Presbyterian worship

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Presbyterian worship documents worship practices in Presbyterian churches; in this case, the practises of the many churches descended from the Scottish Presbyterian church at the time of the Reformation.

Contents

[edit] History

[edit] Worship at the time of the Reformation

At the start of the Scottish Reformation in 1560 there was no Reformed standard for worship in Scotland, so the shape the Church initially took was dependent on local Protestant patrons.

Writing from exile in Geneva, John Knox described in detail what should be done at weekly worship in a 'Letter of Wholesome Councell' dated 1556. Protestant preachers fleeing Marian persecutions in England brought with them Edward VI's second Book of Common Prayer (of 1552), which was commended by the Lords of the Congregation. Knox too initially supported it (indeed reportedly, he had influenced aspects of it). However, before leaving Geneva and with the encouragement of John Calvin, he has written his own 'Book of Common Order' and it was this that was printed and approved by the General Assembly of 1562. Enlarged, it was reprinted with the Confession and the Psalms in metre in 1564, and it remained the standard until replaced with the Westminster Directory in 1643.[1]

A driving principle in the development of the standards of Presbyterian worship is the Regulative principle of worship, which specifies that (in worship), what is not commanded is forbidden.[2] This principle saw many of the previous practices (inherited from the Roman Catholic church) cast aside. Two major points which might be unusual by today's standards were:

  • Exclusive psalmody: the doctrine that, in worship, only the Psalms (from the Bible) were to be sung; singing other words was only to be done outside the worship service[3]
  • A cappella singing: the doctrine that no instruments were to be used in worship other than the human voice

Both of these were introduced, at least partly, to prevent the singing of hymns to Mary and the Saints.

[edit] Introduction of Continuous Singing

In early times the common method of singing in Presbyterian worship, was lining out, where a precentor read or sang one line and the congregation repeated it after them. The Directory of Public Worship,[4] says this:

That the whole congregation may join herein, every one that can read is to have a psalm book; and all others, not disabled by age or otherwise, are to be exhorted to learn to read. But for the present, where many in the congregation cannot read, it is convenient that the minister, or some other fit person appointed by him and the other ruling officers, do read the psalm, line by line, before the singing thereof.

It appears from the wording that this was a practical measure in 1650, not a doctrinal position. Lining out was used by other denominations as well for the practical reasons that many people were not sufficiently literate or because of a lack on hymnals.

From around 1720 onwards, many advocated the introduction of continuous (or regular) singing [5]. Continuous singing was introduced into many Presbyterian churches worldwide, even those that consider themselves to be following the traditional Presbyterian line on worship; there are some, who still practise lining out, such as the Steelites.

[edit] Introduction of Hymns

See also: Exclusive psalmody

In this context, "hymns" means hymns that are not part of the Bible; the word "hymn" is used in the Bible, but it is claimed that this refers to a specific type of psalm.

After singing psalms for 200 years, in 1861 the Church of Scotland first formally adopted hymns, with the Free Church of Scotland doing the same in 1872.[6]

[edit] Introduction of Instruments

See also: A cappella

Sometime near the beginning of the 20th century, musical instruments were introduced too.

[edit] References

  1. ^ J.H.S. Burleigh. A Church History of Scotland. 
  2. ^ Westminster Confession of Faith, Chapter XXI, paragraph I
  3. ^ Westminster Confession of Faith, Chapter XXI, paragraph V
  4. ^ Of the Singing of Psalms, Directory of Public Worship
  5. ^ The Regular Singing Controversy: The Case Against Lining-Out, Linda R. Ruggles
  6. ^ Sing the Lord's Song! Part 7, John W. Keddie