Love Me Do

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"Love Me Do"
"Love Me Do" cover
Single by the Beatles
from the album Please Please Me
B-side(s) "P.S. I Love You"
Released 5 October 1962
Format 7" (1962, 1982)
CD, Digipak (1992)
Recorded Abbey Road Studios
4 and 11 September 1962
Genre Rock and roll
Length 2:22 ("Love Me Do")
2:06 ("P.S. I Love You")
Label Parlophone R4949
Writer(s) Lennon/McCartney
Producer(s) George Martin
Chart positions
the Beatles singles chronology
"Love Me Do"
(1962)
"Please Please Me"
(1963)
Please Please Me track listing
Side one
  1. "I Saw Her Standing There"
  2. "Misery"
  3. "Anna (Go to Him)"
  4. "Chains"
  5. "Boys"
  6. "Ask Me Why"
  7. "Please Please Me"
Side two
  1. "Love Me Do"
  2. "P.S. I Love You"
  3. "Baby It's You"
  4. "Do You Want to Know a Secret?"
  5. "A Taste of Honey"
  6. "There's a Place"
  7. "Twist and Shout"

"Love Me Do" is an early Lennon/McCartney song, principally written by Paul McCartney in 1958–59.[1][2] The song was the Beatles' first single, backed by "P.S. I Love You" and released on 5 October 1962. When the single was originally released in the UK, it peaked at number seventeen; in 1982 it was re-issued and reached number four. In the U.S. the single was a number one hit in 1964.

"Love Me Do" begins with bluesy harmonica played by John Lennon, then features Lennon and McCartney on joint lead vocals (George Harrison sings harmony vocals), although McCartney handles the low solo vocal line on the song's title phrase when all the instruments go silent. Lennon had previously sung these sections, but this change in vocals was made when the harmonica part was added, as Lennon needed to play it once the instrumentation started up again on the "do" of "love me do".

Contents

[edit] Recording

"Love Me Do" was recorded by the Beatles on different occasions with three different drummers:

  • The Beatles first recorded it on 6 June 1962 with Pete Best on drums, as part of their EMI audition at Abbey Road Studios in London.
  • By 4 September, Best had been replaced with Ringo Starr (producer George Martin did not approve of Best's drumming), and on that day the Beatles with Starr recorded a version again at Abbey Road Studios.
  • One week later, on 11 September, the Beatles returned to the same studio to discover that Martin was dissatisfied with Starr's drumming, and they made a recording of "Love Me Do" with session drummer Andy White on drums while Starr played tambourine.

Most issues of the single contain the Andy White version of the track, which can also be heard on several albums (including Please Please Me) and the The Beatles' Hits EP. The initial issues of the UK single, however, featured the Ringo Starr version, which is also included on the compilation album Past Masters, Volume One. All singles printed with the red Parlophone label contain the Ringo Starr version, whereas the singles having a black Parlophone label are the Andy White version. The CD single issued on 5 October 1992 contains both these versions. The Pete Best version remained unreleased until 1995, when it was included on the Anthology 1 album.

"Love Me Do", featuring Starr drumming, was also recorded eight times at the BBC and played on the BBC radio programmes Here We Go, Talent Spot, Saturday Club, Side By Side, Pop Go The Beatles and Easy Beat between October 1962 and October 1963. The version of "Love Me Do" recorded on 10 July 1963 at the BBC and broadcast on the 23 July 1963 Pop Go The Beatles programme can be heard on the Beatles album Live at the BBC. The Beatles also performed the song live on the 20 February 1963 Parade of the Pops BBC radio broadcast.

In 1969, during the Get Back sessions, the Beatles played the song in a slower, more bluesy form than they had in earlier recordings. This version of "Love Me Do" is one of many recordings made during these sessions and subsequently appeared on some bootlegs.

