Jules and Jim
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| Jules and Jim | |
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 original film poster |
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| Directed by | François Truffaut |
| Produced by | Marcel Berbert François Truffaut |
| Written by | Henri-Pierre Roché François Truffaut Jean Gruault |
| Starring | Jeanne Moreau Oskar Werner Henri Serre |
| Music by | Boris Bassiak Georges Delerue |
| Cinematography | Raoul Coutard |
| Distributed by | Cinédis |
| Release date(s) | January 23, 1962 (French release) |
| Running time | 105 min. |
| Language | French |
| IMDb profile | |
Jules and Jim (French: Jules et Jim) is a 1961 French film directed by François Truffaut and based on the semi-autobiographical novel by Henri-Pierre Roché.
Truffaut described the book as 'a perfect hymn to love and perhaps to life'[citation needed]. He came across it during the mid 1950s whilst browsing through some secondhand books in Paris and later befriended the elderly author who approved of the young director's attempt to translate the words on the page into celluloid images.
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[edit] Synopsis
The film is set before, during and after the First World War in several different parts of France and Germany. Jules (Oskar Werner) is a shy writer from Austria who makes friends with the more extroverted Jim (Henri Serre). They share an interest in the world of the arts and the Bohemian life. Early in the movie, they become entranced with a statue of a goddess, smiling serenely.
After encounters with several women, they meet the free-spirited, capricious Catherine (Jeanne Moreau), a dead-ringer for the statue with the serene smile. Although she begins a relationship with Jules, both men are affected by her presence and her attitude towards life. A few days before the declaration of war, Jules and Catherine move to Austria to get married. The men both serve during the war, however they serve on opposite sides and each fears throughout the conflict that he might have killed the other.
After the separation that occurs during the war, Jim visits, and later stays, with Jules and Catherine in Austria. Jules and Catherine have a little daughter, Sabine, but the marriage is a miserable one. Catherine torments and punishes Jules with numerous affairs, and once left him and their daughter for six months. She flirts with and attempts to seduce Jim, who has never forgotten her. Jules, desperate that Catherine not leave him forever, gives his blessing for Jim to marry Catherine so that he may continue to visit them and see her. For awhile, the four of them live happily together in the same cottage in Austria, until tensions between Jim and Catherine arise because of their inability to have a child. Jim leaves Catherine and returns to Paris, where after several exchanges of letters Catherine breaks off their relationship.
After a period of time, Jim randomly encounters Jules in Paris. He finds that Jules and Catherine have returned to France. Catherine attempts to win Jim back, but he rebuffs her. Furious, she pulls a gun on him, but he wrestles it away and flees. He later encounters Jules and Catherine in a movie theatre.
The three of them visit a park, during which Catherine implores Jim to get into her car because she has something to show him. After telling Jules to "Watch us well," she proceeds to drive Jim and herself off a bridge. Jules is left to bury his friends.
[edit] Style
One of the seminal products of the French New Wave, Jules and Jim is an inventive encyclopaedia of the language of cinema that incorporates newsreel footage, photographic stills, freeze frames, panning shots, wipes, masking, dolly shots, and voiceover narration (by Michel Subor). Truffaut's cinematographer was the virtuoso Raoul Coutard, a frequent collaborator with Jean-Luc Godard, who employed the latest lightweight photographic equipment to create an extremely fluid and distinctive camera style. For example, some of the postwar scenes were shot using cameras mounted on bicycles.
The evocative musical score is by Georges Delerue and one song, Le Tourbillon (The Whirlwind) summed up the turbulence of the lives of the three main characters, becoming a popular hit. The dialogue is predominantly in French, with occasional lines in English and German.
[edit] Influence
- Quentin Tarantino references this work in his film Pulp Fiction in the line "Don't fucking Jimmy me, Jules"
- Two sequences from the film appears briefly in a cinema scene in Jean-Pierre Jeunet's Amélie.
- It is also heavily referenced in Cameron Crowe's Vanilla Sky where: a clip featuring Jeanne Moreau appears during the finale montage; a poster for the film is displayed in the main character's bedroom; two best friends fall in love for the same woman – who leaves the insecure one for the passionate one – causing friction between them; a climatic scene involves a woman driving her car off a bridge with her lover.
- The song 'When the Lights Go Out All Over Europe' by The Divine Comedy references Jules and Jim in the lines "Jeanne can't choose between the two / 'Cos Jules is hip and Jim is cool / And so they live together".
- The original music video for the popular song "Kiss Me" by Sixpence None the Richer pays tribute to the film and recreates many of the classic scenes.
- In Wes Anderson's The Life Aquatic with Steve Zissou, Steve Zissou and Ned Plimpton are standing outside Jane Winslett-Richardson's cabin door. Steve says "Not this one, Klaus", a little homage to the character of Jules in the Truffaut film Jules et Jim. Jules and Jim have been happily sharing their girlfriends, but when Catherine comes onto the scene, Jules is smitten.
[edit] See also
[edit] External links
- Jules and Jim at the Internet Movie Database
- Century of Film at Guardian Unlimited
- Criterion Collection essay by John Powers
- Review by Roger Ebert
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| 1950s | Une Visite • Les Mistons • Une Histoire d'eau • The 400 Blows |
| 1960s | Shoot the Piano Player • Jules and Jim • Antoine and Colette • The Soft Skin • Fahrenheit 451 • The Bride Wore Black • Stolen Kisses • Mississippi Mermaid |
| 1970s | The Wild Child • Bed and Board • Two English Girls • Such a Gorgeous Kid Like Me • Day for Night • The Story of Adele H. • Small Change • The Man Who Loved Women • The Green Room • Love on the Run |
| 1980s | The Last Metro • The Woman Next Door • Confidentially Yours |
| Screenplay only | Breathless • The Little Thief • Belle Époque (miniseries) |
