Prem Joshua

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Website: http://www.premjoshua.com/index.htm

Multi-instrumentalist and composer Prem Joshua is a pioneer in the field of World Music, exploring and creating a new synthesis in sound which takes us beyond the borders of both East and West. Haunting melodies on the sitar, bamboo flute and soprano sax soar over driving tabla rhythms - ancient Sanskrit and Sufi poems are re-awakened by captivating songs and chants. And while drawing inspiration from these deep wells of the musical traditions of the East, Joshua has never lost touch with the pulse of contemporary Western music. Over the years he has continued to refine his awesome talent for fusion, mixing meditative classical Indian ragas with highly energetic compositions, modern cutting-edge sounds and grooves, to create a music both distinctive and unique.

He is now the number 1 bestselling World Music artist in India and the daily newspaper "The Times of India" has lauded him as the new "Guru of Fusion". In 2003, the BBC nominated him for its prestigious “World Music Listeners Award”.

In early 2005 the music channel "MTV" invited Joshua and his band to give a half-hour live performance during one of their regular MTV live shows in Bombay. His performance was broadcast on TV several times - a rare opportunity for a musician of his genre to be featured on a TV music channel that otherwise concentrates mainly on mainstream music.

He has performed in front of prominent names such as Paul Getty III and Deepak Chopra to mention but a few. In addition, Sitar Maestro Ravi Shankar has blessed his concert tours and his daughter, Anoushka Shankar, herself a world-famous and outstanding sitar player, has said she simply loves Joshua´s unique sound and compositions.

Besides being busy with composing and studio recordings, Prem Joshua has always been a passionate live performer - he is as much at home on stage in Bombay as in the clubs of New York, touring the globe for almost 7 months each year.

For the last 15 years he has shared the stage with internationally acclaimed musicians from East and West, performing in the USA, Japan, India, Malaysia, Singapore, Israel and Europe.

Joshua´s concerts are enhanced by the mezmerising dance performances of Hina Sarojini (Singapore). She is quite simply his music in movement and combines Indian and Western dance traditions with an effortless, awe inspiring and spell binding grace.

About Prem Joshua Born to a musical family in Germany, Joshua began learning the flute at the age of five, becoming a fine flautist while still a child. As a teenager he was soon performing in various Rock, Jazz and Fusion bands as a flute and saxophone player, always searching for new ways of expressing and expanding his music.

However, his musical “discontent”, combined with his search for the spiritual, pulled him, perhaps inevitably, towards India - her culture and her music. He remembers vividly hearing Indian music for the first time, age 16 - a crackly vinyl record of a sitar performance by Ravi Shankar: “I had never heard anything like this before,” Joshua recalls. “This was beyond my musical grasp and experience but was something of such immense beauty and depth. It felt unfamiliar and mysterious - yet at the same time like a remembrance of something I knew very well.”

This experience changed his way of perceiving music completely. Thus it was, that in the late seventies, at the age of 18, he left home, he left high school, ended all his career plans, and traveled instead, overland from Europe to India - following the irresistible attraction and pull that the East had now cast over him.

On his subsequent overland trips to the East he traveled extensively throughout countries like Greece, Turkey, Iran, Afghanistan and Pakistan. And in each place he became deeply involved with the indigenous folk music he found there, playing live with and learning from, local musicians everywhere. “I loved the roots of this music and felt an immediate connection that I missed so much in Central European music,” he recalls.

When he reached India he had a sensation of knowing it; it felt like coming home! Along with the feeling of familiarity there seemed to be an inexplicable vibe of “at-ease-ness” in this country of mysteries, contradictions, colors and smells.

And this coming home to India was only the “outer” part of his journey. On his travels he came across the enlightened mystic, Osho. In the presence of this man with a long white beard, eyes as deep as the ocean and a strong sense of humor, he came in touch with the art of the “inner music” - Silence.

“This was really coming home! For the following years I did nothing but be around this man, go deeper in meditation and play, play, play music. Here I found the musical and spiritual nourishment and satisfaction that I had been looking for. I started playing with musicians from all over the world and learning from some of India's finest teachers, among them Maestro Ustad Usman Khan, who became my sitar mentor.”

Years later, in the early nineties when Osho had passed away, Joshua returned to the West after many years of study in India. He and his music had totally changed - it was time to share the overflow and time for his music to really blossom.

Until today he has released 14 albums under his name and played on countless studio recordings. He has traveled the world numerous times and played to an ever increasing number of music lovers whom he keeps inspiring with a musical space beyond the borders of traditions, religions and beliefs.

The Albums: Together with Kora player, Ravi, he formed his first recording and concert project, the band “Terra Incognita”. They released two albums on New Earth Records: NO GOAL BUT THE PATH (1991) and TRIBAL GATHERING (1992).

Over the next four years, four more albums with the same record label were released but now under Joshua's name: TALES OF A DANCING RIVER (1993), HAMSAFAR (1994), DESERT VISIONS (1995), and SECRET OF THE WIND (1996).

From “Terra Incognita” the band “Hamsafar” was born. “Hamsafar” had a clearly more danceable approach and in addition to touring extensively, in 1997 Joshua recorded one album, LIFEPRINTS, with the band, which was released by Re Nudo, Italy.

In 1998 he released MUDRA on his own label. Together with Dutch keyboardist, Maneesh de Moor, he created an unusual new sound by merging elements of Trance Music with the acoustic and more melodious flavors of Indian instruments. The album immediately became a favourite in the World Music and Asian Underground scene.

This was followed by the quieter, more “tantric” SKY KISSES EARTH in 1999, an album of slower grooves and rich Eastern melodies.

DANCE OF SHAKTI in 2000 was again a more fiery production with Danish studio wizard Rishi. Subtle elements of drum´n´bass and trance-lectronica synchronize with the sounds of Indian acoustic instruments and ancient Sanskrit mantras.

In 2001 he and his musical companion Manish Vyas created their first album together under both their names after 15 years of working together. WATER DOWN THE GANGES is a collection of tracks with a more meditative and acoustic flavor.

The year 2003 marked not one but two releases, both in the musical fields of Lounge, Ambient and Remix. Both albums introduce Joshua´s signature sound to an even wider audience: the first release is SHIVA MOON – PREM JOSHUA REMIXED BY MANEESH DE MOOR. The second album is DAKINI LOUNGE – PREM JOSHUA REMIXED. It features remixes of Joshua´s compositions by some of today´s finest remixers such as Karsh Kale, Sean Dinsmore, Joi, Niraj Chag and others.

In late 2004 he released the album "Yatri" which clearly emphasizes again on the timeless flavours of his acoustic instruments. This album stands as his tribute to India, a musical reflection of the love affair of a non-Indian with this country - interpreting the essence of Indian music with a very cosmopolitan approach. Not surprising, his fresh view and deep insight into Indian music and culture not only has created ardent fans all over the world - but is also and especially appreciated by Indian music lovers who already made "Yatri" a tremendous success.