[edit] Background information

On 4 September 1962 Brian Epstein paid for the group to fly down from Liverpool to London. They arrived at Abbey Road Studios in the early afternoon, where they set up their equipment in Studio 3 and began rehearsing "Please Please Me", "Love Me Do" and a song by Mitch Murray and Barry Mason called "How Do You Do It" (originally written for Adam Faith).[3] To a certain extent, George Martin had decided to sign the Beatles on the strength of their personalities; their songwriting ability had yet to be recognised. It was felt that unless they could write something as good as "How Do You Do It", then the Tin Pan Alley practice of having the group record songs by professional songwriters, which was the custom at the time, would be employed.[4] During the course of an evening session (7pm to 10pm in Studio 2) they recorded "How Do You Do It" and "Love Me Do". "Please Please Me" was at this stage quite different to its eventual treatment and was dropped by Martin, which was a disappointment for the group, as they had hoped it would be the B-side to "Love Me Do".[5]

George Martin made a historic decision when he chose "Love Me Do" to be the Beatles' first single. "How Do You Do It" was clearly number one material, as Gerry and the Pacemakers were to later prove, and was far more commercial sounding at the time compared to "Love Me Do". For some reason, however, Martin went for the Lennon-McCartney composition. The song definitely had an effect on the Abbey Road staff on first hearing. Norman Smith was overseeing the 6 June audition when he first heard it, and then sent for Martin, who took over the rest of the session.

It was on the 4 September session that Martin suggested using a harmonica, presumably replacing a guitar phrase.[1] John Lennon owned a chromatic harmonica that his Uncle George (late husband of Aunt Mimi) had given to him and which he had taught himself to play, and so this was used. It was to become an important element of the Beatles' early sound, but prior to becoming recording artists they had not particularly featured harmonica in their live act. It seems credit then ought to be given to Martin for making it such an integral part of their early records such as "Love Me Do", "Please Please Me" and "From Me to You". Frank Ifield, a popular yodelling UK male vocalist during the early sixties, had recently had his first number one hit with "I Remember You" in July 1962, which featured a distinctive harmonica intro, as did American Bruce Channel's "Hey Baby", a hit in the UK in March 1962. Brian Epstein had in fact booked Bruce Channel to top a NEMS Enterprises promotion at New Brighton’s Tower Ballroom on 21 June 1962, just a few weeks after "Hey Baby" had charted, with the Beatles a prestigious second on the bill. Lennon was particularly impressed with Channel’s harmonica player, Delbert McClinton.[6]

It was decided, however, that as "Love Me Do" was going to be the group's first single, it was important to get things absolutely right, and the song therefore needed to be re-recorded. Martin was not happy with Starr’s drum sound, and in those days it was not unusual to hire session drummers to fix this sort of problem. Producers then were used to hearing the bass drum "lock in" with the bass guitar as opposed to the much looser R & B feel that was emerging, so professional show band drummers were often used for recordings. George Martin has since said that he never intended to slight either Best or Starr by using a session drummer.[7] Ron Richards, in charge for the 11 September re-recording session, booked Andy White, whom he had used regularly in the past. "P.S. I Love You" was recorded first; it was initially a contender for the A-side but was ruled out as there was another song with the same title by Peggy Lee. On this Starr was asked to play the maracas.

"Love Me Do" was then recorded with White playing drums and Starr on tambourine. However, early pressings of the single are the 4 September version—minus tambourine—with Starr playing drums. But later pressings of the single, and the version used for the "Please Please Me" album, are the 11 September re-record with Andy White on drums and Starr on tambourine. This difference has become fundamental in telling the two recordings of "Love Me Do" apart.

