Orchestra Ethiopia

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Orchestra Ethiopia was an Ethiopian performing group formed in 1963 by the Egyptian-born American composer and ethnomusicologist Halim El-Dabh. The group, which was founded in Addis Ababa, comprised up to 30 traditional instrumentalists, vocalists, and dancers from many different Ethiopian regions and ethnic groups (including Amhara, Tigray-Tigrinia, Oromo, Welayta, and Gimira). It was the first ensemble of its type, as these diverse instruments and ethnic groups previously had never played together. For a time, due to El-Dabh's efforts, the Orchestra was in residence at the Creative Arts Centre of Haile Selassie I University (now Addis Ababa University). Its main instruments included krar (medium lyre), masenqo (one-string fiddle), begena (large lyre), washint (end-blown flute with finger holes), embilta (end-blown flute without finger holes), malakat (straight trumpet), kabaro (drum), and other percussion instruments. Many of its performances were theatrical in nature, such as the drama The Potter, which was arranged by El-Dabh.

Following El-Dabh's departure from Ethiopia in 1964, subsequent directors included John G. Coe, an American Peace Corps volunteer (1964-1966); and Tesfaye Lemma (1966-1975), both of whom composed and arranged for the group.[1] During Lemma's tenure as director, in 1968, another American Peace Corps volunteer, the Harvard-educated Charles Sutton, Jr., was assigned by the Peace Corps to assist the Orchestra as Administrator, a position in which he continued until 1970. Sutton had arrived in Ethiopia in 1966 and, immediately attracted to Ethiopia's traditional music, actually mastered the masenqo, studying with Orchestra member Getamesay Abebe. He began performing with the Orchestra in March 1967 (playing masenqo and singing in Amharic), at Lemma's invitation. The group performed frequently in hotels and at the U.S. Embassy in Addis Ababa, and appeared on national radio (including Radio Voice of the Gospel) and television. The group also had an audience with Emperor Haile Selassie I.

In the spring of 1969, due to the efforts of Sutton and the Peace Corps, Orchestra Ethiopia toured the Midwest and East Coast of the United States, under the name "The Blue Nile Group," performing in Town Hall and on The Ed Sullivan Show (in early March).

The group released two LP recordings, both entitled Orchestra Ethiopia. The first, subtitled "The Blue Nile Group," was released on Tempo Records c. 1969; and the second was released on Blue Nile Records, in 1973 or 1974. The Orchestra was also featured in a National Geographic documentary film entitled Ethiopia: The Hidden Empire (1970).[2] By 1975, due to the upheavals caused by the Derg revolution, the group finally disbanded, although many of its musicians continued to perform with other groups, and as soloists. The group's washint player, Melaku Gelaw, lives and continues to perform and record in Washington, D.C.; Tesfaye Lemma, now retired, lives in Washington, D.C. Masenqo player Getamesay Abebe and drummer, vocalist, and star dancer Zerihun Bekkele, both retired, continue to live in Ethiopia. Washint player Yohannes Afework, who had replaced Gelaw, lives in Addis Ababa and is retired from the Mazegajabet (Municipality) Orchestra. Coe, the former Executive Director of the Wyoming Arts Council, is now retired and living in Wyoming; and Sutton performs today as a jazz pianist in Connecticut (and continues to play masenqo for special occasions).

A selection of the Orchestra's archival recordings is scheduled for release in Buda Musique's Ethiopiques CD series, with the liner notes being prepared by Sutton and Lemma.

[edit] References

El-Dabh, Halim (1964). "Music Enriched by Traditions from the Depths of Time." The New York Times, September 20, 1964, sec. 2, p. 15.
Jabbour, Alan, and Joseph C. Hickerson (1970). "African Recordings in the Archive of Folk Song." The Quarterly Journal of the Library of Congress, July 1970 (v. 27, no. 3), pp. 283-88.
Kimberlin, Cynthia Tse (2005). "Orchestra Ethiopia 1963-1975: Halim El-Dabh, Catalyst for Music Innovation and Preservation" (2005). In Multiple Interpretations of Dynamics of Creativity and Knowledge in African Music Traditions: A Festschrift in Honor of Akin Euba on the Occasion of His 70th Birthday, ed. Bode Omojola and George Dor. Point Richmond, California: MRI Press. ISBN 0-9627473-7-8.
Publications & Foreign Languages Press Department, [Ethiopian] Ministry of Information (1968). Music Dance and Drama in Ethiopia. Patterns of Progress [series], Book 9. Addis Ababa: Publications & Foreign Languages Press Department, Ministry of Information [of Ethiopia].
Seachrist, Denise A. (2003). The Musical World of Halim El-Dabh. Includes compact disc. Kent, Ohio, United States: Kent State University Press.