Niccolò Tommaseo

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Niccolò Tommaseo (Sebenico 1802, Florence 1874) was an Italian linguist, journalist and essayist, the editor of a Dizionario della Lingua Italiana, a dictionary of synonyms (1830) and other works.

Born at Sebenico, which was in quick succession Venetian, Napoleonic and Habsburg, Tommaseo was culturally Italian, but expressed genuine interest in the Illyrian popular culture. His education, pursued at Split/Spalatro, was a humanistic one with a sound Catholic basis. Having received his laureate in law (Padua, 1822) he passed several years as a journalist roving between Padua and Milan, where he came in contact with Manzoni and Antonio Rosmini-Serbati. In this period of life he began his collaboration in the Antologia of Giovan Pietro Vieusseux, founder of the Gabinetto Vieusseux, the reading room and intellectual centre in Florence

Tranferred to Florence in the autumn of 1827, he became a friend of Gino Capponi and developed into one of the important voices in the Antologia. In 1830 appeared the Nuovo Dizionario de' Sinonimi della lingua italiana which confirmed his public reputation. Following the protests of the Austrian government against an article defending the Greek revolution that resulted inb the closure of the journal in which he was publishing, he sought voluntary exile in Paris.

In his Paris years appeared the political work Dell'Italia (1835), the volume of verses, Confessioni (1836), the historical fiction Il Duca di Atene (1837), a commentary on the Divine Comedy (1837), and his Memorie Poetiche (1838).

From Paris he removed to Corsica, where with the support and collaboration of the magistrate and essayist of Bastia, Salvatore Viale, he worked to compile the copious Italian oral traditions of the island, where he claimed to find the purest Italian dialect.

In Venice he published the first two installments of his novel Fede e Bellezza, praised today as an early example of the psychological novel. His anthology of popular songs, Canti popolari italiani, corsi, illirici, greci (1841) and the Scintille (1842) are rare examples of a metropolitan culture above nationalism.

In 1847 he returned to the journalistic forum, and as an outspoken defender of liberalizing laws for a wholly free press found himself arrested, causing a scandal: he was freed in the course of the liberal revolution headed by Daniele Manin and assumed responsibilities in the briefly-renewed Venetian Republic, which cost him an exile in Corfù when Habsburg control was reasserted over Lombardy-Venetia. In Corfù, with his eyesight failing, he nevertheless managed to write numerous essays, among which, in Rome et le monde (written in French), he declared, as a good Catholic, the necessity of the Church's relinquishing temporal power in the Papal States. In this time he abandoned his hopes for the "moderate" road to the Unification of Italy through the House of Savoy

In 1854, with his vision ever more compromised, he removed to Turin (1854) then once again to Florence (1859), where he took a villa at Settignano. His opposition to the House of Savoy occasioned his refusal of all honours, including a seat in the Senate. In his final years, he devoted himself to the weighty dictionary of the Italian language, in seven volumes, which was completed in 1874, after his death.