Max Ernst

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Max Ernst and Dorothea Tanning in 1948. Photo by Robert Bruce Inverarity in the Smithsonian Institution collection.
Max Ernst and Dorothea Tanning in 1948. Photo by Robert Bruce Inverarity in the Smithsonian Institution collection.

Max Ernst (April 2, 1891April 1, 1976) was a German Dadaist and surrealist artist.

Contents

[edit] Life

Max Ernst was born in Brühl, Germany. In 1909, he enrolled in the University at Bonn to study philosophy but soon abandoned the courses.He began painting that year.

In 1918 he married the art historian Luise Straus — a stormy relationship that would not last. (She died in Auschwitz in 1945 [1].) In 1919 Ernst visited Paul Klee and created paintings, block prints and collages, and experimented with mixed media. During World War I he served in the German army and after the war, filled with new ideas, Ernst, Jean Arp and social activist Alfred Grünwald, formed the Cologne, Germany Dada group, but two years later, in 1922, he returned to the artistic community at Montparnasse in Paris.

Constantly experimenting, in 1925 he invented a graphic art technique called frottage, which uses pencil rubbings of objects as a source of images. The next year he collaborated with Joan Miró on designs for Sergei Diaghilev. With Miró's help, Ernst pioneered grattage in which he troweled pigment from his canvases.

Ernst drew a great deal of controversy with his 1926 painting The Virgin Chastises the infant Jesus before Three Witnesses: André Breton, Paul Éluard, and the Painter.[2]

L'Ange du Foyeur ou le Triomphe du Surréalisme. 1937. Oil on canvas, 114 x 146 cm. Private collection.
L'Ange du Foyeur ou le Triomphe du Surréalisme. 1937. Oil on canvas, 114 x 146 cm. Private collection.

In Montparnasse he was a central figure in the birth of Breton's desire to ostracize Ernst's friend Éluard from the surrealist group.

In 1927 he married Marie-Berthe Aurenche. It is said that "his relationship with her may have inspired the erotic subject matter of this painting and others of this year." [3]

Ernst began to sculpt in 1934, and spent time with Alberto Giacometti.

In 1938, the American heiress Peggy Guggenheim acquired a number of Max Ernst's works which she displayed in her new museum in London.

Ernst developed a fascination with birds that was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested this alter-ego was an extension of himself stemming from an early confusion of birds and humans. He said his sister was born soon after his bird died. Loplop often appeared in collages of other artists' work, such as Loplop presents André Breton.

Following the onset of World War II, Ernst was detained as an enemy alien in France but with the assistance of the American journalist Varian Fry in Marseille, he managed to escape the country with Peggy Guggenheim. He left behind his lover, Leonora Carrington, and she suffered a major mental breakdown. Ernst and Guggenheim arrived in the United States in 1941 and were married the following year. Along with other artists and friends (Marcel Duchamp and Marc Chagall) who had fled from the war and lived in New York City, Ernst helped inspire the development of Abstract expressionism.

His marriage to Guggenheim did not last, and in Beverly Hills, California in October of 1946, in a double ceremony with Man Ray and Juliet Browner, he married Dorothea Tanning.

The couple first made their home in Sedona, Arizona, and in 1948 Ernst wrote the treatise Beyond Painting. As a result of the publicity, he began to achieve financial success.

In 1953 he and Tanning moved to a small town in the south of France where he continued to work. He City, and the Galeries Nationales du Grand-Palais in Paris published a complete catalogue of his works.

Ernst died on April 1, 1976, in Paris, France and was interred there in the Père Lachaise Cemetery.

Europe After the Rain. 1940-42. Oil on canvas, 21 5/8 x 58 1/3 in. Wadsworth Atheneum, Hartford, Connecticut
Europe After the Rain. 1940-42. Oil on canvas, 21 5/8 x 58 1/3 in. Wadsworth Atheneum, Hartford, Connecticut

[edit] Selected works

The Elephant Celebes 1921. Oil on canvas, 125.4 x 107.9 cm. Tate Gallery, London.
The Elephant Celebes 1921. Oil on canvas, 125.4 x 107.9 cm. Tate Gallery, London.
Oedipus Rex 1922. Oil on canvas, 93 x 102 cm. Collection of Claude Herraint, Paris, France.
Oedipus Rex 1922. Oil on canvas, 93 x 102 cm. Collection of Claude Herraint, Paris, France.
Untitled 1920. Gouache, Chinese ink and pencil on cardboard, 30 x 25 cm. Private collection.
Untitled 1920. Gouache, Chinese ink and pencil on cardboard, 30 x 25 cm. Private collection.
Vox Angelica, 1945. Acquarella Galleries, New York.
Vox Angelica, 1945. Acquarella Galleries, New York.
Men Shall Know Nothing of This (Les Hommes n'en sauront rien) 1923. Oil on canvas, 638 x 803 cm. Tate Gallery, London.
Men Shall Know Nothing of This (Les Hommes n'en sauront rien) 1923. Oil on canvas, 638 x 803 cm. Tate Gallery, London.

