Pablo Marcos

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Pablo Marcus (born March 31, 1937, Laran, Chincha Alta, Peru) is a comic book artist and commercial illustrator best known as one of his country's leading cartoonists and for his work on such popular American comics characters as Batman and Conan the Barbarian, particularly during the 1970s. His signature character was Marvel Comics' the Zombie, for which Marcos drew all but one story in the black-and-white horror-comics magazine Tales of the Zombie (1973-75).

1 Biography
- 1.1 Early life and career
- 1.2 American comics
2 Other work
3 References

[edit] Biography

[edit] Early life and career

James Bond 007 Peruvian comic-strip panel by Marcos, 1960s

Born in the small town of Laran, 180 kilometers from the Peruvian capital city of Lima, Pablo Marcos moved with his family to the capital at age five. Parents Pablo (a taxi and gasoline-truck driver) and Maria Ortega Marcos had four children at the time: Gloria, Berta, Pablo, and Manuel, later to be joined by Alfredo (who would become a cartoonist and caricaturist in Peru as an adult) and Oswaldo. While at the Bartolome Herrera high school, Marcos studied under teacher and artist Juan Rivera Saavedra, who introduced him to the works of Argentine, Chilean, Italian and American comics artists such as Alberto Breccia, Arturo Del Castillo, Hal Foster, Burne Hogarth, Hugo Pratt, Alex Raymond and Jose Luis Sallinas, among others. After three years, political cartoonist Julio Fairle had Marcos fill-in for him with spot illustrations in the influential Latin American newspaper La Prensa, which led to more newspaper. Marcos later contributed caricatures to such weekly political magazines as Rochabus and Zamba Conuto while still an economics major at Peru's University of Lima. He married Norma Martinez in 1960, and the couple had a child, Judith, that same year.

During the 1960s, Marcos drew such comic strips as Benito Puna and James Bond 007 in Peruvian newsppapers. He became art director of the newspaper Expreso, working as well on its evening edition, Extra, and a weekly supplement, Estampa. His and Martinez' second child, Gisella, was born in December 1963. Marcos became nationally known in 1965, following his illustrations for the trial and execution by firing squad of a convicted rapist. This wider recognition led to advertising artwork and high-profile political, news, and sports illustration.

In early 1965, Carlos Sanchez, Expreso’s editor assigned Pablo to cover a camera banned sentencing of a prisoner at the city’s jail. The rapist was found guilty and was executed by a firing squad, which Pablo detailed in an illustration for the newspaper. The illustration brought him national recognition from all the major Peruvian publishers. On Dec. 29, 1966, his and Martinez' third daughter, Norma, was born, and Marcos began freelancing for the Mexican publishing company Editorial Novaro. The following year, while working on the Novaro series Legends of America, the Marcos family, including son Pablo, born Dec. 19, 1967, moved to Mexico.

[edit] American comics

Marcos moved to New Jersey in the U.S. in the 1970s. Warren Publishing art director Billy Graham assignment him his first American-comics work, penciling and inking the six-page story "The Water World", by writer Buddy Sounders, in Warren's black-and-white horror-comics magazine Creepy #39 (May 1971). After another Creepy story and one in companion magazine Eerie that year, Marcos drew comics exclusively for rival Skywald Publications' Nightmare and Psycho from May 1972 to May 1973 cover-dates. Skywald co-founder Sol Brodsky introduced Marcos to fellow Peruvian artist Boris Vallejo, who became a mentor.

Giant-Size Dracula #2 (Sept. 1974), cover-artist Marcos' first American color comics work

When Brodsky, who had been Marvel Comics' production manager, left Skywald to return to Marvel, he brought Marcos along as an artist and later his staff assistant for roughly two months. Marcos began drawing covers for such Marvel UK titles featuring such characters and features as Captain Britain, Planet of the Apes, and Dracula. Marcos' naturalistic, "illustrative" style, similar to that of Neal Adams, became a mainstay of Marvel's black-and-white horror-comics magazines Dracula Lives, Monsters Unleashed, Tales of the Zombie, Vampire Tales and others, and the exposure afforded by industry leader Marvel made Marcos a popular artist of the 1970s.

His first color-comics work in the U.S. was the cover of Marvel's Giant-Size Dracula #2 (Sept. 1974). Marcos' interior-art debut came at publisher Martin Goodman's short-lived Atlas/Seaboard Comics, illustrating the sword-and-sorcery title Iron Jaw #3 (May 1975). He went on to draw the following issue, plus the Iron Jaw story in Barbarians #1 and the cover of The Brute #3 (both July 1975) before the company folded.

Marcos next freelanced for DC Comics, drawing Man-Bat stories in Detective Comics, and working on an issue or two each of series including Freedom Fighters, Kamandi, Kobra, Secret Society of Super-Villains, and Teen Titans before returning to Marvel to do art for issues of The Avengers, The Mighty Thor and other comics. In 1980, Marcos additionally freelanced for an Italian comic-book series, Tremila Dollari per Ebenezer Cross Western Story, and created a series, "Dragon" for the Italian magazine Ejea.

By the early 1980s, Marcos was at work at what would become one of his signature characters, inking penciler John Buscema on Conan the Barbarian comic books, the black-and-white magazine The Savage Sword of Conan, and the newspaper comic strip. In September 1985, however, Marcos reduced his workload in order to attend to his severely ill wife, a patient at New York University Medical Center, who passed away on November 6, 1985, age 42. Unable to concentrate on penciling, Marcos solely linked for some time afterward. He married artist Myriam Giraldo on Dec. 10, 1987.

The following year, Marcos created the character Suko the Eternal Samurai, a Japanese time-traveler, but was unable to sell the concept. He then illustrated a long run of DC's TV tie-in series Star Trek: The Next Generation through the early 1990s, and again from 1993-1994, the year he and his wife moved to Mexico City, where they opened the comic-book store Dynamic Comics. His last known comics work was the 14-page, painted story "Om", scripted by Ron Fortier from a Marcos plot, in Quantum Cat Entertainment's Frank Frazetta Fantasy Illustrated #7 (July 1999).

[edit] Other work

In the 1990s and 2000s, the Pablo Marcos Studio illustrated many books in the Baronet Books and later Abdo Publishing Company's "Great Illustrated Classics" young-adult adaptations of such novels as Gulliver's Travels, The Invisible Man, Jane Eyre, The Jungle Book, King Solomon's Mines, A Little Princess, and The Three Musketeers. His studio similarly illustrated Baronet's "Heroes of America: Illustrated Lives" series, including Clara Barton and the American Red Cross and Babe Ruth. He also draws for Sports Illustrated magazine.