Mykola Lysenko

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Statue of Mykola Lysenko in Kiev.
Statue of Mykola Lysenko in Kiev.

Mykola Vitaliyovych Lysenko (Ukrainian: Микола Віталійович Лисенко, October 22 [O.S. October 3] 1842November 6 [O.S. October 24] 1912) was a Ukrainian composer, pianist, conductor and folksong collector.

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[edit] Biography

He was born in Poltava Oblast son of Vitaliy Romanovich Lysenko (Ukrainian: Віталій Романович Лисенко). Since childhood he was very much impressed by the folksongs of Ukrainian peasants and the poetry of Taras Shevchenko. When Shevchenko died in 1861, Lysenko was a pallbearer. During his time at Kiev University, Lysenko dedicated himself to collecting and arranging Ukrainian folksongs, published in seven volumes. One of his principal sources was the minstrel Ostap Veresai (after whom Lysenko named his son later on).

Lysenko took orchestration lessons from Nikolay Rimsky-Korsakov in the mid 1870s and took part in the activities of the Russian Musical Society, but his strong Ukrainian nationalism and disdain for Russian czarism kept him from achieving much success with that organization. He supported the 1905 revolution and was in jail briefly in 1907. In 1908, he was the head of the Ukrainian Club, an association of Ukrainian national public figures.

For his opera librettos Lysenko insisted on using Ukrainian language librettos. Tchaikovsky was impressed by Lysenko's Taras Bulba and wanted to perform the work in Moscow, but Lysenko's insistence on it being performed in Ukrainian, not Russian, prevented the performance from taking place.

In his later years, Lysenko easily raised funds to open the Ukrainian School of Music, and his death was mourned by all Ukrainians. Lysenko's daughter Maryana followed his footsteps as a pianist, while his son Ostap taught music in Kiev.

[edit] Music

His music is little known outside Ukraine, and his piano works, considered derivative of Chopin, are not of as much interest to musicologists as his vocal music.

[edit] References

  • The World of Mykola Lysenko: Ethnic Identity, Music, and Politics in Nineteenth-Century Ukraine. Taras Filenko, Tamara Bulat. Ukraine Millennium Foundation (Canada). 2001. Hardcover. 434 pages. ISBN 966-530-045-8.

[edit] External links

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