(The works of Max Ernst are copyrighted in the U.S. until at least 2048)

  • Trophy, Hypertrophied (1919)
  • Farewell My Beautiful Land of Marie Laurencin. Help! Help! (1919)
  • Aquis Submersus (1919)
  • Fruit of a Long Experience (1919)
  • Two Ambiguous Figures (1919)
  • Little Machine Constructed by Minimax Dadamax in Person (1919-1920)
  • The Hat Makes the Man (1920)
  • Murdering Airplane (1920)
  • Here Everything is Still Floating (1920)
  • Dada Gauguin (1920)
  • The Small Fistule that Says Tic Tac (1920)
  • The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (1920-1921)
  • The Elephant Celebes (1921)
  • Birds, Fish-Snake and Scarecrow (1921)
  • Seascape (1921)
  • Approaching Puberty or the Pleiads (1921)
  • Young Chimera (1921)
  • A Friends Reunion (1922)
  • Oedipus Rex (1922)
  • Castor and Pollution (1923)
  • Holy Caecilie - The Invisible Piano (1923)
  • Men Shall Know Nothing of This (1923)
  • Histoire Naturelle (1923)
  • The Equivocal Woman (1923)
  • Pietà or Revolution by Night (1923)
  • Ubu Imperator (1923)
  • Woman, Old Man and Flower (1923-1924)
  • Two Children are Threatened by a Nightingale (1924)
  • Dadaville (1924)
  • Mer et Soleil - Lignes de Navigation (1925)
  • Paris Dream (1925)
  • The Couple in Lace (1925)
  • Eve, the Only One Left to Us (1925)
  • The Numerous Family (1926)
  • The Kiss (1927)
  • Der grosse Wald (1927)
  • Gulf Stream (1927)
  • Forêt (1927)
  • Forest and Dove (1927)
  • The Wood (1927)
  • Fishbone Forest (1927)
  • Tree of Life (1928)
  • The Sea (1928)
  • Die Erwählte des Bösen (1928)
  • Et les Papillions se Mettent a Chanter (1929)
  • Snow Flowers (1929)
  • Loplop Introduces Loplop (1930)
  • Human Form (1931)
  • Zoomorphic Couple (1933)
  • The Entire City (1934)
  • Une Semaine de Bonte (1934)
  • The Whole City (1935)
  • Landscape with Wheatgerm (1936)
  • The Nymph Echo (1936)
  • L’Ange du Foyer ou Le Triomphe du Surréalime (1937)
  • The Angel of Hearth and Home (1937)
  • Attirement of the Bride (1940)
  • Spanish Physician (1940)
  • Europe After the Rain (1940-1942)
  • Day and Night (1941-1942)
  • Surrealism and Painting (1942)
  • Window (1943)
  • Painting for Young People (1943)
  • The Eye of Silence (1943-1944)
  • The King Playing with the Queen (1944)
  • Moonmad (1944)
  • The Table is Set (1944)
  • Napoleon in the Wilderness (1944)
  • Vox Angelica (1945)
  • The Temptation of St. Anthony (1945)
  • Phases of the Night (1946)
  • Dangerous Correspondence (1947)
  • Design in Nature (1947)
  • Capricorn (1948)
  • Parisian Woman (1950)
  • The Weatherman (1951)
  • L’oiseau Rose/Der Rosa Vogel (1956)
  • Petite Feerie Nocturne (1958)
  • Apres Moi le Sommeil (1958)
  • Paysage Arizona (1960)
  • Ursachen der Sonne (1960)
  • The Garden of France (1962)
  • Grand Ignorant (1965)
  • Corps Enseignant Pour une École de Tueurs (1967)
  • Nordlicht am Nordrhein (1968)
  • Ein Mond ist guter Dinge (1970)
  • Ursachen der Sonne (1960)
  • The Garden of France (1962)
  • Grand Ignorant (1965)
  • Corps Enseignant Pour une École de Tueurs (1967)
  • Nordlicht am Nordrhein (1968)
  • Ein Mond ist guter Dinge (1970)

[edit] Ernst in modern culture

[edit] External links

Max-Ernst-Museum Brühl
Max-Ernst-Museum Brühl