My Dog-tales 1926-1935), in which he let the dog reflect on life, death and daily life, sometimes with a light touch of sadness and pity within the humour.

[edit] Comics

Storm P is also well known in Denmark as the author of a number of comics (titles in Danish):

  • De tre små mænd og nummermanden (The three little Men and the Number Man) 1913-1923 is a play with situations: three little men making mad pranks leading to success or failure, all accompanied by an even smaller man who delivers the numbers of the strip.
  • En underlig Mand ("A strange Man") from the 1930s was an absurd strip cartoon about a man who reacts illogically and solves problems in an unexpected way.
  • Peter og Ping ("Peter and Ping"), 1922-1949 was his greatest success, a comic strip about a small citizen and his friend (or adopted son) Ping, a speaking penguin. Their experiences in Copenhagen, spiced by Ping’s absurd expressions and jokes, were extremely popular and even led to the foundation of a Ping Club for children. It also caused some international attention and was sold to Great Britain.
  • Dagens flue ("The Daily Fly") that started in 1939 were drawings illustrating humorous philosophical jokes which often contained a deeper meaning.

[edit] The Actor

Finally, Storm P. played a minor role in acting. As a free-lance actor he had several roles in early Danish silent movies, and later on occasionally acted in comedies on theatres to supplement his work as an entertainer. As a curiosity, it might be mentioned that he created the first Danish animated cartoon (with the Three Little Men) in 1920. As a decorator he delivered scenery to ballets and plays.

[edit] Quotes

  • Life is a circus: you go in, bend, run around, bend again and leave.
  • – What is your opinion of the world situation? – Nothing, something got in my eye.
  • There is something fishy about art that needs to be explained.
  • We human beings are strange creatures – we have to go underground because we have invented the aeroplane. (1939)

[edit] Literature

  • Henry Chafetz: Robert Storm Petersen (in: The American Scandinavian Review vol. 40, 1952.)

[edit] External links

Persondata
NAME Petersen, Robert Storm
ALTERNATIVE NAMES Storm P.
SHORT DESCRIPTION Danish cartoonist, writer and illustrator
DATE OF BIRTH 19 September 1882
PLACE OF BIRTH Copenhagen
DATE OF DEATH 6 March 1949
PLACE OF DEATH Copenhagen
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