Layla
From Wikipedia, the free encyclopedia
| "Layla" | ||
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| Single by Derek and the Dominos | ||
| from the album Layla and Other Assorted Love Songs | ||
| Released | Originally 1970, as a single 1972 | |
| Format | Vinyl album | |
| Recorded | Criteria Studios, Miami, August–September 1970 | |
| Genre | Rock | |
| Length | 7:02 – 7:11[1] | |
| Label | Atco Records | |
| Producer(s) | Tom Dowd | |
| Chart positions | ||
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| Music sample | ||
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""Layla"" (file info) |
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"Layla" is the title track on the Derek and the Dominos album Layla and Other Assorted Love Songs, released in December 1970. It is considered one of rock music's definitive love songs,[2] featuring an unmistakable guitar figure, played by Eric Clapton and Duane Allman, as lead-in. Its famously contrasting movements were composed separately by Clapton and Jim Gordon.
Inspired by Clapton's unrequited love for Pattie Boyd, the wife of his friend George Harrison, "Layla" was unsuccessful on its initial release.[3] The song has since experienced great critical and popular acclaim. Two versions have achieved chart success, first in 1972 and again twenty years later.
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[edit] Background
In 1966, George Harrison married Pattie Boyd, a model he met during the filming of A Hard Day's Night. During the late 1960s, Clapton and Harrison, as two of the top English guitarists of the day, became firm friends. Clapton contributed guitar work on Harrison's song "While My Guitar Gently Weeps" on The Beatles' White Album but remained uncredited, and Harrison played guitar pseudonymously on Cream's "Badge" from Goodbye. However, trouble was brewing for Clapton. His supergroups Cream and Blind Faith had broken apart, his growing drug use would lead to a life-threatening heroin addiction, and, when Boyd came to Clapton for aid during marital troubles, Clapton fell desperately in love with her.[4]
The title, "Layla", was inspired by a love story, The Story of Layla / Layla and Majnun (ليلى ومجنون), by the Persian classical poet Nezami. When he wrote "Layla", Clapton had recently been given a copy of the story by a friend (reportedly Ian Dallas)[5] who was in the process of converting to Islam. Nezami's tale, about a moon-princess who was married off by her father to someone other than the man who was desperately in love with her, resulting in his madness (in Arabic and Persian, Majnun, مجنون, means "madman"), struck a deep chord with Clapton.[4]
It is rumored that after the song's release, Harison commented and asked Clapton directly if he loved Pattie Boyd. When he said yes, George reportedly replied "Then I guess I should divorce her for you". It is further rumored that at their wedding, Harison said of Pattie and Eric "What right do I have to come between them".
Boyd divorced Harrison in 1977 and married Clapton in 1979. Harrison was not bitter about the divorce and attended Clapton's wedding with Ringo Starr and Paul McCartney. During their marriage, Clapton wrote another love ballad for her, "Wonderful Tonight". Their marriage later developed difficulties over Clapton's alcoholism and his extramarital affair with Yvonne Khan Kelly, and in 1985 he left Boyd altogether for Italian model Lori del Santo, with whom he had a child. Clapton and Boyd divorced in 1989 after several years of separation. As of 2005, she lived with longtime partner Rod Weston.[6]
In an interview with Songfacts, Bobby Whitlock, who was a member of Derek and the Dominos and good friends with both Harrison and Clapton, explains the situation between Clapton and Pattie around the time he wrote Layla:[7]
| “ | I was there when they were supposedly sneaking around. You don't sneak very well when you're a world figure. He was all hot on Pattie and I was dating her sister. They had this thing going on that supposedly was behind George's back. Well, George didn't really care. He said, 'You can have her.' That kind of defuses it when Eric says, 'I'm taking your wife' and he says, 'Take her.' They got married and evidently, she wasn't what he wanted after all. The hunt was better than the kill. That happens, but apparently Pattie is real happy now with some guy who's not a guitar player. Good for her and good for Eric for moving on with his life. George got on with his life, that's for sure. | ” |
[edit] Recording
After the breakup of Cream, Clapton tried his hand with several artists, including Blind Faith and a husband and wife duo, Delaney and Bonnie. In the spring of 1970, he was told that Delaney and Bonnie's backup band (bassist Carl Radle, drummer Jim Gordon, and keyboardist Bobby Whitlock) was leaving the group. Seizing the opportunity, Clapton formed a new group, Derek and the Dominos.[8]
In mid-to-late 1970 Duane Allman of The Allman Brothers Band joined Clapton's fledgling band as a guest. Clapton and Allman, already mutual fans, were introduced at an Allman Brothers concert by Tom Dowd.[9] The two hit it off well and soon became good friends. Dowd was already famous for a variety of work (including Aretha Franklin's cover of "Respect"), and had worked with Clapton in his Cream days (Clapton once called him "the ideal recording man"); his work on the album would be another achievement. For the making of his biographical documentary Tom Dowd and the The Language of Music, he remixed the original master tapes of "Layla",[10] saying "There are my principles, in one form or another."[9] With the band assembled and Dowd producing, "Layla" was recorded.
