Meredith Sue Willis

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Meredith Sue Willis (born 1946 in Clarksburg, West Virginia), is a writer and teacher probably best known as a member of the literary renaissance in Appalachia during the second half of the 20th century. She is also one of the seminal group of artists and writers who went into the public schools beginning in the late 1960's who have had an effect on the teaching of creative writing and the other arts.

A well-known speaker and writer about the teaching of writing, her own novels include A Space Apart, Higher Ground, Only Great Changes, Trespassers, and Oradell at Sea. Her short story collections are In the Mountains of America and Dwight's House and Other Stories. Her work has been praised in periodicals like The New York Times Book Review, The Nation, The San Francisco Chronicle, and many other periodicals.

She has won major awards including literary fellowships from the National Endowment for the Arts and the New Jersey State Council on the arts, and her fiction has won prizes like the PEN Syndicated Fiction Award and the West Virginia Library Association award, as well as the Chaffin Award for fiction.

An early writer-in-the-schools with Teachers and Writers Collaborative, she has turned many of her experiences teaching writing into three books for teachers and writers (Personal Fiction Writing, Deep Revision, and Blazing Pencils) and three novels for children (The Secret Super Powers of Marco, Marco's Monster, and Billie of Fish House Lane). She is a past Distinguished Teaching Artist of the New Jersey State Council on the Arts.

Contents 1 External links 2 Bibliography 2.1 Novels for Adults 2.2 Collections of Short Stories 2.3 Novels for Children 2.4 Nonfiction About Writing 2.5 Selected Commentary on Meredith Sue Willis

[edit] External links

• Virginia Tech English Department Literary Biographies
• West Virginia Wesleyan College Bio Page
• Mountain Lit: West Virginia Author Awards and Honors
• West Virginia Folklife Literary Map
• Emory & Henry College 25th Anniversary Literary Celebration
• Teachers and Writers Collaborative Bio
• Personal Web Page

[edit] Bibliography

[edit] Novels for Adults

• A Space Apart (1979, 2005)
• Higher Ground (1981, 1998)
• Only Great Changes (1985, 1998)
• Trespassers (1997)
• Oradell at Sea (2002)
• The City Built of Starships (2005)

[edit] Collections of Short Stories

• Dwight's House and Other Stories (2004)
• In the Mountains of America (1994)

[edit] Novels for Children

• The Secret Super Powers of Marco (1994. 1995. 2001)
• Marco's Monster (1996, 2001)
• Billie of Fish House Lane (2006)

[edit] Nonfiction About Writing

• Personal Fiction Writing: A Guide to Writing from Real Life for Teachers, Students, and Writers (2000 & 1984)
• Deep Revision: A Guide for Teachers, Students, and Other Writers (1993)
• Blazing Pencils: A Guide to Writing Fiction and Essays (1990)

[edit] Selected Commentary on Meredith Sue Willis

• Keith Maillard, "Gaining the Higher Ground: An Appreciation,” Appalachian Heritage: A Literary Magazine of the Southern Appalachians, Vol. 34, No. 4, Fall 2006, p. 38.
• Nathan Leslie, “Meredith Sue Willis Interviewed by Nathan Leslie,” Main Street Rag, Volume 11, Number 1, Spring 2006.
• Belinda Anderson, “Meredith Sue Willis at Ease: An Interview with the author of Oradell at Sea” Artworks (West Virginia Division of Culture and History, The Cultural Center, 1900 Kanawha Blvd.E, Charleston, WV 25305-0300), Winter 2002-2003, p. 5.
• Gina Herring, “Politics and Men: What's ‛Really Important' About Meredith Sue Willis and Blair Ellen Morgan,” Appalachian Journal, (Appalachian State University, Boone, NC 28608), Volume 25, Number 4, Summer 1998, pp. 414-422.
• Thomas E. Douglass, “A View from Higher Ground: Meredith Sue Willis and the Appalachian Renaissance,” The Iron Mountain Review: Meredith Sue Willis Issue (Department of English, Box 64, Emory & Henry College, Emory, VA 24327), Volume XII, Spring 1996, pp. 13-18.
• Tal Stanley, “Making That New Place: Blair Morgan's Coming of Age and Meredith Sue Willis's Social Vision,” The Iron Mountain Review: Meredith Sue Willis Issue (Department of English, Box 64, Emory & Henry College, Emory, VA 24327), Volume XII, Spring 1996, pp. 19-25.
• Jack L. Wills, “The Story's the Thing: The Power of Narrative in In the Mountains of America,” The Iron Mountain Review: Meredith Sue Willis Issue (Department of English, Box 64, Emory & Henry College, Emory, VA 24327), Volume XII, Spring 1996, pp 26-30.
• Thomas E. Douglass, “Interview with Meredith Sue Willis,” Appalachian Journal (Appalachian State University, Boone, NC 28608), Volume 20, Number 2, Spring 1993, pp. 284-293.
• Nancy Carol Joyner, “The Poetics of the House in Appalachian Fiction,” in The Poetics of Appalachian Space, ed. Parks Lanier, Jr., (Knoxville: University of Tennessee Press, 1991).
• Barbara Melosh, “Historical Memory in Fiction: The Civil Rights Movement in Three Novels,” Radical History # 40, January 1988 (445 W. 59th St., Room 4312, New York, NY 10019), pp. 64-76.
• Ken Sullivan, “Gradual Changes: Meredith Sue Willis and the New Appalachian Fiction,” Appalachian Journal 14, 1986, pp. 38-45.
• Leslie Hanscom, “Looking Back Upon A Summer in VISTA; Leslie Hanscom Talks With Meredith Sue Willis,” Newsday, February 3, 1985, p. 18.