Maggie Nicols
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Maggie Nicols (or Nichols, as she originally spelt her name as a performer) (born 24 February 1948), is a Scottish free-jazz and improvising vocalist, dancer, and performer.
[edit] Early life and career
Nicols was born in Edinburgh as Maggie Nicholson. At the age of fifteen she left school and started to work as a dancer at the Windmill Theatre. Her first singing engagement was in a strip club in Manchester at the age of sixteen. At about that time she became obsessed with jazz, and sang with bebop pianist Dennis Rose. From then on she sang in pubs, clubs, hotels, and in dance bands with some of the finest jazz musicians around. In the midst of all this she worked abroad for a year as a dancer (including a six-month stint at the Moulin Rouge in Paris).
In 1968, she went to London and joined (as Maggie Nichols) an early improvisational group, the Spontaneous Music Ensemble, with John Stevens, Trevor Watts, and Johnny Dyani, and the group performed that year at Berlin's then new avant-garde festival, Total Music Meeting. In the early 1970s she began running voice workshops at the Oval House Theatre (one of the most important centres for pioneer fringe theatre groups). She both acted in some of the productions and rehearsed regularly with a local rock band. Shortly afterwards she became part of Keith Tippett's fifty-piece British jazz/progressive rock big band Centipede, which included Julie Tippetts, Phil Minton, Robert Wyatt, Dudu Pukwana, and Alan Skidmore. Tippetts, Minton, and Nicols also joined Brian Eley to form the vocal group Voice. Around this time, Nicols began collaborating with the Scottish percussionist Ken Hyder (who had recently moved to London) and his band Talisker.
By the late 1970s, Nicols had become an active feminist, and co-founded the group OVA, as well as the Feminist Improvising Group, which performed across Europe, with Lindsay Cooper. She also organised Contradictions, a women's workshop performance group that began in 1980 and dealt with improvisation and other modes of performance in a variety of media including music and dance. Over the years, Nicols has collaborated with other women's groups, such as the Changing Women Theatre Group, and even wrote music for a prime-time television series, Women in Sport.
[edit] Today
Nicols has also collaborated regularly over the years with Swiss pianist Irene Schweizer and French bassist Joelle Leandre, including tours and three recordings as the trio Les Diaboliques. Her collaboration with Ken Hyder also continues; the duo incorporate elements of the traditional tunes of their shared Scottish background into jazz improvisations in their most recent project, Hoots and Roots Duo. Other continuing projects for Nicols include a duo with pianist Pete Nu, a singing duo with her daughter Aura Marina, a trio with avant-gardists Caroline Kraabel and Charlotte Hug, a duo with pianist Steve Lodder ("The Maggie Nicols Songbook"), and Light and Shade, a project with lighting designer Sue Neal. She has also been involved with many other groups, such as the a capella group Inspiration (former Brixton Youth), Trevor Watts' Moire Music, Very Varied, The Lewis Riley Quartet, No Rules OK, Pulse, Gustt, and Al Dente.
Nicols has performed internationally for several decades, including the Zürich and the Frankfurt "Canaille" festivals, the Victoriaville Festival. She also gave solo performances at the Moers Music Festival, the Cologne Triennale, and a number of other creative and improvised music festivals. She has worked with a great many improvisers from all over the world, including drummer Günter "Baby" Sommer, British soprano saxophonist Lol Coxhill, Dutch trombonist and violinist Annemarie Roelofs, the Australian Relative Band (with Jim Denley), tuba player Pinguin Moschner, the Loverly Band, Cats Cradle, and Sean Bergin's Song Mob (with Han Bennink and Tristan Honsinger).
