Nuestra Señora dela Soledad de Porta Vaga
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Nuestra Señora dela Soledad de Porta Vaga - the patroness of Cavite City, also called "Reina de Cavite" and "La Virgen de la Soledad". The Blessed Virgin Mary is depicted as Our Lady of Sorrows. Mary, garbed in black and white attire, seems to be on her knees as she contemplates the Passion of Her Son, Jesus. Before her are the crown of thorns and the nails, the instrument of Christ's Crucifixion.
[edit] Arrival of the Image
A legend narrates that many years ago, a small detachment of Spanish carabiniero was stationed at a sentry post called garita located at the end of the Isthmus of Rosario. One stormy night, while a Spanish sentinel was at his post, he perceived a halo of a bright shifting light. A dazzling apparition rose form the currents of Cañacao Bay startling the sentry wih suspicion that it could be Muslim pirates who were out to ransack the puerto because that time, Cavite was at the peak of economic prosperity because of the galleon trade. Frightened, he shouted "Alto! Alto!" ("Halt! Halt!"). However, instead of stopping, the light proceeded toward him. Hence, in a loud voice he asked, "Quien vive?" ("Who is there?"). He then heard a sweet and melodious voice saying; "Soldadito, porque el alto me das en noche tan fria? Dame paso. No conoces a Maria?"[1] The sentinel, struck in awe and confusion, humbly and repentantly replied, "Perdoname, Virgen Maria, Reina de mi devocion; pues solo soy un soldado que cumplo mi obligacion!"[2]
The morning after the stormy night was serene and sunny. The early risers, mostly fisherman and workers at the Cavite Royal Arsenal, usually passed through the Porta Vaga gate in entering the puerto, and to their surprise, along the beach of Cañacao Bay, they found a framed image of the Virgen de la Soledad. It was close to the spot where the Virgin appeared the previous night. They brought the image to the parish priest who temporarily installed it in the parish church. Later a small chapel was built near the Porta Vaga walls, and for three centuries it was the shrine of the Virgen de la Soledad.
Another story tells that the image was found by a fisherman on their way back home from work in an unoccupied banca (fishing boat) near the Garita, a tiny school house in the isthmus.
The image of Our Lady is painted on a canvas. An inscription was found at the back of the painting. A doze de Abril 1692 años Juan Oliba puso esta Stma. Ymagen Haqui, which means,"The sacred image was placed here by Juan Oliba on April 12,1692. This particular icon was used to bless the galleon plying between Cavite and Acapulco (Mexico) during formal sending off ceremonies. Thus, she was called the Patroness of the Galleon. The most venerated image of La Virgen de la Soledad de Porta Vaga is an invaluable treasure inherited by the Caviteños from their antepasado (ancestors). This is the oldest existing dated Marian painting in the Philippines. The Virgen de la Soledad was acknowledged as the Celestial Guardian and Protectress of the entire province of Cavite and the port since her arrival in Cavite shore.
In 1892 Don Julian Felipe, the Philippine National Anthem composer, composed the hymn "REINA de CAVITE", on the occasion of her fiesta in which Caviteños celebrate it every second Sunday in the month of November, and for the opening of the Exposicion Regional Caviteña. The lyric of the hymn was taken from the poem Himmo a la Virgen de Cavite written by Fr. Tomas de Andrade, the rector of the Jesuit College of Cavite sometime in 1689.
- REINA DE CAVITE
- Reina de Cavite per siempre seras:
- Es prenda tu nombre de jubilo y paz:
- Reina de Cavite por siempre seras;
- Es prenda tu nombre de jubilo y paz.
- Madre Immaculada, prez del serafin,
- Luz de Filipinas, protegenos sin fin:
- Luz de Filipinas, protegenos sin fin.
