Maya Hero Twins

From Wikipedia, the free encyclopedia

The Hero Twins feature prominently in Maya mythology, with the 16th-century Popol Vuh and ancient Maya ceramics as its main sources.

According to the Popol Vuh, the Hero Twins were Xbalanque and Hunahpu. Together with their father and uncle, Hun-Hunahpu and Vucub-Hunahpu, they were ball-players. Following his defeat in the ballgame, the father was killed by the lords of Xibalba, and his skull was hung in a tree. When the daughter of one of the lords of Xibalba, Xquic, approached the tree, the skull talked with her, and then spat into her hand. In this way she became pregnant with the Hero Twins. The Twins grew up to avenge their father, and after many trials, finally defeated the lords of the Underworld in the ballgame.

Popol Vuh features other episodes involving the Twins as well, including the liquidation of a proud avian deity, Vucub-Caquix, and of his two demonical sons. The twins also struggle against the Howler Monkey Gods, who were patrons of artists and scribes, and according to Popol Vuh were also sons of Hun-Hunahpu.

The other main source for Hero Twin mythology is much earlier and consists of representations found on Maya ceramics until about 900 A.D. Clearly recognizable are the figures of Hunahpu, Xbalanque, and the howler monkey scribes and sculptors. Certain scenes are suggestive of Popol Vuh episodes. The Twins' shooting of a steeply descending bird (the 'Primary Bird Deity') with blowguns has been taken to represent the defeat of Vucub-Caquix. Another identification involves a hypothetical extension of the Popol Vuh narrative: the principal Maya maize god rising from the carapace of a turtle and held by the Hero Twins is believed by many to visualize the resurrection of the Twins' father, Hun-Hunahpu.

It has been noted that in the upperworld scenes of the Popol Vuh, Hunahpu takes the dominant role, whereas in the underworld-related scenes, Xbalanque is the leader. Las Casas described Xbalanque as having entered the underworld as a war leader. Xbalanque is also the male protagonist in the Q'eqchi' myth of Sun and Moon, where he is hunting for deer (a metaphor for making captives), and is already mentioned by Las Casas in connection with the Q'eqchi' town of Coban. In these cases, Hunahpu has no role to play.

The name, "Xbalanque" has been variously translated as 'Jaguar Sun' (x-balam-que) and 'Hidden Sun' (x-balan-que). The initial sound probably stems from yax ('precious'), since in Classical Maya, a hieroglyphic element of this meaning precedes the pictogram of the hero. For the combination of prefix and pictogram, a reading as Yax Balam has been proposed. The name, "Hunahpu", or rather, Hun-ahpu , is usually understood as Hun-ahpub One-Blowgunner, the blowgun characterizing the youthful hero as a hunter of birds.

In classical Maya ceramics, the twins are regularly depicted together with the main Maya maize god. Hunahpu is distinguished by black spots on his skin, which are probably those of a corpse, i.e., of one who descended into the underworld. Xbalanque is distinguished by jaguar patches on his skin and by whiskers or a beard.

Contents

[edit] Early life

Hunahpu and his brother were conceived in an unusual fashion, when their mother Xquic spoke with the decapitated head of their father Hun Hunahpu. The skull spat upon the maiden's hand, and it was this act that caused the twins to be conceived in her womb. Xquic sought out Hun Hunahpu's mother, who begrudgingly took her in after setting up a number of trials to prove her identity.

Even after birth, Hunahpu and Xbalanque were not well treated by their grandmother or their older half-brothers, One Howler Monkey and One Artisan. Immediately after their births, their grandmother demanded they be removed from the house due to their crying, and their elder brothers obliged by placing them in unusual places to sleep; on an anthill and among the brambles. Their intent was to kill their younger half-brothers out of jealousy and spite, for the older pair had long been revered as fine artisans and thinkers, and feared the newcomers would steal from the attention they received.

The attempts to kill the young twins after birth were a failure, and the boys grew up without any obvious spite for their ill-natured older siblings. During their younger years, the twins were made to labor, going to hunt birds which they brought back for meals. The elder brothers were given their food to eat first, in spite of the fact they spend the day singing and playing while the younger twins were working.

Hunahpu and Xbalanque demonstrated their wit at a young age in dealing with their older half brothers. One day the pair returned from the field without any birds to eat, and were questioned by their older siblings. The younger boys claimed that they had indeed shot several birds but that they had gotten caught high in a tree and were unable to retrieve them. The older brothers were brought to the tree and climbed up to get the birds, when the tree suddenly began to grow even taller, and the older brothers were caught. This is also the first instance in which the twins demonstrate supernatural powers, or perhaps simply the blessings of the greater gods; the feats of power are often only indirectly attributed to the pair.

