Talk:Leo Brouwer

From Wikipedia, the free encyclopedia

This article is within the scope of WikiProject Biography. For more information, visit the project page.
??? This article has not yet received a rating on the Project's quality scale. Please rate the article and then leave a short summary here to explain the ratings and/or to identify the strengths and weaknesses of the article. [FAQ]
This article is within the scope of WikiProject Cuba. For more information, visit the project page, where you can join the project and/or contribute to the discussion.
Start This article has been rated as Start-Class on the assessment scale.
Low This article is on a subject of Low priority within the scope of Wikiproject Cuba.

'''LEO BROUWER, GENIUS & MUSIC. Conductor, composer and guitarist (he touches, in addition violonchelo, clarinete, the percussion and the piano). He initiates his musical formation in the familiar scope. Soon, he studies guitar with Isaac Nicola (disciple of Pujol), between 1953 and 1954; later, in the Peyrellade Conservatory of Havana, approaching the composition of self-taught form. Indeed, from 1954 first works date his: "Music" (for guitar, cord and percussion) and "Suite" (for guitar). And thus, it already has several works in his catalogue when it receives, in 1959, a scholarship of the Julliard School of Music of New York to study composition; as well as another one of the Department of Music of the University of Hartford to study guitar. In 1960, it is to the front of the Department of Music of the Cuban Institute of Cinematographic Arte and Industría, where it creates, in 1968, the Group of Sonorous Experimentation of the ICAIC, that reunited to several Cuban young creators - among them, Silvio Rodriguez and Milanese Pablo - to take ahead a tie renovador work to the cinema and to the pop music that has set standards in the musical history of Latin America. In this direction, it has composed music for more than one hundred films anywhere in the world. In 1961, harmony professor is named and counterpoint in the National Conservatory of Havana and, two years later, is it also of composition; as well as musical adviser of the National Chain of Radio and Television. As interpreter makes debut in 1955, in Havana. Since then, its artistic race has taken to him to occupy a position of privilege in the universal guitarrística of this century, having participated in the Festivales de Aldeburgh, Avignon, Edinburgh, Spoleto, Berlin, Toronto, Paris and practically, in the totality of the world-wide events. Since then, it has given skillful classes and courses everywhere; it has directed symphony orchestras and of camera - like the Filarmónica of Berlin, the Symphonic ones of Mexico, Scotland, the R.A.I., Orchestra of Camera of the BBC, Filarmónica de Liege, Orchestra of Camera of Finland, Symphonic of Istambul, among others. - and it has been sworn in excellent International Aids, like Munich, Paris, Toronto, Genoa and Madrid. Its discografía, in addition surpasses the hundred of registries. Their musical works have been sponsored by personalities and organizations such as the Festival of Toronto, BBC, John Willians, Juliam Bream or the Festival of Lieja. In 1972, he was composer guest of the German Academy Anstansdienst of Berlin, with Morton Felman, Ear to him Brow, Sylvano Bussoli and other composers. In 1987, 22ª Assembly of the Council the International of Music (CIM) of UNESCO chooses Member of Honor, receiving with Isaac Stern and Alain Danielou the highest prize in recognition by its life in music; honor that now shares with Sir Yehudi Menuhin, Ravi Shankar, Hervert von Karajan, Joan Suteherland, Krysztof Pendericki and other personalities of the musical world. in 1989, Istituzione Italo-Latin American Musicale (IMILA) names Member of the Honorary Committee, next to Claudius Abbado, Ricardo Mutti, Pierre Boulez, Salvatore Accardo, among others; being then president Claudius Arrau. By order of the festivales of Liege, - Toronto and Volos have made the composition of 3 concerts with the names of the respective cities. "Concert of Liege" - "Concert of Toronto" "Concert of Volos". Song is also author of the famous work "of Develops" recorded and executed by the most important orchestras of the world. She is also the person in charge by the orquestación and adjustments of the "Flamenco Concert for a Sailor in Earth", (Poet) work of Vicente Friend in tribute to the great Spanish poet Rafael Alberti. In 1993 it composes music for the film of Alfonso Arau, "Like Água for Chocolate", awarded in several international festivales. Chief of a main directorate of the National Symphony orchestra of Cuba, member of the Council the International of Music, artistic advisor of the Festival of Martinica, member of the Academy of the Arts of Berlin, honorary member of the Society the International of Authors of Music, artistic director of the Festival the International of Guitar of Havana and president of the International Federation of Festivales of Guitar, among other artistic responsibilities throughout the world. Of July of 1992 to 2001 July he is titular director of the Orchestra of Cordova, formation supported by the Meeting of Andalusia and the City council of Cordova. Its works for guitar, and guitar and orchestra are habitual repertoire of numerous classic