Mitch Miller
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Mitch Miller (born Mitchell William Miller on July 4, 1911 to a Jewish family in Rochester, New York), is remembered as one of the best-selling recording artists of the 1950s and early '60s. He was an executive at Columbia Records for many years and headed his own male choir, "Mitch Miller and the Gang", before striking out on his own.
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[edit] Education and early career
A graduate of the Eastman School of Music, Miller is an accomplished oboe and English horn player. He supported himself in the 1930s and 1940s as a session musician. Among his more celebrated studio dates in the non-classical field were for The Voice of Frank Sinatra and bebop pioneer Charlie Parker's famous Bird With Strings albums. He played in the CBS house orchestra for the 1938 Orson Welles War of the Worlds broadcast. He later recorded Sibelius's Swan of Tuonela with Leopold Stokowski for RCA, and the Mozart Oboe Concerto for Columbia Records.
[edit] Record producer and A&R
Miller served as the head of A&R (artists & repertory) at Mercury Records in the late forties. In 1950 he took the same position at Columbia Records, where he would remain until the early 1960s. Miller signed and produced many important pop standards artists for Columbia, including Frankie Laine, Johnnie Ray, Ray Conniff, Percy Faith, Johnny Mathis, Tony Bennett, and Guy Mitchell (whose pseudonym actually was based on Miller's first name), and helped direct the careers of artists who were already signed to the label, like Doris Day, Dinah Shore and Jo Stafford to just name a few.
[edit] Miller as a record producer
As a record producer, Miller gained a reputation for both innovation and gimmickry. According to music historian Will Friedwald:
| “ | Miller also conceived of the idea of the pop record 'sound' per se: not so much an arrangement or a tune, but an aural texture (usually replete with extramusical gimmicks) that could be created in the studio and then replicated in live performance, instead of the other way around. Miller was hardly a rock 'n' roller, yet without these ideas there could never have been rock 'n' roll. 'Mule Train,' Miller's first major hit (for Frankie Laine) and the foundation of his career, set the pattern for virtually the entire first decade of rock. The similarities between it and, say, 'Leader of the Pack,' need hardly be outlined here. | ” |
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— Will Friedwald noted in Sinatra: The Song Is You, Da Capo Press, 1997.
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While this did not always sit well with Columbia's more established performers (Frank Sinatra, for example), Columbia had an amazing hit-to-release ratio during that time.
[edit] Miller and rock music
Miller is frequently (and probably unfairly) referred to by rock music historians as an "enemy" of early rock and roll. He did back John Hammond's signing of Bob Dylan to capitalize on the folk music craze. While he did ultimately lose his job as Columbia head for not signing the types of acts teenagers were buying, Miller did originally attempt to sign Elvis Presley, but balked at the amount Presley's manager, Colonel Tom Parker, was asking for.
[edit] Sing Along With Mitch
In the 1960s Miller became a household name with his television show Sing Along With Mitch, a sing-along program featuring him and a male choir. During the second season of "Sing Along with Mitch," Mitch Miller himself coined the catch phrase "All Smiles." These were preceded by the instructions to "sing along; just follow the bouncing ball" (a large dot that "bounced" above the words that were superimposed on television of the song that Mitch was singing). Miller's biggest hits with the choir were "The Yellow Rose of Texas," a drum-propelled version of the old March, and "Colonel Bogey March", then enjoying new popularity from its use in the movie The Bridge on the River Kwai (1957). In addition to the television show, Miller and his choir recorded a series of best-selling albums.
One of the singers in Miller's choir, Bob McGrath, went on to a long career as one of the hosts of the PBS children's television show Sesame Street.
[edit] Awards and recognitions
Miller has guest-conducted many of the top American orchestras.
Miller received the Grammy Lifetime Achievement Award in 2000.
