Parvin E'tesami

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Parvin E'tesami is one of Iran's greatest poetesses.
Parvin E'tesami is one of Iran's greatest poetesses.

Parvin E'tesami also Parvin Etesami (in Persian: پروین اعتصامی; ‎ 19061941), was one of the most prominent Persian poets of 20th century.[1]

Parvin was the daughter of Yusuf E’tesami Ashtiani (a.k.a E’tesam ol-Molk). Born in 1906 in Tabriz, she studied at an American Girls College in Iran. She is considered the greatest Iranian poetess ever. Although she had a short life, she became famous after her works were published. She died in 1941 by typhus at the age of 35, and was buried in Qom, Iran. She changed her last name to reflect her father's position as E'tesami, or political governor.

In her short life, she managed to achieve great fame amongst Iranians. She was well respected in all circles of life, not just because of her brilliant and revolutionary works, but for her refined manners and the free spirit that she possessed.

Parvin started her poetry career at the young age of 9. She developed a style for expressing people’s pain by making comparisons to natural events. The political events in Iran had a great influence on her way of writing. One of her remarkable series, called Drunk but Aware (Mast vali Hoshyar), won admiration from everyone involved in romantic poetry in Iran.

Parvin is considered the greatest Persian poetess of the Persian classical style. Loneliness and seclusion from social activities - the lot of almost all Iranian women in her day - added to the sad experiences of a sensitive and tender soul and made her the most sincere voice of cruelty of the rulers and wealthy landlords. She knew of the corruption of the leading authorities in the judiciary and in the clergy. Her work, about 210 poems, reflects the reality of life in her day and offers moral solutions.

Although her technique in poetry is unquestionable, E'tesaami's language is at times archaic and she very much seems to be out of touch with the realities of modern life. She mostly repeated the cliches of the Persian traditional poetry as the subjects of her poems. This can be traced to her private education at home with her father, which meant that although she received a first-class eduation, she was almost completely sheltered from the world outside. This shelter broke when she married and had to live for a while in another city. The shock of the ouside world was too much for her fragile self to handle and she divorced and died soon afterwards.


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