Manuel Méndez Ballester

From Wikipedia, the free encyclopedia

Manuel Méndez Ballester (4 August 190924 January 2002), born in Aguadilla, Puerto Rico, was a well known writer who worked in journalism, radio broadcasting, television and teaching.

Don Manuel Mendez Ballester
Don Manuel Mendez Ballester

==Early life==jayleen bonilla Manuel Méndez Ballester attended primary school in Aguadilla. He obtained his secondary school education in New York. After his return to Puerto Rico he worked as an office clerk in Aguadilla and San Juan. Afterward he worked in the District Court of de Aguadilla and later in the offices of the "Central Coloso" sugar refinery, where he is exposed to the culture and life of the sugar cane worker of the time.

Manuel Méndez Ballester enters the University of Puerto Rico at Río Piedras, with the hope of becoming a lawyer. He is forced to abandon his studies before his first year due to personal economic reasons.

He remains working in San Juan in acting and directing radio programs in the Radio School of the Department of Education ("Escuela del Aire del Departamento de Instrucción Pública"). He returns to the University of Puerto Rico in 1935 where he studies education.

Ballester later works as an actor with Francisco Manrique Cabrera and Fernando Sierra Berdecía who at the time where organizing a traveling thearter production which traveled around Puerto Rico.

He was fascinated and studies the early history of the conquest and colonization of Puerto Rico, which led to "Islas Cerreras", his first novel which was published in 1937.

[edit] Literary Works

  • "Atalaya y Letras" - his early works which were first published in 1931
  • "Isla Cerrera" - his first novel which takes place in the first days of the colonization of Puerto Rico.
  • "El Clamor de Los Surcos" - won an award by the Ateneo Puertorriqueño.
  • "Tiempo Muerto" - tragic play which dealt with the Puerto Rican farmer, debuted in 1940.
  • "Hilaricón" - 1943
  • "Nuestros días" - 1944
  • "El Misterio del Castillo" - 1946
  • "Un fantasma desentito, la farsa Es de vidrios la mujer" - 1952
  • "El curioso impertinente"
  • "El milagro" - 1965
  • "Bienvenido Don Goyito" - 1968
  • "Arriba las mujeres" - 1970
  • "Invasión y jugando al divorcio"
  • "Los cocorocos" - 1975

[edit] See also

[edit] External links