Matthias Grünewald

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The title of this article contains the character Ü. Where it is unavailable or not desired, the name may be represented as Matthias Gruenewald.
The Crucifixion, central panel of the Isenheim Altarpiece.
The Crucifixion, central panel of the Isenheim Altarpiece.

Matthias Grünewald (c.1470August 31, 1528), is a highly regarded figure from the German Renaissance. He painted primarily religious works, especially somber and awe-filled crucifixion scenes. The visionary character of his work, with its expressive colour and line, is in stark contrast to Albrecht Dürer's works.

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[edit] Biography

His real name was Mathis Gothart Neithart. A 17th-century writer, Joachim von Sandrart, mistakenly identified him by the name Grünewald; his real name was not discovered till the 1920s. He was born in Würzburg in the 1470s. He served as court painter and hydraulic engineer to two successive archbishops of Mainz, Uriel von Gemmingen and Albrecht von Brandenburg, in the German Rhineland from about 1510 to 1525. He left this post apparently because of Lutheran sympathies. Grünewald died in Halle in 1528.

The 20th century composer Paul Hindemith based his 1938 opera Mathis der Maler on the life of Grünewald.

He is commemorated as an artist by the Lutheran Church on April 6.

[edit] Works

The greatest of his works is the Isenheim Altarpiece, completed 1515, now in the Musée d'Unterlinden, Colmar. It contains the Crucifixion, the Temptation of St Anthony, and the Resurrection. Also notable is the Establishment of the Santa Maria Maggiore in Rome (1517-1519), Freiburg, Augustinermuseum.

[edit] See also

[edit] Gallery

[edit] External links and references


Persondata
NAME Grünewald, Matthias
ALTERNATIVE NAMES Gothart-Nithart, Mathis;Gruenewald, Matthias
SHORT DESCRIPTION German Renaissance painter
DATE OF BIRTH 1475 or 1480
PLACE OF BIRTH Würzburg
DATE OF DEATH 31 August 1528
PLACE OF DEATH Halle (Saale)