Love Child (song)
From Wikipedia, the free encyclopedia
| "Love Child" | ||
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| Single by Diana Ross & the Supremes | ||
| from the album Love Child | ||
| Released | September 30, 1968 | |
| Format | 7" single | |
| Recorded | Hitsville USA (Studio A); September 17, September 19, and September 20, 1968 | |
| Genre | Psychedelic soul | |
| Length | 3:03 | |
| Label | Motown M 1135 |
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| Writer(s) | Henry Cosby Frank Wilson Pam Sawyer Deke Richards R. Dean Taylor |
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| Producer(s) | "The Clan" (Berry Gordy, Henry Cosby, Frank Wilson, Deke Richards, and R. Dean Taylor) |
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| Chart positions | ||
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| Diana Ross & the Supremes singles chronology | ||
| "Some Things You Never Get Used To" (1968) |
"Love Child" (1968) |
"I'm Gonna Make You Love Me" (with The Temptations) (1968) |
"Love Child" is a 1968 number-one hit single released by the Motown label as a single for Diana Ross & the Supremes, although Diana Ross is the only member of the group present on the record. It was the number-one single on the Billboard Hot 100 singles chart for two weeks, from November 24, 1968 to December 7, 1968, and is notable for both its then controversial subject matter of illegitimacy and for being the best-selling of the Supremes' singles.
Contents |
[edit] History
[edit] "Love Child"
During the late-1960s, Diana Ross & the Supremes, having dropped group founder Florence Ballard, acquired new member Cindy Birdsong, and added Ross' name to the billing in July 1967, had mixed success on the pop charts, with five of their singles from this period failing to make it into the Top Twenty. Motown label chief Berry Gordy held a special meeting in a room at the Ponchartrain Hotel in Detroit, which was attended by a team of writers and producers at the label, including Frank Wilson, Henry Cosby, Pam Sawyer, Deke Richards, and R. Dean Taylor.
The group, who named themselves "The Clan," set to work on a hit single for Diana Ross & the Supremes. Instead of composing another love-based song, the team decided to craft a tune about a woman who is asking her boyfriend not to pressure her into sleeping with him, for fear they would conceive a "love child." The woman, portrayed on the record by Diana Ross, is herself a love child, and, besides not having a father at home, had to endure wearing rags to school and growing up in a "old, cold, run-down tenement slum." The background vocals echo this sentiment, asking the boyfriend to please "wait/wait won't you wait now/hold on/wait/just a little bit longer."
As was often the case with many of the records released under the "Diana Ross & the Supremes" name, Supremes Mary Wilson and Cindy Birdsong do not appear on the record. Motown session singers The Andantes perform the background vocals, with all lead vocals by Diana Ross, who was becoming increasingly distant from the group and would leave it in a year for a solo career.
The resulting track had a decidedly different feel than previous Supremes singles, not only because of its change-of-pace subject matter, but also because of The Clan's production, which gave the melodramatic tale a driving, almost hedonistic rhythm. The public responded well to "Love Child" when it was released as a single on September 30, 1968; the song rose to number-one quicker than any other Supremes single before or after, and outsold all of the group's previous or subsequent 45 releases. "Love Child" became the title track of Diana Ross & the Supremes' Love Child album, released in December 1968, and was later covered by the rock group Broadzilla.
[edit] "I'm Livin' In Shame"
The Clan followed up "Love Child" with a sequel, "I'm Livin' In Shame," which explores the same woman's quest to shun both her impoverished childhood and her mother, and pass herself off to her friends and new husband the daughter of a rich family. The woman's mother ends up dying without ever seeing her daughter as an adult, or ever meeting her two-year-old grandson. "I'm Livin' In Shame," also recorded by Ross and the Andantes without Wilson or Birdsong, was inspired by the melodramatic 1959 Lana Turner film Imitation of Life (the pre-chorus of "Mama, mama, mama can you hear me?" is actual dialogue from the film). The song was included on the 1969 Let the Sunshine In album and made it to the number-ten spot on the pop charts in the winter of 1969.
[edit] Credits
- Lead vocals by Diana Ross
- Background vocals by The Andantes: Jackie Hicks, Marlene Barrow, and Louvain Demps
- Instrumentation by The Funk Brothers
- Arranged by Paul Riser
[edit] Sample
- "Love Child" (file info) — play in browser (beta)
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| Preceded by "Hey Jude" by The Beatles |
Billboard Hot 100 number one single November 30, 1968 |
Succeeded by "I Heard It through the Grapevine" by Marvin Gaye |
[edit] See also
[edit] References
- Chin, Brian and Nathan, David (2000). "Reflections Of..." The Supremes [CD Box Set]. New York: Motown Record Co./Universal Music.
- Posner, Gerald (2002). Motown : Music, Money, Sex, and Power. New York: Random House. ISBN 0-375-50062-6.
- Wilson, Mary and Romanowski, Patricia (1986, 1990, 2000). Dreamgirl & Supreme Faith: My Life as a Supreme. New York: Cooper Square Publishers. ISBN 0-8154-1000-X.