Hunahpu further humiliated his older brethren by instructing them to remove their pants and tie them about their waists in an attempt to climb down. The pants became tails, and the brothers were transformed into monkeys. When their grandmother was informed that the older boys had not been harmed, she demanded they be allowed to return. When they did come back to the home, their grandmother was unable to contain her laughter at their appearance, and the disfigured brothers ran away in shame.

[edit] Defeat of Seven Macaw and his family

At a point in their lives not specified in the Popol Vuh, the twins were approached by the god Huracan regarding an arrogant god named Seven Macaw (Vucub Caquix). Seven Macaw had built up a following of worshipers among some of the inhabitants of the Earth, making false claims to be either the sun or the moon. Seven Macaw was also extremely vain, adorning himself with metal ornaments in his wings and a set of false teeth made of gemstones.

In a first attempt to dispatch the vain god, the twins attempted to sneak upon him as he was eating his meal in a tree, and shot at his jaw with a blowgun. Seven Macaw was knocked from his tree but only wounded, and as Hunahpu attempted to escape, his arm was grabbed by the god and torn off.

In spite of their initial failure, the twins again demonstrated their clever nature in formulating a plan for Seven Macaw's defeat. Invoking a pair of gods disguised as grandparents, the twins instructed the invoked gods to approach Seven Macaw and negotiate for the return of Hunapuh's arm. In doing so, the "grandparents" indicated they were but a poor family, making a living as doctors and dentists and attempting to care for their orphaned grandchildren. Upon hearing this Seven Macaw requested that his teeth be fixed since they had been shot and knocked loose by the blowgun, and his eyes cured (it is not specifically said what ailed his eyes). In doing so the grandparents replaced his jeweled teeth with white corn, and plucked the ornaments he had about his eyes, leaving the god destitute of his former greatness. Having fallen, Seven Macaw died, presumably of shame.

Seven Macaw's sons, Zipacna and Cabrakan, inherited a large part of their father's arrogance, claiming to be the creators and destroyers of mountains, respectively. The elder son Zipacna was destroyed when the twins tricked him with the lure of a fake crab, burying him beneath a mountain in the process. More detail regarding Zipacna's deeds and his defeat can be found in the article about Zipacna.

The Maya god Huracan again implored the young twins for help in dealing with Seven Macaw's younger son, Cabrakan, the Earthquake. Again it was primarily through their cleverness that the pair were able to bring about the downfall of their enemy, having sought him out and then using his very arrogance against him; they told the story of a great mountain they had encountered that kept growing and growing. Cabrakan prided himself as the one to bring down the mountains, and upon hearing such a tale, he predictably demanded to be shown the mountain. Hunahpu and Xbalanque obliged, leading Cabrakan toward the non-existent mountain. Being skilled hunters, they shot down several birds along the way, roasting them over fires and playing upon Cabrakan's hunger. When he asked for some meat, he was given a bird that had been prepared with plaster and gypsum, apparently a poison to the god. Upon eating it, he was weakened, and the boys were able to bind him and cast him into a hole in the earth, burying him forever.

[edit] Discovery of One Hunahpu's gaming equipment

Some time after the expulsion of their older siblings, the twins used their special powers or abilities to expedite their gardening chores for their grandmother - a single swing of the axe would do a full day's worth of clearing, for example. The pair covered themselves in dust and wood chippings when their grandmother approached to make it seem they had been hard at work, in spite of the fact they spent the whole day relaxing. However the next day they returned to find their work undone by the animals of the forest. Upon completion of their work, they hid and lay in wait, and when the animals returned they attempted to catch or scare them off.

Most animals eluded their capture. The rabbit and the deer they caught by the tail, but these tails broke off, thus giving all future generations of rabbits and deer short tails. The rat, however, they did capture, singeing his tail over the fire in revenge for the act. In exchange for mercy, the rat revealed an important piece of information: the gaming equipment of their father and uncle was hidden by their grandmother in her grief, for it was playing ball that was directly responsible for the deaths of her sons.

Again a ruse was devised to get their equipment, the twins once more relying upon trickery to meet their goals. The pair snuck the rat into their home during dinner, and had their grandmother cook a meal of hot chili sauce. They demanded water for their meal, which their grandmother went to retrieve. The jar of water, however, had been sabotaged with a hole, and she was unable to return with the water. When their mother left to find out why and the pair were alone in the home, they sent the rat up into the roof to gnaw apart the ropes that held the equipment hidden, and were able to retrieve the equipment their father and uncle had used to play ball. It had long been a favorite pastime for their father, and soon would become a favored activity for them, as well.

