Pleasures of the Harbor

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Pleasures Of The Harbor

Studio album by Phil Ochs
Released	November 1967
Recorded	mid-to-late 1967
Genre	Folk, Dixieland, Pop
Length	51:27
Label	A&M
Producer(s)	Larry Marks
All Music Guide link
Phil Ochs chronology
Phil Ochs In Concert (1966)	Pleasures Of The Harbor (1967)	Tape from California (1968)

Pleasures of the Harbor was Phil Ochs' fourth long player, and his first for A&M Records, released in 1967. It is one of Ochs's most somber albums. In stark contrast to his three albums for Elektra Records which had all been basically folk music, Pleasures of the Harbor featured traces of classical, rock and roll, Dixieland jazz and experimental synthesized music crossing with folk, in hopes of producing a "folk-pop" crossover.

The best known track is "Outside of a Small Circle of Friends", a sarcastic jab at the apathetic nature of people in certain situations, at its base the story of the murder of Kitty Genovese in New York City (which numerous people witnessed, doing nothing to help), set to a Dixieland backing. Its mention of marijuana in one verse, however ironically intentioned, was misinterpreted, and its release as a single failed to do anything on the charts as it was banned from radio play by many stations.

"The Party" savaged high-class snobs, with Ochs taking the role of a singing (not playing) lounge pianist, observing the ridiculous nature of their gatherings. "Flower Lady" was a six-minute narrative about contrasting characters in the city, with each anecdote having one thing in common; everyone ignores the poor woman trying to sell her flowers.

"Pleasures of the Harbor", the title track, is a bittersweet dirge to lonely sailors seeking human comfort and connection while in port. It features a lilting melodic line and what some consider to be an overblown orchestration (supposedly including a young Warren Zevon), a view which Ochs himself would later on come to share.

This recording of "Crucifixion", which closed the album, was deemed a failed experiment by Ochs, as far as its avant-garde production experiment (by Joseph Byrd) is concerned. Lyrically and musically, however, many consider the song to be Ochs' masterpiece. Its ten verses compare John F. Kennedy and Christ, and explore the "cycle of sacrifice" where we build up our leaders into heroes so that we can enjoy tearing them down. The song brought Kennedy's brother Robert to tears when Ochs performed it for him a cappella in early 1968, months before the younger Kennedy's own assassination. All live versions of the song performed in concert featured Ochs alone, with just his guitar and voice, and one of those starkly beautiful live performances is on the posthumously released compilations Chords of Fame and Farewells and Fantasies.