One night some time later, Clapton returned to the studio. He found Gordon playing a piano piece he had composed separately and convinced him to let it be used with the song.[8] Roughly three weeks after the recording of its first three minutes,[9] "Layla" was complete.
[edit] Structure
Due to the circumstances of its composition, "Layla" is defined by two movements, each marked by a repeated musical figure, or riff.
The first movement, which alternates between the keys of D minor for choruses and C-sharp minor for verses,[11] is centered around the "signature riff", a guitar piece utilising hammer-ons, pull-offs, and power chords. It contains the overdubbed guitar solo, a duet of sorts between Allman's slide guitar and Clapton's bent notes. By placing his slide at points beyond the end of the fretboard, Allman was able to play notes at a higher pitch than would normally be possible. Tom Dowd referred to this as "notes that aren't on the instrument!"[9]
The second movement, Jim Gordon's contribution, is commonly referred to as the "piano coda."[12] Originally played in C major, the tape speed of the coda was increased approximately 5% during mixing. The resulting pitch is microtonal, somewhere between C and C sharp.
As Clapton commented on his signature song:[13]
| “ | 'Layla' is a difficult one, because it's a difficult song to perform live. You have to have a good complement of musicians to get all of the ingredients going but, when you've got that... It's difficult to do as a quartet, for instance, because there are some parts you have to play and sing completely opposing lines, which is almost impossible to do. If you've got a big band, which I will have on the tour, then it will be easy to do something like 'Layla' — and I'm very proud of it. I love to hear it. It's almost like it's not me. It's like I'm listening to someone that I really like. Derek and The Dominos was a band I really liked—and it's almost like I wasn’t in that band. It's just a band that I'm a fan of. Sometimes, my own music can be like that. When it's served its purpose to being good music, I don't associate myself with it anymore. It's like someone else. It's easy to do those songs then. | ” |
Or, as his inspiration Pattie Boyd once said:[6]
| “ | I think that he was amazingly raw at the time... He's such an incredible musician that he's able to put his emotions into music in such a way that the audience can feel it instinctively. It goes right through you. | ” |
[edit] Beyond the original album
The album Layla and Other Assorted Love Songs opened to lackluster sales (the album never reached the charts in Britain),[3] as, with Clapton unmentioned except on the back, it appeared to be a double album from an unknown band.[3] Also, the song's length proved prohibitive for radio airplay;[3] as a result, an edited version of the song, trimmed to 2:43, was released as a single in March 1971 by Atco (U.S.). It peaked at only #51 on the Billboard Hot 100.