[edit] The Xibalban Ball Games

Hunahpu and Xbalanque played ball in the same court that their father and his brother had played in long before them. When One Hunahpu and his brother had played, the noise had disturbed the Lords of Xibalba, rulers of the Maya Underworld. The Xibalbans summoned them to play ball in their own court. Doing so was a trap, however, as the Xibalbans used a bladed ball which was used to kill and decapitate the young men for disturbing their peace.

When the twins began to play ball in the court, once again the Lords of Xibalba were disturbed by the racket, and sent summons to the boys to come to Xibalba and play in their court. Fearing they would suffer the same fate, their grandmother relayed the message only indirectly, telling it to a louse which was hidden in a toad's mouth, which was in turn hidden in the belly of a falcon. Nevertheless the boys did receive the message, and much to their grandmother's dismay, set off to Xibalba.

When their father had answered the summons, he and his brother were met with a number of challenges along the way which served to confuse and embarrass them before their arrival, but the younger twins would not fall victim to the same tricks. They sent a mosquito ahead of them to bite at the Lords and uncover which were real and which were simply mannequins, as well as uncovering their identities. When they arrived at Xibalba they were easily able to identify which were the real Lords of Xibalba and address them by name. They also turned down the Lords' invitation to sit upon a bench for visitors, correctly identifying the bench as a heated stone for cooking. Frustrated by the twins' ability to see through their traps, they sent the boys away to the Dark House, the first of several deadly tests devised by the Xibalbans.

Their father One Hunahpu and his brother had suffered embarrassing defeats in each of the tests, but again Hunahpu and Xbalanque demonstrated their prowess by outwitting the Xibalbans on the first of the tests, surviving the night in the pitch black house without using up their torch. Dismayed, the Xibalbans bypassed the remaining tests and invited the boys directly to the game. The twins knew that the Xibalbans used a special ball that had a blade with which to kill them, and instead of falling for the trick Hunahpu stopped the ball with a racket and spied the blades. Complaining that they had been summoned only to be killed, Hunahpu and Xbalanque threatened to leave the game.

As a compromise, the Lords of Xibalba allowed the boys to use their own rubber ball, and a long and proper game ensued. In the end the twins allowed the Xibalbans to win the game, but this was again a part of their ruse. They were sent to Razor House, the second deadly test of Xibalba, filled with knives that moved of their own accord. The twins however spoke to the knives and convinced them to stop, thereby ruining the test. They also sent leafcutting ants to retrieve petals from the gardens of Xibalba, a reward to be offered to the Lords for their victory. The Lords had intentionally chosen a reward they thought impossible, for the flowers were well guarded, but the guards did not take notice of the ants, and were killed for their inability to guard the flowers.

The twins played a rematch with the Xibalbans and lost by intent again, and were sent to Cold House, the next test. This test they defeated, as well. In turn, Hunahpu and Xbalanque by purpose lost their ball games so that they might be sent to the remaining tests, Jaguar House, Fire House, Bat House and in turn defeat the tests of the Xibalbans. The Lords of Xibalba were dismayed at the twins success, until the twins were placed in Bat House. Though they hid inside their blowguns from the deadly bats, Hunahpu peeked out to see if daylight had come, and was decapitated by a bat.

The Xibalbans were overjoyed that Hunahpu had been defeated. Xbalanque summoned the beasts of the field, however, and fashioned a replacement head for Hunahpu. Though his original head was used as the ball for the next day's game, the twins were able to surreptitiously substitute a squash or a gourd for the ball, retrieving Hunahpu's real head and resulting in an embarrassing defeat for the Xibalbans.

[edit] Downfall of Xibalba

Embarrassed by their defeat the Xibalbans still sought to destroy the twins. They had a great oven constructed and once again summoned the boys, intending to trick them into the oven and to their deaths. The twins realized that the Lords had intended this ruse to be the end of them, but nevertheless they allowed themselves to be burned in the oven, killed and ground into dust and bones. The Xibalbans were elated at the apparent demise of the twins, and cast their remnants into a river. This was, however, a part of the plan devised by the boys, and when cast into the river their bodies regenerated, first as a pair of catfish, and then as a pair of young boys again.

