Michael Wadleigh

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Michael Wadleigh (born September 24, 1941) is an American movie director and cinematographer renowned for his groundbreaking documentary of the 1969 Woodstock Festival.

A native of Akron, Ohio, Wadleigh entered films in his early twenties as a cinematographer on independently-produced low-budget films David Holtzman's Diary and I Call First (both 1967) and My Girlfriend's Wedding (1969). Billed as Michael Wadley, he gained notice for his work from critics who followed independent and underground films, but the films, primarily aimed at a specialized and counterculture audience, brought him no financial security.

In April-May 1969, Wadleigh undertook the monumental task of documenting the rock music festival scheduled in the area of Woodstock, New York on August 15-18. He arrived on the site in Bethel with over a thousand reels of film and a crew of several camera operators. The finished product was said to have consisted of about 120 miles of footage which, over the next months, was edited down to 184 minutes. Warner Brothers, the film's primary financial backer, released it on March 26, 1970.

The film, which reportedly cost $600,000, earned over 50 million dollars in U.S. box office, and additional millions from foreign rentals, but due to a complicated arrangement with Warner Brothers, Wadleigh received only a small percentage of the profits. Woodstock stands as a milestone in the documentary film field, receiving an Academy Award for Documentary Feature at the 1971 ceremony.

Janis, a 1974 documentary about Janis Joplin gave Wadleigh credit as cinematographer for his archive footage, but it would be eleven years after the release of Woodstock before he received his next and, last to date, directorial credit. Wolfen, a uniquely original 1981 horror phantasmagoria based on the novel by Whitley Strieber was praised for its dreamlike nature and striking visual quality, but despite a top-notch star turn from Albert Finney, turned out to have been too offbeat for the general public to achieve financial success. Wadleigh also wrote Wolfen's screenplay and can be seen in a bit part, billed as "Terrorist Informer".

Little has been heard from Michael Wadleigh in the quarter-century since Wolfen. He has been variously reported as having returned to his hometown of Akron, working as a bus driver for local transit and, more recently, in 2004, as managing an educational media company in New Hampshire and later, Maine.

In August 1994, twenty four years after its original showing, a 228-minute "director's cut" of Woodstock was released, and in 1999, another Woodstock-based documentary, Jimi Hendrix: Live at Woodstock gave Wadleigh another archive footage credit for cinematography.

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[edit] Further Reading

  • Dave Saunders, Direct Cinema: Observational Documentary and the Politics of the Sixties, London, Wallflower Press 2007