However, when "Layla" was re-released on the 1972 compilation The History of Eric Clapton and then released as a single, it charted at #7 in the UK and #10 in the U.S. Critical opinion since has been overwhelmingly positive. Dave Marsh, in The Rolling Stone Illustrated History of Rock and Roll, wrote that, "there are few moments in the repertoire of recorded rock where a singer or writer has reached so deeply into himself that the effect of hearing them is akin to witnessing a murder, or a suicide... to me, 'Layla' is the greatest of them."[3]
In 1982 "Layla" was re-released as a single in the UK and was an even bigger success than in 1972, peaking at #4.
In 1992, Clapton was invited to play for the MTV Unplugged series. His subsequent album, Unplugged, featured a number of blues standards and his new "Tears in Heaven". It also featured an "unplugged" version of "Layla". The new arrangement slowed down and reworked the original riff and dispensed with the piano coda.[2] This version climbed to number twelve on the U.S. charts but failed to chart in Britain. It would later win a Grammy Award in 1992 for Best Rock Song, beating out "Smells Like Teen Spirit" by Nirvana. The win would later be named one of the 10 biggest upsets in Grammy history by Entertainment Weekly.[14]
"Layla" is featured on a number of "greatest ever" lists, including The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, 27th place on Rolling Stone's The 500 Greatest Songs of All Time[15] and 16th place on VH1's 100 Greatest Songs of Rock and Roll. "Layla" also has had an effect on popular culture, with the piano coda featured in the 1990 film Goodfellas. Covers have been fairly rare, including John Fahey's cover on his 1984 album Let Go and a cover by famous session musician and smooth jazz guitarist Larry Carlton.
Beginning in 2003, the song's history came almost full circle in another direction, when The Allman Brothers Band began playing the song in concert. Warren Haynes sang the vocal, Gregg Allman played the piano part, and Derek Trucks played Duane's guitar parts during the coda. The performances were seen not only as a tribute to Duane, but to producer Tom Dowd, who had died the previous year.[16]
[edit] Notes
- ^ The exact time given varies depending on the source; All Music Guide and the CD give 7:02, whereas the vinyl album gives 7:10. This may be due to remastering.
- ^ a b Erlewine, Stephen Thomas. "Song Review". Retrieved on June 22, 2005.
- ^ a b c d e Paul Gambaccini et al. Derek and the Dominoes (sic) - Layla and Other Assorted Love Songs. Accessed on July 6, 2005.
- ^ a b Patterson, Jean. "Crazy About "Layla":Eric Clapton Song Inspired by Nizami, 12th century Azerbaijani Poet". 1998, Azerbaijan International. Retrieved on October 9, 2006.
- ^ Morgan, John. Biography for Ian Dallas. Internet Movie Database, retrieved October 9, 2006.
- ^ a b Leopold, Todd. Harrison, Clapton, and their muse. CNN, February 3, 2005. Retrieved on October 9, 2006.
- ^ Songfacts "Layla" entry. Accessed on December 14, 2006
- ^ a b Williamson, Nigel. Derek and The Dominos - Layla & Other Assorted... Retrieved on June 22, 2005.
- ^ a b c d Moormann, Mark. Tom Dowd and the Language of Music. 2003, Language of Music Films.
- ^ Halsey, Derek. Tom Dowd: The Legendary Producer Dies on October 27, 2002. Retrieved October 9, 2006.
- ^ Perrin, Jeff. The Best of Eric Clapton - Signature Licks / A Step-by-Step Breakdown of His Playing Technique. Hal Leonard, 1996.
- ^ Sold on Song Top 100: Layla. Retrieved on October 12, 2006.
- ^ Hrano, Mike. Eric Clapton- The Mike Hrano Interview. Retrieved on July 6, 2005.
- ^ Endelman, Michael (2007). "Grammy's 10 Biggest Upsets" (http). EW.com. Retrieved on 2007-02-13.
- ^ The Rolling Stone 500 Greatest Songs of All Time. Retrieved on September 9, 2006
- ^ The Allman Brothers Band in Concert: Beacon Theatre 2003. Retrieved on November 4, 2006
[edit] Further reading
- Ray Coleman, Clapton! (Warner Books, 1985) pp. 179–192