  • In his bestselling 2006 biography of the group, The Beatles: The Biography (ISBN 0316013315), Bob Spitz rehashed an old story that manager Brian Epstein tried to help make Love Me Do a hit in England by buying 10,000 copies of the single for his Liverpool record store. This story had been told previously in several other Beatles-related books, but has never been verified.
  • There are only two songs that Lennon and McCartney wholly own: "Love Me Do" and "P.S. I Love You". This is because until Dick James had set up their own publishing company Northern Songs, EMI had placed the Beatles' first two recordings with their own in-house publishers Ardmore and Beechwood. Brian Epstein, however, was dissatisfied with the lack of promotion EMI gave the single, and through George Martin (who later declined an offer by Brian Epstein of a percentage of Northern Songs on ethical grounds)[8] was introduced to Dick James, whom Martin once produced. Later, John Lennon and Paul McCartney were able to buy back ownership of these two titles which have always remained separate from the group’s main catalogue of material.
  • #1 on US charts (30 May 1964), Top 100 for 14 weeks.

[edit] Missing master tape

No original master tapes of the 4 September version of "Love Me Do" are known to exist. Standard procedure at Abbey Road Studios at the time was to erase the original two-track session tape once it had been "mixed down" to the (usually monaural) master tape used to press records. This was the fate of the session tape for "Love Me Do" as well as several other early Beatles songs from 1962–63. However, at some point the mixdown master tape for this song was also lost, and apparently no backup copies had been made—thus, for many years the only extant recorded copies were the red label Parlophone 45 rpm vinyl records pressed in 1962.

By the time the tapes had disappeared, the song's 11 September 1962 remake featuring Andy White had been released. EMI would not have been too concerned about the loss of the 4 September take, therefore, as it was now considered obsolete, and they may not have anticipated ever having any use for it again anyway.

Around 1980, a reasonably clean, original 45 from EMI's archives was used as the "best available source" for the track's inclusion on the Capitol compilation LP Rarities. A few years later, a new master tape was struck, this time using another, better-sounding 45 supplied by a record collector, and this has served as the official EMI master tape for the original Love Me Do ever since.

[edit] Quotations

In 1972, Lennon commented, "Paul wrote the main structure of this when he was sixteen, or even earlier. I think I had something to do with the middle."[2]

In 1982, McCartney remarked, "In Hamburg we clicked... At the Cavern we clicked... but if you want to know when we knew we'd arrived, it was getting in the charts with 'Love Me Do'. That was the one. It gave us somewhere to go."[2]

Similarly Starr in 1976 enthused, "The first record, 'Love Me Do', for me that was more important than anything else. That first piece of plastic. You can't believe how great that was. It was so wonderful. We were on a record!"[2]

[edit] Credits

In the Please Please Me album version:

  • John Lennon — rythm guitar, harmonica, joint lead vocal
  • Paul McCartney — bass, joint lead vocal
  • George Harrison — lead guitar, backing vocal
  • Ringo Starr — tambourine
  • Session drummer Andy White — drums

In the Decca audition that appears in Anthology 1 album:

  • John Lennon — rythm guitar, harmonica, joint lead vocal
  • Paul McCartney — bass, joint lead vocal
  • George Harrison —l ead guitar
  • Pete Best — drums

[edit] Cover versions

"Love Me Do" has been covered by:

[edit] Cultural references

"Love Me Do" is mentioned in the Bad Company song "Shooting Star" off their 1975 album, Straight Shooter. It's the first rock n' roll song that Johnny hears.

[edit] References

  1. ^ a b Miles, Barry, Many Years from Now, Vintage-Random House 1998, ISBN 0-7493-8658-4.
  2. ^ a b c d Please Please Me. Beatles Ultimate Experience: Songwriting & Recording Database. Retrieved on October 29, 2006.
  3. ^ Gerry Marsden. Q magazine Beatles Special, p.36
  4. ^ Mark Lewisohn, The Complete Beatles Recording Sessions, p.18
  5. ^ Bill Harry, "The Ultimate Beatles Encyclopedia", p.528
  6. ^ Bill Harry, "The Ultimate Beatles Encyclopedia", p.147
  7. ^ Keith Badman. The Beatles Off The Record, p.41
  8. ^ Bill Harry The Ultimate Beatles Encyclopedia P.437

[edit] External links

Preceded by
"My Guy" by Mary Wells
Billboard Hot 100 number one single
May 30, 1964
Succeeded by
"Chapel of Love" by The Dixie Cups