Kazan Cathedral
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Kazan Cathedral (Russian: Каза́нский кафедра́льный собо́р) is a name of several Russian churches dedicated to Our Lady of Kazan, an icon which the Russian Orthodox Church probably venerates the most. The principal of these are the Kazan Cathedral on Red Square in Moscow (1638, 1932, 1993) and the Kazan Cathedral on the Nevsky Prospekt in St. Petersburg (1810–1811).
The latter church was modelled by Andrey Voronikhin after St. Peter's Basilica in Rome. Some art historians assert that Emperor Paul intended to build a similar church on the other side of the Nevsky that would mirror the Kazan Cathedral but his plans failed to materialize. Although the Russian Orthodox Church strongly disapproved of the plans to create a replica of the Popish cathedral in the Russian capital, several courtiers infatuated with Roman Catholicism supported Voronikhin's Empire Style design. The construction was started in 1801 and continued for ten years.
After Napoleon invaded Russia in 1812, and the commander-in-chief Mikhail Kutuzov asked Our Lady of Kazan for help, the church's purpose was to be altered. The Patriotic War over, the cathedral was perceived primarily as a memorial to the Russian victory against Napoleon. Kutuzov himself was interred in the cathedral in 1813; and Alexander Pushkin wrote celebrated lines meditating over his sepulchre. In 1815, keys to seventeen cities and eight fortresses were brought by the victorious Russian army from Europe and placed in the cathedral's sacristy. In 1837, Boris Orlovsky designed two magnificent bronze statues of Kutuzov and Barclay de Tolly in front of the cathedral.
In 1876, the first political demonstration in Russia took place in front of the church. After the Russian Revolution of 1917, the cathedral was closed. In 1932, it was reopened as the Atheism Museum. Services were resumed in 1992; and four years later the cathedral was returned to the Russian Orthodox Church. Now it is the mother cathedral of the metropolis of St. Petersburg.
The cathedral's interior, with its numerous columns, echoes a ponderous outward colonnade and reminds one of a sumptuous palatial hall (69 metres in length, 62 metres in height). The interior features numerous sculptures and icons executed by the best Russian artists of the day. A wrought iron grille, separating the cathedral from a small square behind, is sometimes cited as one of the finest ever created.
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