Mathias Sandorf
From Wikipedia, the free encyclopedia
 Hetzel Cover |
|
| Author | Jules Verne |
|---|---|
| Illustrator | Leon Bennet |
| Country | France |
| Language | French |
| Genre(s) | Novel |
| Publisher | Bibliotheque D'Education Et De Recreation (orig.) |
| Released | 1885 |
| Media type | Print (Hardback & Paperback) |
| ISBN | NA |
First serialized in Le Temps in 1885, Mathias Sandorf is Jules Verne's epic Mediterranean adventure. It employs many of the devices that had fared well in earlier novels: islands, cryptograms, surprise revelations of identity, technically advanced hardware and a solitary figure bent on revenge. Verne dedicated the novel to the memory of Alexandre Dumas pere, hoping to make Mathias Sandorf the Monte Cristo of The Extraordinary Voyages.
Contents |
[edit] Overview: Warning Plot Spoiler
Trieste, 1867. Two petty criminals, Sarcany and Zirone, intercept a carrier pigeon. They find a ciphered message attached to its leg and uncover a plot to liberate Hungary from Austro-Hungarian rule. The two meet with Silas Toronthal, a corrupt banker, and form a plan to deliver the conspirators to the police in exchange for a rich reward. The three conspirators, Count Sandorf, Stephen Bathory and Ladislas Zathmar are arrested and sentenced to death.
Fifteen years later, the renowned physician Dr. Antekirtt sets out to avenge those three brave men. Enlisting the aid of two French acrobats, Pescade and Matifou, he scours the Mediterranean in search of those who planned the betrayal. Rich beyond all imagination, wielding great power and master of an island fortress filled with advanced weaponry, Dr. Antekirtt will not rest until justice is done.
[edit] The Wanderer's Tale: An Adventure Subgenre
In the generation after Dumas, Jules Verne wrote a number of Wanderer adventures. Three of the most notable, Michael Strogoff, the Steam House (La machine a vapeur) and Mathias Sandorf, are set in three of Europe's great Empires: the Russian, the British (in India,) and the Austrian. Their plots and themes have a good deal in common, as Jean Yves Tadie points out. Each one is about the empire's political troubles, each features a pursuer who is himself pursued, each has a trio of characters at its centre and each grants minor importance (compared with other Verne books) to machinery.
from Seven Types of Advenutre: An Eniology of Major Genre by Martin Green Penn State Press
[edit] Background on the novel
Verne claimed that Sandorf was modeled on his publisher. Like Hetzel, a former exile, Sandorf has fervent patriotism and a high moral sense. Dr Antekirtt is a mixture of Hetzel and Bixio, one of the publisher's friends. Others see similarities with Hungarian freedom fighter Lajos Kossuth and Austrian prince Louis Salvator.
The action moves from Trieste down the Adriatic coast, to Sicily and the shores of North Africa. "I wish my readers to learn everything they should know about the Mediterranean," Verne wrote Hetzel," which is why the action transports them to twenty different places." (Simon Vierne, Jules Verne, Paris Ballard 1986) Several of the settings come from Verne's own travels, a rescue during a storm off Malta and visits to Catania and Etna.
Verne researched the Italian landscape by rereading some of Stendhal's works notably Promenades in Rome and The Charterhourse of Parma. Verne may have first heard about the Foiba beneath Pisino castle in Charles Yriarte’s works Les Bords de l'Adriatique (The Ports of the Adriatic) - (Hachette, Paris 1878) and Trieste e l'Istria (Trieste and Istria) - (Hachette, Paris 1875). Yriatre described the old castle as well as his trip down into the gorge. He also mentioned an experiment by a young nobleman, Count Esdorff, to find the end of the underground river. Unfortunately the count's boat never made it out of the underground cave.
[edit] Film, TV or theatrical adaptations
Mathias Sandorf was performed as a five act play in Paris in the 1880s. It even played the Boston theatre in the fall of 1888.
There have also been three screen adaptations of Mathias Sandorf. The first was made in 1921 and directed by Henri Fescourt. It starred Yvette Andréyor, Romuald Joube, Jean Toulout. During the 20s Fescourt was one of the most successful directors working for Cineroman, and Mathias Sandorf, Les Gransa and Mandarin were among his most popular works.
In in 1963 Georges Lampin directed another version and starring Louis Jourdan, Francisco Rabal, Renaud Mary, Serena Vergano. The most recent version was a TV miniseries made for French television in 1979. Directed by Jean-Pierre Decourt it starred Istvan Bujtor as Mathias Sandorf, Ivan Desny as Zathmar, Amadeus August, Claude Giraud, Monika Peitsch, Sissy Höfferer, Jacques Breuer.
