Mario Monicelli

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Mario Monicelli
Mario Monicelli

Mario Monicelli (born May 15, 1915) is an Italian director and screenwriter, one of the masters of the Commedia all'Italiana (Comedy Italian style).

Contents

[edit] Biography

Monicelli was born in Viareggio (Tuscany), the youngest son of the Mantuan journalist Tommaso Monicelli. His elder son Giorgio worked as writer and translator.

He attended studies in the local lyceum, and entered in the film world through his friendship with Giacomo Forzano, son of the playwright Giovacchino Forzano, who had been charged by Mussolini of the founding of cinema studios in Tirrenia. Monicelli lived a carefree youth, and many of the jokes he later shot in Amici Miei were taken from his experience.

[edit] Work in Film

His first short is from 1934, made together with his friend Alberto Mondadori. This was followed by the silent film I ragazzi della Via Paal ("Paal Street's Boys"), which was an award-winner in the Venice Film Festival. His first feature length work is from 1937 (Pioggia d'Estate, "Summer Rain"). In the years 1939-1942 Monicelli produced also numerous screenplays (up to 40), and worked as an assistant director.

Monicelli made his official debut as director in 1949, with Totò cerca casa, along with Steno. Since the very beginning his shooting style showed to be remarkably flowing. The duo produced eight successful movies in four years, including Guardie e ladri (1951) and Totò a colori (1952). From 1953 onwards Monicelli worked alone, without leaving his role as a writer of screenplays.

A scene from I soliti ignoti (Big Deal on Madonna Street).
A scene from I soliti ignoti (Big Deal on Madonna Street).

Monicelli's career include some of the masterpieces of Italian cinema. In I soliti ignoti (1958), again featuring the ubiquitous comedian Totò, he discovered the comical talent of Vittorio Gassman and Marcello Mastroianni and probably produced the first true commedia all'italiana. It is more well known in the English speaking world as Big Deal on Madonna Street, although the actual translation from the Italian is "the usual unknown perpetrators."

La Grande Guerra (The Great War), released one year later, is generally regarded as his finest work. For this work Monicelli was awarded a Leone d'Oro in the Venice Film Festival, and had a nomination for the Academy Awards. The film, featuring Gassman and the other superstar of Italian comedy, Alberto Sordi, excelled in the absence of rethorical accents (the tragedy of World War I was still well in Italian's minds in these years) and for its sharp, tragicomical sense of history. Monicelli received two more nominations to the Academy Awards with I compagni (The Organizer, 1963) and La ragazza con la pistola (1968).

Brancaleone (For Love and Gold, 1966) is another masterpiece of Italian cinema. The film tells the story of a Middle Age Italy's poor but pompous knight (played by Gassman) from a humorous point of view. Highlighted by Gasmann the bizarre Macaronic Latin-Italian dialogues devised by Age & Scarpelli, the most renowned writers of Italian comedies, it was followed by Brancaleone alle Crociate (Brancaleone at the Crusades) in 1970 in film.

Amici Miei (My Friends), featuring Ugo Tognazzi and Philippe Noiret, was one of the most successful films in Italy and confirmed Monicelli's skill in mixing humour, irony and bitter feelings. The dramatic accents were predominant in the Un borghese piccolo piccolo (A Very Little Man, 1978), but left pace again to comicity and popularesque history with Il marchese del Grillo (1981). Both films featured Alberto Sordi at his best.

Most recent works by Monicelli include Speriamo che sia femmina (1985), Parenti serpenti (1992) and Cari fottutissimi amici (1994), featuring Paolo Hendel.

One of the trademarks of Monicelli's filmography is his knack for describing the tribulations of the everyday man getting infatuated with grandiose ideas (richness via theft, chivalrous idealism, military glory, fascism and so on...) and then seeing him failing at every turn, losing his illusion piece by piece (most often in hiliarious ways...for the audience at least), yet not all is desperate in his worldview, since the reedeming value he shows as capable of sweetening even the bitterest defeats is friendship, especially male partnership.

Monicelli worked also for television and theatre, occasionally as an actor, and is a noteworthy playwright of his own.

