Lone Star State of Mind

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Lone Star State of Mind
Studio album by Nanci Griffith
Released	1987
Recorded	July 1986, Soundstage/The Back Stage Studios, Nashville, Tennessee
Genre	Country
Length	35:48
Label	MCA Records
Producer(s)	Tony Brown and Nanci Griffith
Professional reviews
All Music Guide link
Nanci Griffith chronology
The Last of the True Believers (1986)	Lone Star State of Mind (1987)	Little Love Affairs (1988)

Lone Star State of Mind is Nanci Griffith's fifth album, and her first with a major recording label. Griffith's music had seen a turn from her original folk music base into more commercially viable country music in her previous two albums. On the current album she enlists the hit-making talents of veteran country producer Tony Brown. While this album would garner her first appearance on the Billboard Country charts, Griffith would never become a major country star. The album rose to #23 on the Country Albums chart, but that would be as high as any of her albums would ever climb. The title track, "Lone Star State of Mind," would become the first of only two singles ever to enter the Top 40 of the Billboard Hot Country Singles chart; it topped out at #36, while two other singles from the album could only gain much lower positions: "Cold Hearts/Closed Minds" at #64, and "Trouble in the Fields" at #57. Griffith's very literary style was perhaps a little too thought-provoking to be a success in the world of Top 40 country radio.

[edit] Track listing

1. "Lone Star State of Mind" (Fred Koller/Patrick Alger/Gene Levine) - 3:56
2. "Cold Hearts/Closed Minds" (Nanci Griffith) - 2:40
3. "From a Distance" (Julie Gold) - 4:10
4. "Beacon Street" (Nanci Griffith) - 2:49
5. "Nickel Dreams" (Mac McAnally/Don Lowery) - 2:48
6. "Sing One for Sister" (Robert Earl Keen, Jr) - 3:20
7. "Ford Econoline" (Nanci Griffith) - 2:10
8. "Trouble in the Fields" (Nanci Griffith/Rick West) - 3:18
9. "Love in a Memory" (Nanci Griffith) - 3:17
10. "Let It Shine on Me" (Paul Kennerley) - 2:59
11. "There's a Light Beyond These Woods (Mary Margaret)" (Nanci Griffith) - 4:21