guitarists. The work guitarist of I READ BROUWER is matter programmed in Conservatories worldwide. At the moment he is one of the composers more demanded by trios, quartets, nonetos, orchestras of camera, as well as by cinematographic producers for accomplishment of sound tracks. ORCHESTRAS for more than 15 years, I HAVE BEEN READING BROUWER directs symphonic orquestales sets and of camera, with repertoire that goes from its own work to the "great repertoire" or universal repertoire. Some of these orchestras are:·BERLINER PHILARMONIKER·SCOTTISH NATIONAL SYMPHONY ORCHESTRA·NATIONAL ORCHESTRA SINFONICA OF MEXICO·NATIONAL SYMPHONY ORCHESTRA OF VENEZUELA·PHILARMONIC OF LIEGE (BELGICA)·TORONTO CHAMBER ORCHESTRA·HELSINKI CHAMBER ORCHESTRA·ORCHESTRE OF CHAMBRE OF WALLONIE (BELGICA)·BBC CONCERT ORCHESTRA (LONDON)·NATIONAL ORCHESTRA SINFONICA OF CUBA·ORCHESTRA NOUVELLE PHILARMONIE OF PARIS·KARIS CAMBER ORCHESTRA (FINLAND)·BBC CHAMBER ORCHESTRA (LONDON)·ISTANBUL SYMPHONY ORCHESTRA·NEUE MUSIK ENSEMBLE BERLIN·SYMPHONIC ORCHESTRA OF THE R.A.I. (ROME)·ORCHESTRA OF THE FESTIVALE OF ALESSANDRIA (ITALY)·GRUP CONTENPORANI OF VALENCIA·ENSEMBLE H. EISLER (GERMANY)·BOCHUM SYMPHONY ORCHESTRA (GERMANY)·ENSEMBLE RICERCARE OF FIRENZE·TORONTO GUITAR FESTIVAL ORCHESTRA CANADA·THE CHAMBER ORCHESTRA OF THE FRENCH COMMUNITY·R.T.B.F. SYMPHONY ORCHESTRA BRUSSELS·SYMPHONY ORCHESTRA OF THE COMMUNITY OF MADRID·CORDOBA. ORCHESTRA... It is possible to indicate that the Orchestra of Camera of the BBC has contracted it during five years consecutive, to direct, during his seasons of autumn, a minimum of 3 concerts by season. COMMISSIONERS the works of I READ BROUWER, have been musical commissioners by personalities and organizations like which they follow: John Williams Julian Bream Frans Brüggen Harry Sparnaay Festival of Toronto Festival of Lieja Festival of Cordova Orchestra of Camera of the BBC Wind Symphony de Pittsburgh Quartet of Buffalo Kronos Cuartet RECORDINGS I READ BROUWER has recorded discs like director and interpreter with they following:·Deutsche Grammophon G. (D.G.G., Hamburg)·R.C.A. (London)·Erato Disques (Paris)·Ricercare (Belgium)·Auvidis (France)·Egrem (Cuba) the total of recordings surpasses the 150 registries. CINEMA I READ BROUWER, is author of more than one hundred sound tracks for films, documentary cinematographic and for television DISTINCTIONS I READ BROUWER has received multiple distinctions of national and international character between which are the following ones:·ORDER FELIX VARELA (CUBA)·MEDAL I MOVE AWAY CARPENTIER (CUBA)·DISTINCTION OF THE NEW CUBAN TROVA·COMPOSER GUEST OF The ACADEMY OF SCIENCES And ARTS OF BERLIN·MEDAL OF THE FESTIVAL OF ART OF AR TO THEM VILLA (FRANCE)·MEDAL MANUEL PONCE (MEXICO)·TROPHY OF LIEJA VILLA (BELGIUM)·MEMBER OF HONOR OF THE ADVICE THE INTERNATIONAL OF MUSIC OF UNESCO·MEMBER Of COMITE' HONORARIO DE LA INSTITUZIONE MUSICALE Italo-latinoamerica (IMILA) COURSES I READ BROUWER develops an intense didactic work anywhere in the world, by means of skillful classes and courses.·INTERPRETATION GUITARRISTICA (Interpretation, Technique and Style)·PRINCIPLES OF COMPOSITION APPLIED To The GUITAR·INTERPRETATION, STYLE And ORNAMENTACION OF Pre-Classic MUSIC·THE GUITAR IN THE WORLD OF THE SYMPHONIC COMPOSITION·HARMONÍA APPLIED To The GUITAR·TRANSCRIPTION and ADJUSTMENT FOR GUITAR This is a small sample of the courses that can be programmed. An enumeration of all already made, as well as of the variants that can be suggested by the organizers, would make this list interminable. I READ BROUWER, always is open to accept proposals on the thematic one of the courses. Its work is developed habitually in following the countries: Austria, Italy, Germany, Great Britain, France, Finland, Belgium, Japan, Canada, Spain, Venezuela, Czechoslovakia. COMPOSITIONS the work of I READ BROUWER as composer includes great number of works for guitar, in addition to compositions for percussion, piano, ARPA, voice, choir, symphonic works and of camera, music electro-acoustics, ballet, cinema and infinity of formats more. BROUWER has been the first Cuban composer in using the aleatonismo and the forms opened in music. By the others, its writing is original, characteristic, finding - like the majority of its Latin American colleagues source of inspiration in the wealth and rythmical varieties and the colorful overtone of the pop music of its country. Other appreciable influences in their music come from authors like Ives, Cage, Kagel and Xenakis, coming together in a vanguardista and coherent style with the thought and the art of our time. Some works hers are: FOR GUITAR:·Simple studies·Epigramáticos preludes·Cuban popular airs·Characteristic dance·Zapateado Cautira and·Tarantos·Parabola·Canticum·Praise of the Dance·Berceuse and Ojos wizards·Cuban landscape·Variations on a subject of Django Reinhardt·The black Decameron FOR SET Or ORCHESTRA:·Three concertantes Dances·Per suonare to due·Micropiezas and incidental music·Concert of Toronto·Elegíaco Concert·Concert of Lieja·From Yesterday to Penny Lane WORKS noncGuitarristicas:·The tradition is broken·Cántigas of the new time·Sonograma·Tribute to Mingus'''

By looking at the so called mentioned 'tonal' scores - one could see that those are written in an open clef...(atonal clef) I'm rephrasing the questionable sentence.''''''