Katell Keineg
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Katell Keineg (born February 1965), is a Breton-Welsh singer-songwriter, based in Dublin and New York.
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[edit] Early life
Born in Brittany and raised in Cardiff, Wales, Katell Keineg is the second child and only daughter of Breton poet and playwright Paol Keineg and his wife, Judith, a Welsh schoolteacher. Both parents were active in their nation's respective independence movement, Paol with the UDB, his wife with Plaid Cymru. The family moved to Wales where, exposed to Breton and Welsh folk music, Katell beginning singing, mainly in choirs and eisteddfods. Early influences included George Harrison, Robert Plant, The Beatles, The Skids and Led Zeppelin. She has cited The Song Remains the Same as influential; she watched it in the same year she began busking in Cardiff, which led to travels around the UK and Ireland playing at ad hoc gigs and festivals.
Following an undergraduate law degree from the London School of Economics she lived for a few years in Cardiff and, at age 25, moved to Dublin, having particularly come to enjoy the city and its ambiences. Despite regular annual trips to New York it remains her home.
[edit] Ô Seasons Ô Castles
In the early 1990s she began living in New York for a time. A live appearance in Times Square was captured for posterity by Irish TV in the summer of 1992, by which time she had become one of a number of regular performers at the famed Sin-é. (A poster of hers is visible in the background in the video of a performance at Sin-é by her friend, Jeff Buckley, reproduced on disc three of the Buckley's posthumous Grace (Legacy Edition).)
Her first release was a seven-inch single called "Hestia" on SOL, an independent label co-owned by musicians Bob Mould and Nicholas Hill. She was signed by Elektra in 1993 and in 1994 her debut album, Ô Seasons Ô Castles was released. It garnered much acclaim, most especially from fellow musicians, the album's compositions demonstrating her keen, moving voice in a subtle range of styles. One of the songs, The Gulf of Araby, was played regularly by Natalie Merchant at concerts for several years. Merchant also invited Keineg to sing on her debut album, Tigerlily, on the song Carnival.
[edit] Jet
For the next two years she continued to gig regularly, gaining new fans at events such as Lilith Fair in the summer of 1997. However, her second album, Jet, while it sold well among fans, was not well marketed by Elektra. Jet featured a biographical song about bisexual Argentine surrealist painter Leonor Fini. In the same year, her friend Jeff Buckley drowned in the Mississippi River at age thirty. An interview with Hot Press, meant to publicise her new album, was marked by this tragedy. Katell returned to New York where she sang at a tribute.
Following disappointing sales of Jet and a change of management at Elektra, Keineg endured a number of unhappy years at Elektra during which time she released no new music. Eventually, however, she was able, after intense negotiations, to secure a release from her contract with Elektra and to gain back rights to her first two albums, both currently out of print. According to an article in the New York Times published July 2, 2006 [1] all Keineg's music is to be available on iTunes by the end of July 2006 (Ô Seasons Ô Castles and Jet are now available there).
[edit] From the ... End of Time? to High July
Following a few years out of the public eye, in 2002 Katell released a four-track CD titled What's The Only Thing Worse Than The End of Time? which more than marked a return to form. It consisted of the title track, an exquisite live version of Nick Drake's River Man sung at a Nick Drake Festival at St. Anne's, NYC, Waiting For the Weight of Space and Beautiful Day. It was followed in 2004 by her third album, High July, released via the independent label Megaphone Music.
[edit] Singles
- Hestia
- Partisan
- Franklin
- Hell Of A Life
- Smile
- What's The Only Thing Worse Than The End Of Time
- Shaking The Disease
[edit] Sources
- http://www.katellkeineg.com/
- Dream Brother: The Lives and Music of Jeff and Tim Buckley, David Browne, 2001.
