Malapropism

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A malapropism is an incorrect usage of a word by substituting a similar-sounding word with different meaning, usually with comic effect.

Contents

[edit] Etymology

The word malapropos, an adjective or adverb meaning "inappropriate" or "inappropriately," is believed to have entered English usage around 1660, derived from the French phrase mal à propos (literally "ill suited to the purpose"). The term "malapropism," however, is generally attributed to the public reaction to Richard Brinsley Sheridan's 1775 play The Rivals, and in particular the character Mrs. Malaprop. Sheridan presumably named his character Mrs. Malaprop, who frequently misspoke (to great comic effect), in joking reference to the word "malapropos." The new term "malapropism" was coined to designate the specific kind of mistake, or inappropriate usage, Mrs. Malaprop frequently made.

[edit] Distinguishing features

An instance of misspeech is called a malapropism when:

  1. The word used means something different from the word (as indicated by the context in which the word was used) the speaker or writer intended to use.
  2. The word used sounds similar to the word that was apparently meant or intended. Using "obtuse" (wide or dull) instead of "acute" (narrow or sharp) is not a malapropism; using "obtuse" (stupid or slow-witted) when one means "abstruse" (esoteric or difficult to understand) would be.
  3. The word used has a recognized meaning in the speaker's or writer's language. Simply making up a word, or adding a redundant or ungrammatical prefix ("irregardless" instead of "regardless") or suffix ("subliminible" instead of "subliminal") to an existing word, does not qualify as a malapropism.

These characteristics set malapropisms apart from various other speaking or writing mistakes, such as an eggcorn or spoonerism.

[edit] Examples

[edit] From The Rivals

  • "He's as headstrong as an allegory on the banks of the Nile." (i.e., alligator)
  • "He is the very pineapple of politeness." (i.e., pinnacle)
  • "If I reprehend any thing in this world, it is the use of my oracular tongue, and a nice derangement of epitaphs!" (i.e., apprehend, vernacular, arrangement, epithets)
  • "Why killing's the matter! Why murder's the matter! But he can give you the perpendiculars." (i.e., particulars, from a scene in Horrible Histories)

[edit] From radio, film and television

  • "It were my secret to successive. Thanks to Jimmy Jenkins my ovulary size is much much not smaller then ever before" - (i.e. "success", vocabulary, and other mistakes). This comes from "The Joe Jefferson Vocabulary Builder Upper" - by Bob and Tom, a humorous recording consisting mostly of malapropisms. Parodies an infomercial for an (evidently unsuccessful) system to improve one's vocabulary.
  • "I've got these two albacores around my neck" (i.e. albatross) "It's like the Rhyme of the Ancient Marinade..." (i.e. Mariner). - Aqua Teen Hunger Force
  • "I've gotta consecrate myself on this newspaper." (i.e. concentrate). — All in the Family (Note the nonstandard use of the reflexive, illustrating a Yiddish-German influence on the dialect of New York City.)
  • "I want to be effluent mum!" "You are effluent Kimi..." (i.e. affluent) — Kath and Kim
  • "What are you incinerating?..." (i.e. insinuating) — Galton and Simpson, Steptoe and Son ("Doodlebug over Shepherd's Bush")
  • "You could have knocked me over with a fender." (i.e. feather) — Jane Ace, one of many malapropisms she used on the old-time radio comedy series, Easy Aces.
  • "We heard the sea is infatuated with sharks" (i.e. infested) - Stan Laurel in The Live Ghost.
  • "What a terrible cat's after me!" (i.e. catastrophe) - Stan Laurel in Any Old Port
  • "V.D. Day!" (i.e. V-E Day) — Edith Bunker (as played by Jean Stapleton), on television's All in the Family.
  • "I'll hunt you and shoot you down like a duck." (dog) — Buford "Mad Dog" Tannen, Back to the Future III
  • "I can't even phantom how that must feel!" (i.e. fathom) — Young girl in a television ad for T-Mobile wherein her father sat strapped into a chair while she used up her "anytime minutes."
  • "It's a moo point." (i.e. moot) — Joey Tribbiani, Friends
  • "I resemble that remark!" (i.e. resent) - Stooge Curly Howard, after being insulted by fellow Stooge Moe
  • "Let's talk about a very tattoo subject..." (i.e. "taboo") - Various episodes of "Da Ali G Show".
  • "I was given an "old tomato", leave or get thrown out..." (i.e. ultimatum)- Will and Grace
  • "I'm here tonight to speak out against busting schoolchildren." (i.e "bussing schoolchildren") - Emily Litella from Saturday Night Live
  • "Western Specific Time." (i.e "Pacific") - Jillian (Brian Griffin's girlfriend) from Family Guy
  • "Yeah, you guys gotta be 'ambastards' to the other newsies of New York." (i.e. ambassadors) - Jack Kelly, Newsies
  • "Why aren't I allowed to say the phrase, 'for all intensive purposes?'" (i.e. for all intents and purposes) Doug Heffernan from The King of Queens

