Quebec (album)
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Quebec | ||
Studio album by Ween | ||
Released | August 5, 2003 | |
Recorded | 2003 | |
Genre | Alternative Rock | |
Length | 55:01 | |
Label | Sanctuary | |
Producer(s) | Andrew Weiss | |
Professional reviews | ||
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Ween chronology | ||
Live at Stubb's (2002) |
Quebec (2003) |
All Request Live (2004) |
Quebec is the 8th album by Ween, released on August 5, 2003 on Sanctuary Records. It was the first album released after the band's contract with Elektra expired, and marked its return to independent labels. The album on a whole is comparable to Chocolate and Cheese or their first album GodWeenSatan in that not one single mood or theme can describe it, unlike their "country record" 12 Golden Country Greats, their "nautically-themed" The Mollusk, the dark and murky The Pod and the cheerful and druggy Pure Guava.
Contents |
[edit] Track listing
- "It's Gonna Be a Long Night"
- "Zoloft"
- "Transdermal Celebration"
- "Among His Tribe"
- "So Many People in the Neighborhood"
- "Tried and True"
- "Happy Colored Marbles"
- "Hey There Fancypants"
- "Captain"
- "Chocolate Town"
- "I Don't Want It"
- "The Fucked Jam"
- "Alcan Road"
- "The Argus"
- "If You Could Save Yourself (You'd Save Us All)"
[edit] Personnel
- Dean Ween – bass, guitar, drums, guitar (electric), keyboards, vocals, sitar (electric), vocoder
- Gene Ween – synthesizer, guitar (acoustic), bass, guitar (electric), keyboards, vocals, omnichord, drum machine
- Andrew Weiss – synthesizer, percussion, strings, arranger, drums, keyboards, producer, fretless bass, mixing, soloist
- Glen McClelland – organ, piano, accordion, keyboards
- Dave Dreiwitz – bass
- Sim Cain – drums
- Josh Freese – drums
- Ween – arranger
- Christopher Shaw – mixing
- Ted Young – mixing assistant
- Howie Weinberg – mastering
- Kirk Miller – live sound
- Gabe Monago – road crew
- Mick Preston – road crew
[edit] Miscellanea
- The music video for "Transdermal Celebration" was animated by well known Disney animator Adam Phillips.
[edit] Charts
[edit] Album
2003 Quebec The Billboard 200 No. 81