Kamchatka (film)

From Wikipedia, the free encyclopedia

Kamchatka

Theatrical Poster
Directed by Marcelo Piñeyro
Produced by Pablo Bossi
Pedro D'Angelo
Oscar Kramer
Francisco Ramos
Written by Marcelo Piñeyro
Marcelo Figueras
Starring Ricardo Darín
Cecilia Roth
Tomás Fonzi
Héctor Alterio
Music by Bingen Mendizábal
Cinematography Alfredo F. Mayo
Editing by Juan Carlos Macías
Distributed by Buena Vista
Hispano Foxfilms
Release date(s) Argentina:
Sept. 17, 2002
Canada:
Sept. 9, 2003
Running time 105 minutes
Country Flag of Argentina Argentina
Flag of Spain Spain
Language Spanish
Swahili
All Movie Guide profile
IMDb profile

Kamchatka is an Argentine and Spanish 2002 film directed by Marcelo Piñeyro and written by Piñeyro and Marcelo Figueras.[1]

The motion picture is set in Argentina during the Dirty War of the 1970s and tells the story of a family hiding from the government in rural Argentina.

The movie stars Ricardo Darín, Cecilia Roth, Tomás Fonzi, and Héctor Alterio.

Kamchatka was Argentina's official submission for the 2002 Oscar Awards, Foreign Language film category.

Contents

[edit] Plot

Spoiler warning: Plot and/or ending details follow.

The film is seen throught the eyes of a ten year old boy Harry (Matías del Pozo), who's innocent of the political situation around him.

After witnessing the "disappearance" of dissident friends, a human rights lawyer (Ricardo Darín) takes his research scientist wife (Cecilia Roth) to the country after Argentina's coup d'état in 1976. They adopt new identities and attempt to led a normal life.

Their new life is difficult, but a visit with their estranged grandparents (Fernanda Mistral and Héctor Alterio) reveal they are still a close-knit family.

They hide in a vacant summer house from the brutal military police with their two kids: Harry, who is fascinated with the escapist artistry of Harry Houdini, and El Enano (aka The Midget, Milton de la Canal), his little brother.

Also in hiding is a student going by the alias of Lucas (Tomás Fonzi).

Subtly hinted, and used as a metaphor, is the mother's constant smoking and El Enano's renewed bedwetting. Both serve to show the precariousness of their situation.

Spoilers end here.

[edit] Background

[edit] Basis of film

Main article: Dirty War

The film is based on the political event that took place in Argentina after Jorge Rafael Videla's reactionary military junta assumed power in March 24, 1976. During the junta's rule: the parliament was suspended, unions, political parties and provincial governments were banned, and in what became known as the Dirty War between 9,000 and 30,000 people deemed left-wing "subversives" disappeared from society.[2]

Screenplay
According to IMDb the screenplay was written by Marcelo Figueras, based on an original story written by Figueras and Marcelo Piñeyro. When the time for the nominations came, the Argentine Film Critics Association credited the authorship of the final script to both of them.

Title of film
The title refers to the Russian northeastern state, which, in the movie, is used by the family father in the boardgame Risk as the ultimate stand-off and uses it as his last resource to win. The title thus alludes to the family situation of hiding away from imminent peril as a final act of defiance before their ultimate downfall.

[edit] Politics in Argentine films

Kamchatka is part of what can be considered a second group of films to be made in Argentina since the downfall of General Leopoldo Galtieri and his autocratic regime in 1982 (the last dictatorship in Argentina). Another film in the second group is Veronico Cruz (1988).

The first group, like The Official Story (1985), Night of the Pencils (1986), and Funny Dirty Little War (1983) dealt frankly with the repression, the tortures, and the disappearances during Argentina's Dirty War in the 1970s.

This second group of films uses metaphor and suggestive images, and hint at wider socio-political issues.[3][4]

[edit] Critical reception

Harry and Dad play in the lake
Harry and Dad play in the lake

Reviews for the film were good. In a review, critic Anji Milanovic calls the film an "heartrending drama" and likes the look of the film. He wrote, "The cinematography is gorgeous, and the Argentine countryside looks like a fairytale, all the more distressing given the killing and torture that occurred. The terror they feel is shown in little vignettes of family life."[5]

Film critic A. Fernandez-Santos, writing for El País, Spain, wrote "Kamchatka has many features to be considered a masterpiece, it's cinema at its best, gifted with a great strength of emotional impact. It is a tender, grievous and touching elegy. Underneath the intense silent walls of captivity, it hides the thud and rage of the immeasurable collective tragedy."[6]

Mercedes Santos Moray, reporting from the Havana Film Festival, wrote director Piñeyro does an excellent job of giving the audience a suggestive image of the tragic, historical events. She writes, "The painful memory is represented in an intimate way. Piñeyro works both with the feelings and the reason. His film is a metaphor about the dimensions of freedom. The people still suffer but the danger has disappeared. There are only the phantoms of the past... A family in the film escape the repressions for a moment, but at last their lives are affected by the violent events."[7]

[edit] Cast and ratings

Ratings
Argentina:  Atp
Brazil:  Libre
France:  U
Italy:  T
Spain:  T
United States:  Not Rated

[edit] Gallery of screen-images

[edit] Awards

Wins

Nominations

  • Argentine Film Critics Association Awards: Silver Condor; Best Actor, Ricardo Darín; Best Art Direction, Jorge Ferrari; Best Cinematography, Alfredo F. Mayo; Best Original Screenplay, Marcelo Figueras and Marcelo Piñeyro; 2003.
  • Cartagena Film Festival: Golden India Catalina; Best Film, Marcelo Piñeyro; 2003.
  • Flanders International Film Festival: Grand Prix, Marcelo Piñeyro; 2003.

[edit] Footnotes

  1. ^ Kamchatka at the Internet Movie Database.
  2. ^ The Vanished Gallery.
  3. ^ Santos Moray, Mercedes. FIPRESCI, "A Trip to Kamchatka," film review at the Havana Film Festival, 2003.
  4. ^ New Internationalist. Issue 192, February 1989.
  5. ^ Milanovic, Anji. La Plume Noire, film review, 2003.
  6. ^ Fernandez-Santos, A. El País, film review, November 29, 2002.
  7. ^ Santos Moray, Mercedes. Ibid.

[edit] External links