Punk literature

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This article is about literature produced by the punk movement. For literary genres named after the punk movement, see literary punk genres.

A cover of the punk zine Maximum RocknRoll.

Punk literature emerged from the punk subculture. The punk attitude and ideology has gave rise to distinctive characteristics in its manifestations of literature. It has generated a considerable amount of poetry and prose, as varied as the subculture itself. It has had an influence on the popular transgressional fiction literary genre and several science fiction and fantasy genres have been named after it.

1 Zines and journalism
2 Poetry
3 Prose and fiction
4 Comics
5 See also
6 References

[edit] Zines and journalism

Punk has its own underground press in the form of punk zines. Punk zines chronicle and help to define punk. Most punk scenes have at least one punk zine, which feature news, gossip, cultural criticism, and interviews with local or touring punk rock bands. Some punk zines take the form of perzines. Important punk zines include Maximum RocknRoll, Punk Planet, Cometbus, Girl Germs, Kill Your Pet Puppy, J.D.s, Sniffin' Glue, Absolutely Zippo and Punk Magazine. Also, a number of novels, biographies, autobiographies, and comic books have been written about punk.

[edit] Poetry

The Medway Poets album, 1988, which included Tracey Emin

Examples of punk poets include: Richard Hell, Jim Carroll, Patti Smith, John Cooper Clarke, Seething Wells and Attila the Stockbroker. Jim Carroll's autobiographical works are among the first known examples of punk literature. The Medway Poets, a British punk performance group, was formed in 1979, and included punk musician Billy Childish. They are credited with influencing Tracey Emin, who was associated with them as a teenager. Members of the Medway Poets later formed the Stuckists art group. A description by Charles Thomson of a Medway Poets performance contrasts with the sedate image of traditional poetry:

Bill Lewis jumped on a chair, threw his arms wide (at least once hitting his head on the ceiling) and pretended he was Jesus. Billy sprayed his poems over anyone too close to him and drank whisky excessively. Miriam told the world about her vagina. Rob and I did a joint performance posing, with little difficulty, as deranged, self-obsessed writers. Sexton finally introduced us to his girlfriend, Mildred, who turned out to be a wig on a wadge of newspaper on the end of an iron pipe.^[1]