Lonnie Burr
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Lonnie Burr | |
Lonnie Burr on The Mickey Mouse Club |
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Birth name | Leonard Burr Babin |
Born | May 31, 1943 Dayton, Kentucky |
Other name(s) | The Velvet Smog |
Lonnie Burr was born on May 31, 1943, in Dayton, Kentucky. He is an American actor, dancer/choreographer, singer, director and author of Danish, French, Scotch-Irish and German descent, best known for having been a star on the original Mickey Mouse Club television show from 1955 to 1959. His parents were Howard Babin and Dorothy Burr, a vaudeville dance team that performed in film and on stage as "Dot and Dash".
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[edit] Early Performances
At age four Lonnie started dance lessons and was soon making live appearances on local TV shows as well as acting on radio and turned professional at five. By six he began working on national TV and radio, acting in commercials and landed his first film appearance in A Yank in Korea (1950). He had his first recurring TV role as the next door neighbor Oliver Quimby on The Ruggles sitcom (1950-1951), guested on a dozen episodes of The Colgate Comedy Hour, The Roy Rogers Show, The Alan Young Show, Donald O'Conner Show, Father Knows Best, and other series. He was the child lead on the soap opera Dr. Paul and the voice of Chef-Boy-Ar-Dee for two years, both on radio. His stage career began at the Pasadena Playhouse at age six.
Lonnie landed his first Guest Star role as the title character on a segment of The Range Rider and the same year, his eighth, he performed his first stage lead in The Strawberry Circle. His film roles include Queen For A Day (1951), Hans Christian Andersen -to whom he is related- (1952), The Greatest Show on Earth (1952) and Apache (1954).
His early television commercials include Space Patrol and The Lone Ranger.
[edit] Mickey Mouse Club
In 1955 Lonnie was signed to a seven year contract by Walt Disney Studios as one of twenty-four original Mouseketeers. He was made a member of the show's first string unit, the Red Team, and appeared in the show's Roll Call and Alma Mater segments daily for the first two seasons. (A facial injury suffered during rehearsal kept him off-camera during the filming of Roll Call and Alma Mater for the third season). While on the show Lonnie performed in skits and musical variety numbers, both as a soloist and with others. He was generally acknowledged to be one of the show's three top dancers and his slightly husky singing voice caused other Mouseketeers to nickname him "The Velvet Smog" for at twelve he also resembled "The Velvet Fog", singer Mel Torme.
[edit] Adult Roles
After the MMC stopped filming in 1958, Lonnie finished high school, turning fifteen a few days before getting his diploma, and achieved a B.A. and M.A. in Theatre Arts from UCLA by age twenty. He then completed a year towards a Ph.D. in English Literature. He resumed performing in the 1960s in plays and musicals including Broadway, films, television, commercials and industrial films.
His 25 films include Sweet Charity (1968), The Hospital (1971), The Prisoner of Second Avenue (1975), Hook and Lionheart (1991), Newsies and Mr. Saturday Night (1992) and Police Academy VII: Mission to Moscow (1994).
His over 60 adult TV creidts include guest roles on The Beverly Hillbillies, Hill Street Blues, Hunter, a recurring role on Falcon Crest, Murder She Wrote, Chicago Hope, L.A. Heat and Homicide: Life on the Streets. Lonnie also has a total of over 100 radio performances.
His 49 stage roles range from Mack and Mabel on Broadway, the first National Company with Joel Grey and the Las Vegas production on his own of George M, the Los Angeles company of 42nd Street and Tamara.
Lonnie has also directed for radio, TV and Theatre and choreographed plays, musicals, commercials, industrial films and live performances - one which he also wrote and appeared in at Disneyland. He has written two books of poetry, the non-fiction book TWO FOR THE SHOW: Great 20th Century Comedy Teams (2000), five plays (Icons Are Not in Vogue, Occam's Razor, Over the Hill, Children Are Strangers and Exeunt All), and the book and lyrics for the musical Fantasies, which have been staged in Los Angeles and New York City.
Lonnie has been published on various subjects for eighteen national and regional magazines, newspapers such as the Los Angeles Times, The Village Voice, The Washington Times, and Cincinnati Enquirer, and also for e-zines. He has written for the screen, TV and has had 22 produced radio scripts that aired in the U.S. on a 500 station syndicate for Heartbeat Theatre and American Radio Theatre.