Monicelli collaborated and sometimes launched all the most important Italian actors of the 20th century: apart those above, we can cite here Monica Vitti, Anna Magnani, Giancarlo Giannini, Stefania Sandrelli, Vittorio De Sica, Sophia Loren, Enrico Montesano, Gian Maria Volonté, Paolo Villaggio, Nino Manfredi and Leonardo Pieraccioni.

Upon receiving his Golden Lion for Career in the 1991 Venice Film Festival, Monicelli declared:

Cinema will never die, it was born and cannot die. The cinema hall will die perhaps, but I definitely don't care of this.

[edit] Filmography

One of the most hilarious scenes of Amici Miei
One of the most hilarious scenes of Amici Miei

[edit] Director

  • I ragazzi della Via Paal, with Alberto Mondadori (1935)
  • Pioggia d'estate (1937)
  • Al diavolo la celebrità, with Steno (1949)
  • Totò cerca casa, with Steno (1949)
  • Vita da cani, with Steno (1950)
  • È arrivato il cavaliere!, with Steno (1950)
  • Guardie e ladri, with Steno (1951)
  • Totò e i re di Roma, with Steno (1952)
  • Totò e le donne, with Steno (Toto and the Women, 1952)
  • Le infedeli, with Steno (1953)
  • Proibito (1954)
  • Un eroe dei nostri tempi (1955)
  • Totò e Carolina (1955)
  • Donatella (1956)
  • Il medico e lo stregone (1957)
  • Padri e figli (1957)
  • I soliti ignoti (1958), (Big Deal on Madonna Street)
  • La grande guerra (The Great War, 1959)
  • Risate di gioia (1960)
  • Boccaccio '70, with Vittorio De Sica, Luchino Visconti and Federico Fellini (1962 - segment Renzo and Luciana)
  • I compagni (The Organizer, 1963)
  • Alta infedeltà, with Luciano Salce, Elio Petri and Franco Rossi (High Infidelity, 1964)
  • Casanova '70 (1965)
  • Le fate, with Mauro Bolognini, Antonio Pietrangeli and Luciano Salce (1966)
  • L'armata Brancaleone (For Love and Gold, 1966)
  • La ragazza con la pistola (1968)
  • Capriccio all'italiana, with Mauro Bolognini, Steno, Pino Zac, Pier Paolo Pasolini and Franco Rossi (Caprice Italian Style, 1968)
  • Toh, è morta la nonna! (1969)
  • Brancaleone alle Crociate (Brancaleone at the Crusades, 1970)
  • Le coppie, with Alberto Sordi and Vittorio De Sica (1971)
  • La mortadella (1971)
  • Vogliamo i colonnelli (1973)
  • Romanzo popolare (1974)
  • Amici miei (1975)
  • Caro Michele (1976)
  • Signore e signori, buonanotte, with Luigi Comencini, Nanni Loy, Luigi Magni and Ettore Scola (1976)
  • Un borghese piccolo piccolo (1977)
  • I nuovi mostri, with Dino Risi and Ettore Scola (1977)
  • Viaggio con Anita (1979)
  • Temporale Rosy (1979)
  • Camera d'albergo (1981)
  • Il marchese del Grillo (1981)
  • Amici miei atto II (1982)
  • Bertoldo, Bertoldino e Cacasenno (1984)
  • Le due vite di Mattia Pascal]] (1985)
  • Speriamo che sia femmina (1986)
  • I picari (1987)
  • La moglie ingenua e il marito malato (1989)
  • 2 registi per 12 città (1989) - documentary, segment Verona
  • Il male oscuro (1990)
  • Rossini! Rossini! (1991)
  • Parenti serpenti (1992)
  • Cari fottutissimi amici (1994)
  • Facciamo paradiso (1995)
  • Esercizi di stile (1996) - segment Idillio edile
  • Topi di appartamento (1997) - short
  • Panni sporchi (1999)
  • Un amico magico: il maestro Nino Rota (1999) - documentary
  • Come quando fuori piove (2000) - TV mini series
  • Un altro mondo è possibile (2001) - documentary
  • Lettere dalla Palestina (2002) - documentary
  • Firenze, il nostro domani (2003) - documentary
  • Le rose del deserto (2006)

[edit] Screenplays

[edit] Actor

[edit] External links

Cinema of Italy

Actors • Directors • Films A-Z • Film chronology • Cinematographers • Editors • Producers • Score composers • Screenwriters •
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