Leiji Matsumoto

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Leiji Matsumoto (松本零士 Matsumoto Reiji) is a well-known creator of several anime and manga series. He was born in Kurume, Fukuoka Prefecture, Japan on January 25, 1938.

1 Space opera
2 Career
3 List of works
4 External links

[edit] Space opera

Some fans praise Matsumoto for his space operas such as Space Battleship Yamato. Indeed, many such as Toshio Okada and Eiichiro Oda have remarked in interviews that the Romanticism prevalent in his work has inspired them both. His style is characterized by tragic heroes; tall, slender, fragile-looking heroines with strong wills and in some cases, god-like powers; and a love of analog gauges and dials in his spacecraft. Those prominent gauges and dials are affectionately called "松本ゲージ" (Matsumoto Geji, lit. Gauges of Matsumoto) or "松本メーター" (Matsumoto Meter) by his fans. Another trademark of his is putting a series of "9"s or "0"s in his manga titles (The word "rei" in his name means "0"). His beloved cat Mī-kun often makes appearances in his work. (His current cat is named Mī-kun III).

[edit] Career

Matsumoto made his debut under his real name, Akira Matsumoto, in 1953. In the early years of his career he mostly drew shōjo manga, although he intensely disliked this genre. However, during this period he met the woman who is now his wife, shojo manga artist, Miyako Maki (who's better known as the creator of the doll, Licca-chan, the Japanese equivalent of Barbie). It wasn't until the mid-60's that he was given the chance to publish in magazines aimed at boys.

Matsumoto had his big break with Otoko Oidon, a series that chronicled the life of a ronin (a young man who was preparing himself for entrance examinations to universities and colleges), in 1971. The series was met with both critical as well as public acclaim. Around the same time he started a series of unconnected short stories set during World War II, Senjo Manga Series, which would eventually become popular under the title The Cockpit.

Both his involvement in Space Battleship Yamato (1974) and the debut of the highly popular series Captain Harlock and Galaxy Express 999 (both 1977) made him one of the most popular artists in the entire manga-industry. Animated versions of both series also proved to be very successful. Both series being set in the same universe spanned several spin offs and related series, most notably Queen Emeraldas and Queen Millennia. This shared universe is often called the Leijiverse or the Matsumoto Milieu.

Maeter robot at New Kitakyushu Airport

By the late 80s, Matsumoto's influence seemed to somewhat dwindle. However, the debut of an all-new Galaxy Express 999 series in 1998 was greeted with enthusiastic success and started a "renaissance". Since then numerous anime based on his works have been produced, including a new Captain Harlock-OVA, as well as several animations based on Galaxy Express 999's Maeter (a name popularly mistransliterated as "Maetel" ever since the initial 1980 Roger Corman dub of the first 999 film, though the Japanese interchangeably use both spellings) and other aspects of the Leijiverse.

Matsumoto also supervised the creation of several music videos for the French house group Daft Punk, set to tracks from their album Discovery. These videos were issued end-to-end (making a full-length animated movie) on a DVD release entitled Interstella 5555: The 5tory of the 5ecret 5tar 5ystem.

About two dozen bronze statues - each perhaps four feet tall - of characters and scenes from Space Battleship Yamato and Galaxy Express 999 were erected in the downtown area of Tsuruga in 1999. Each statue includes a plaque at its base explaining the character, and featuring Matsumoto's signature.

Leiji Matsumoto is also often (mis)credited as the "creator" of Space Battleship Yamato (known outside Japan under various names, but most commonly as Star Blazers). In truth, he was brought onto the project after its conception by producer (and by extension, actual creator) Yoshinobu Nishizaki, but it is now generally agreed that Matsumoto's artistic vision and direction is the primary reason why Yamato was such a memorable success. Matsumoto created a manga loosely based on the series, and the Yamato makes cameo appearances (sans crew) in several of his works including the Galaxy Express 999 manga. A recent work by Matsumoto called Great Yamato featuring an updated Yamato had to be renamed Great Galaxy due to the legal issues with Nishizaki. As of this writing both Matsumoto and Nishizaki are working on independent anime projects featuring the acclaimed Space Battleship Yamato, with the conditions that Matsumoto cannot use the name Yamato or the plot or characters from the original and Nishizaki cannot use the conceptual art, character or ship designs of the original.