Piano Sonata No. 2 (Beethoven)

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Beethoven's piano sonata in A major, Op. 2, No. 2, was written in 1796 and dedicated to Joseph Haydn. It has four movements:

I. Allegro vivace: An athletic movement that has a bright disposition. The second theme of exposition contains some striking modulations for the time period. A large portion of the development section is in F major, which contains a third relationship with the key of the work, A major. A difficult, but beautiful canonic section is also to be found in the development. The recapitulation contains no coda and the movement ends quietly and unassumingly.

II. Largo appassionato: One of the few instances in which Beethoven uses the tempo marking "Largo", which was the slowest such marking for a movement. The opening imitates the style of a string quartet, and features a staccato bass against lyrical chords. A high degree of contrapuntal thinking is evident in Beethoven's conception of this movement. The key is the subdominant of A major, D major.

III. Scherzo: Allegretto: A short and graceful movement that is in many respects similar to a minuet. This is the first instance in his 32 numbered sonatas in which the term "Scherzo" is used. A stormy trio section adds contrast to the cheerful opening material of this movement.

IV. Rondo: Grazioso: A beautiful and lyrical rondo. The arpeggio that opens the repeated material becomes more elaborate at each entrance. The form of this rondo is A1-B1-A2-C-A3-B2-A4-Coda. The C section is rather agitated and stormy in comparison to the rest of the work, and is representative of the so called "Sturm und Drang" style. A simple but elegant V7-I closes the entire work in the lower register, played piano.

A typical performance lasts about 22 minutes.

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Sheet music: [1]

Piano Sonatas by Ludwig van Beethoven
Ludwig van Beethoven
Op. 2, No. 1 | Op. 2, No. 2 | Op. 2, No. 3 | Op. 7 | Op. 10, No. 1 | Op. 10 No. 2 | Op. 10 No. 3 | Op. 13 (Pathétique) | Op. 14, No. 1 | Op. 14, No. 2 | Op. 22 | Op. 26 (Funeral March) | Op. 27, No. 1 (Quasi una fantasia) | Op. 27, No. 2 (Quasi una fantasia — Moonlight) | Op. 28 (Pastoral) | Op. 31, No. 1 | Op. 31, No. 2 (Tempest) | Op. 31, No. 3 (The Hunt) | Op. 49, Nos. 1 and 2 | Op. 53 (Waldstein) | Op. 54 | Op. 57 (Appassionata) | Op. 78 | Op. 79 (Cuckoo) | Op. 81a (Les adieux) | Op. 90 | Op. 101 | Op. 106 (Hammerklavier) | Op. 109 | Op. 110 | Op. 111
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