Renu Saluja

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Renu saluja (1952 – August 6, 2000) was one of the best film editors Indian Cinema has seen. Renu was a four time National Award Winner for Best Editor for Parinda (1989), Dharavi (1991), Sardar (1993) and Godmother (1999) besides winning Filmfare Awards for Parinda and 1942: A Love Story (1994).

Ironically when Renu applied to the Film and Television Institute of India, Pune (FTII), editing was only her second choice. She had applied for direction and did not get through the direction interview. But she did pass the editing interview and was persuaded by her parents to go ahead with it. To quote Renu...

"It all happened by chance and editing really got into my system. After some time I didn't want to be a director at all."

Once out of the FTII, Renu's early work was in parallel cinema with her FTII Colleagues - Vidhu Vinod Chopra, Saeed Mirza, Kundan Shah, Ashok Ahuja etc.

Speaking of her early days Renu recalled...

"The world over, editors are women. It's only in India that filmmaking is dominated by men, even editing...To me being a woman worked as an advantage. The idea of a woman editor was quite novel. I probably got a lot of work in the beginning because I was a woman and I was okay with my work...Secondly I was working with my classmates who were making their first films also. We were all making our mistakes together. So there was no question of proving my credentials."

The first offer that Renu got from outside her protected circle of 'FTII' filmmakers was Govind Nihalani's Ardh Satya (1983). After Ardh Satya, her career really took off.

Parinda was perhaps the first mainstream film that Renu edited. Unlike the smaller films which were made in one schedule and thus she used to get the whole film in front of her before she commenced editing, Parinda was shot over a period of three years depending on star dates, availability of locations etc. Speaking of adjusting to this style of working, Renu used to say...

"When I put them (the scenes) together, the final product changes a lot. So I have to improve what I worked on some time ago and bring it to match the whole film. It gets complicated!"

Renu actually used to feel embarrassed if complimented about her editing in a film. If a film is well edited, you are not supposed to notice the editing, she would always say. But at the same time, she would point out that editing is a highly specialized job and is like the final script for a film.

In the 1990s Renu struck a balance between mainstream cinema as well as parallel cinema and the new crop of 'different indie films' that has cropped up following the success of Hyderabad Blues. Some of the well-known films that Renu has edited include Jaane Bhi Do Yaaron (1983), Kabhi Haan Kabhi Naa (1993), Bandit Queen (1995), Pardes (1997), Rockford (1999) and Hey Ram (2000) and she had just completed work on Nagesh Kukunoor's Bollywood Calling.

Perhaps the best person to sum up Renu would be Renu herself. Once when asked to describe herself, she had laughingly said...

"I'm a Film Editor and I think, a damn good one!"^{[citation needed]}

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