Malcolm Rogers (curator)
From Wikipedia, the free encyclopedia
Malcolm Rogers (b. 1949) is a British-born art curator who has served as the director of the Museum of Fine Arts, Boston since 1994. In this role he has brought both extensive popularity and controversy to the museum.
Rogers was educated at Oakham School, Magdalen College and Christ Church, Oxford, earning a B.A. with first class honors and a D.Phil. in English. Prior to his position at the MFA, Boston, he worked his way up from librarian to Deputy Director at the National Portrait Gallery in London. An expert on portraiture, he has published extensively on the subject.
[edit] Achievements
Rogers' willingness to open the museum for longer hours and express friendliness toward the surrounding community have gained him accalim. Under his tenure, museum attendance has risen from record low to record high numbers.
He has also sought to significantly expand the museum's collections; his purchase of a piece by Degas is the most expensive undertaken by the museum. His acquisitions of English silver have made the MFA, Boston the most significant holder of such artifacts in the Americas. Rogers has also made significant acquisitions of contemporary pieces by Joseph Beuys, Bridget Riley, Robert Mangold and Jim Dine.
In 1999, Rogers helped launch the Nagoya/Boston Museum of Fine Arts in Nagoya, Japan, in order to "internationalize" the museum's brand. Rogers' tenure has also seen the successful groudbreaking of a major new addition to the Boston museum by Foster and Partners, to be completed in 2009.
[edit] Controversies
Rogers has also been severely criticized for his curatorial direction and management style. He has been accused of firing curators with brusqueness, forcing them to clear out their desks within hours. His sweeping revision of the museum's organization, which replaced traditional artistic departments with geographic categories such as "Art of Europe", has stoked fear that curatorial independence is being threatened and that other institutions will follow suit.[1]
He has been even more heavily lambasted for the museum's recent exhibition regimen, especially his decision to grant the "lowbrow" photographer Herb Ritts his first museum show, and that to lend twelve Monet paintings to the Bellagio hotel/casino complex in Las Vegas. Other exhibitions by his recently hired directors have proven equally controversial, including one showcasing the guitars of various rock stars and another concerned with the luxury car collection of Ralph Lauren. Many of these shows, nonetheless, have been popular with the public and have contributed to the museum's recent financial uptick.[2]