Not recognizing them, the boys were allowed to remain among the Xibalbans. Tales of their transformation from catfish spread, as well as tales of their dances and the way they entertained the people of Xibalba. They performed a number of miracles, setting fire to homes and then bringing them back whole from the ashes, sacrificing one another and rising from the dead. When the Lords of Xibalba heard the tale, they summoned the pair to their court to entertain them, demanding to see such miracles in action.

The boys answered the summons, and volunteered to entertain the Lords at no cost. Their identities remained secret for the moment, claiming to be orphans and vagabonds, and the Lords were none the wiser. They went through their gamut of miracles, slaying a dog and bringing it back from the dead, causing the Lords' house to burn around them while the inhabitants were unharmed, and then bringing the house back from the ashes. In a climactic performance, Xbalanque cut Hunahpu apart and offered him as a sacrifice, only to have the older brother rise once again from the dead.

Enthralled by the performance, One Death and Seven Death, the highest lords of Xibalba, demanded that the miracle be performed upon them. The twins obliged by killing and offering the lords as a sacrifice, but predictably did not bring them back from the dead. The twins then shocked the Xibalbans by revealing their identities as Hunahpu and Xbalanque, sons of One Hunahpu whom they had slain years ago along with their uncle Seven Hunahpu. The Xibalbans despaired, confessed to the crimes of killing the brothers years ago, and begged for mercy. As a punishment for their crimes, the realm of Xibalba was no longer to be a place of greatness, and the Xibalbans would no longer receive offerings from the people who walked on the Earth above. All of Xibalba had effectively been defeated.

[edit] Death and Ascension of Hunahpu and Xbalanque

With Xibalba defeated and the arrogant gods disposed of, Hunahpu and Xbalanque had one final act to accomplish. They returned to the Xibalban ball court and retrieved the buried remains of their father, One Hunahpu, and attempted to rebuild him. Although his body was made whole again he was not the same, and was unable to function as he once did. The twins left their father there in the ball court, but before doing so told him that he would be prayed to by those who sought hope, and this eased his heart.

Then finished, the pair departed Xibalba and climbed back up to the surface of the Earth. They did not stop there, however, and continued climbing straight on up into the sky. One became the Sun, the other became the Moon. While not directly revered as gods themselves, Hunahpu and Xbalanque played an integral role in the Mayan creation story as being of superhuman stature, perhaps demigods or minor deities themselves, always favored by the greater gods. Although many of their acts and successes came about as a result of trickery and deceit, this was viewed more as cleverness than dishonesty, and their roles in defeating the vain and arrogant gods as well as the evil lords of the underworld Xibalba solidifies their characters as being that of good.

[edit] Hero twins and the Maya calendar

In the Maya calendar, Hunahpu is more important than Xbalanque. The 20th day, Ahau (meaning 'Lord'), is called Hunahpu in some regions. In Classical times, a depiction of the hero, or of his head, could denote this 20th day. In the mantic calendar, the day Ahau / Hunahpu is associated with the dead. Iconographically, the date 1 Ahau is specifically connected to events involving Hunahpu; as a Classic-period name, '1-Ahau' can refer to Hunahpu. In Classical Maya calendrics, the head of Xbalanque serves to denote the number nine (bolon).

[edit] References

  • Coe, Michael D. (1989). "The Hero Twins: Myth and Image", in Barbara Kerr and Justin Kerr (eds.): The Maya Vase Book: A Corpus of Rollout Photographs of Maya Vases, volume 1, Justin Kerr (illus.), New York: Kerr Associates, pp.161-184. ISBN 0-962-42080-8. 
  • Las Casas, Bartolomé de [ca.1559] (1967). in Edmundo O'Gorman (ed.): Apologética Historia Sumaria (2 vols.), Serie de historiadores y cronistas de Indias, 1. México D.F.: Instituto de Investigaciones Históricas, Universidad Nacional Autónoma de México.  (Spanish)
  • Tedlock, Dennis (trans.) (1985). Popol Vuh: the Definitive Edition of the Mayan Book of the Dawn of Life and the Glories of Gods and Kings. New York: Simon and Schuster. ISBN 0-671-45241-X. 
  • Thompson, J. Eric S. (1970). Maya History and Religion, Civilization of the American Indian Series, No. 99. Norman: University of Oklahoma Press. ISBN 0-8061-0884-3. 
  •  ——— (1978). Maya Hieroglyphic Writing; An Introduction, 3rd edition, Civilization of the American Indian Series, No. 56, Norman: University of Oklahoma Press. ISBN 0-8061-0958-0. 

[edit] See also

Jaguars in Mesoamerican culture