[edit] From popular culture

  • "I might just fade into Bolivian, you know what I mean?" (i.e. oblivion) — Mike Tyson
  • "I really dig Hannibal. Hannibal had real guts. He rode elephants into Cartilage." (i.e. Carthage) — Mike Tyson
  • "I am not going to make a skeptical out of my boxing career." (i.e. spectacle) — Tonya Harding
  • "Mark Lee's arms went up like two giant testicles..." (i.e., tentacles) - Jack Dyer commentating a VFL match (Mark Lee was a former Richmond ruckman)
  • "If it's any consolidation..." (i.e. consolation) — Ken James
  • "My nipple."(i.e. dimple) — Malaysian singer Siti Nurhaliza when asked what her best facial feature was.
  • "However, they delineate — quotas, I think, vulcanize society." (i.e. balkanize) -- George W. Bush
  • "Oh, you mean the ones with those Disraeli Gears?" (i.e. derailleur gears) -- Cream roadie Mick Turner, during a conversation between Eric Clapton and Ginger Baker about racing bicycles.
  • "I made a "carnal" sin(i.e. cardinal), I forgot my words". — singer Brandon Rogers after being voted off American Idol on March 14th 2007.
  • "But beyond crude oil, natural gas and electricity, the Nymex is also a major platform for trading futures and options contracts in all sorts of precocious metals." (i.e. precious metals) [1]

[edit] In Shakespeare

Malapropisms appear in many works written well before Sheridan created their namesake character; William Shakespeare used them in several of his comedies.

Constable Dogberry in Much Ado About Nothing:

  • "...you shall comprehend all vagrom men..." (i.e. apprehend, vagrant; Act 3, Scene III)
  • "Comparisons are odorous." (i.e., odious; Act 3, Scene V)
  • "Our watch, sir, have indeed comprehended two auspicious persons." (i.e., apprehended, suspicious; Act 3, Scene V)

Launcelot in The Merchant of Venice:

  • "Certainly [Shylock] is the very devil incarnal..." (i.e., incarnate; Act 2, Scene II)
  • "That is the very defect of the matter, sir." (i.e., effect; Act 2, Scene II)

[edit] Uses by other fictional characters

  • The infants from the show Rugrats constantly used malapropisms.
  • Sally Brown from Peanuts often used malapropisms.
  • A character in Thomas Mann's The Magic Mountain requests that Beethoven's Erotica (Eroica) be played at a funeral.
  • In Calvin and Hobbes, Calvin: "I'm so smart it's almost scary. I guess I'm a child progeny (prodigy)." Hobbes: "Most children are."
  • In the British situation comedy Nearest and Dearest, the main character Nellie Pledge often uses malapropisms such as "Then he laid prostate on the ground." (i.e., prostrate), "...sat sitting there like a big business typhoon!" (i.e., tycoon), and "I think I can quite safely say without fear of contraception..." (i.e., contradiction).
  • The character of Ricky (Trailer Park Boys) uses malapropisms on a regular basis: he calls Sasquatches "Saskatchewans," and says his daughter is just going through "phrases." (i.e., phases)
  • Archie Bunker's limited grasp of the English language resulted in a large number of now classic unintentional malapropisms during All In the Family's run (e.g. "vagrant disregard for the law", "the Pope is inflammable"). (i.e., flagrant, infallible)
  • In Only Fools and Horses, Del Boy played by David Jason often uses malapropisms for comic effects, such as "good to be back on the old terracotta" (i.e., "terra firma").
  • In The Sopranos, characters don't stop at mangling the English language. Tony Soprano, the protagonist played by James Gandolfini, has committed various malapropisms, such as referring to amour fou, French for "crazy love," as "our mofo."
  • Tom Stoppard's play On the Razzle features many zany malapropisms that run symbiotic to much of the mistaken identity that occurs throughout the story.
  • Rachel Price, in The Poisonwood Bible, uses several malapropisms during her narrations.
  • The comic strip Frank and Ernest has a recurring character named "malaprop man" who narrates the strip using malapropisms. In fact, much of this strip features malapropisms.
  • "Though I am replicant to spread rumors, I am led to believe the philogy of skeletous beings makes them resistive to magic." -- Lord Rugdumph gro-Shurak, a character in The Elder Scrolls IV: Oblivion

[edit] Occurrences in real life

  • It was reported in New Scientist that an office worker described a colleague as "a vast suppository of information". (i.e., "repository")
  • New Scientist also reported the first ever malapropism for "malapropism", when having become aware of his error, the office worker apologised, saying he had committed a "Miss Marple-ism." [2]

[edit] Philosophical significance

In the essay "A Nice Derangement of Epitaphs", philosopher Donald Davidson argues that malapropisms demonstrate that competence in a language is not a matter of applying rigid rules to the decoding of utterances. Rather, says Davidson, it appears that in interpreting others, we constantly modify our own understanding of our language.[citation needed]

[edit] See also


[edit] Notes

  1. ^ Kulikowski, Laurie. "Nymex's Time to Fly", TheStreet.com, 11/15/2006 7:01 AM EST. Retrieved on 2006-12-15.
  2. ^ "Feedback", New Scientist, 18 June 2005, pp. 88. Retrieved on 2006-12-15.