User talk:Joopercoopers/Taj Mahal
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[edit] Facts removed
He had previously created the gardens and palaces of Shalimar in honor of his second wife, Mumtaz Mahal.
[edit] Links for inclusion
- http://archnet.org/library/sites/one-site.tcl?site_id=2136
- http://archnet.org/library/sites/one-site.tcl?site_id=2134
- http://www.researchfellow.net/fpost229.html
- http://www.hinduonnet.com/2001/04/29/stories/05291346.htm good reputable source debunking oak
- http://www.islamicity.com/Culture/Taj/ Islamic academic source
- http://www.tajhub.com/taj-mahal/architect/index.html
- http://archnet.org/library/dictionary/entry.tcl?entry_id=DIA0864&mode=full Dictionary of islamic architecture on archnet
- http://www.oberlin.edu/art/images/art109/art109.html plans and image source
- Tourists at the Taj
- Polution threatening the Taj
- Moguls in the Moonlight - plans to restore Mehtab Bagh garden near Taj Mahal
- V. good review of Begleys book re. Mehtab Bagh
- leak mystery
- night visits to resume
- small attribution to Begley re. source of calligraphy
- Shah Jahan bio
- STOP THE PRESS - EXCELLENT CC-BY-A IMAGES AT FLICKR
- Nice article about the history of EEC paintings of the Taj - contains lots of post construction historic detail about what the Taj came to mean
- Another good photo source - includes saheli burj - include in external links
- Useful visitors centre proposals and maps
- good source - lots of details concur with Koch and some better early history
- Vote for seven modern wonders of world - info about the subsidiary tombs too
- http://www.britannica.com/eb/article-9070996/Taj-Mahal
[edit] Images
(craftsmanship is best seen in enlarged version -- click image to see enlargement)
[edit] Atmosphere swatch
[edit] Text from Wetman's talk page
One question that isn't really dealt with in the article at the moment is the influence the Taj may have had on western architecture. Its fame travelled quickly after its construction completed in the late 1600's and by the early 1800's the British were effectively in control - the traditional conception of the Taj as a 'monument to love' presumably had some resonance with the romantic movement, but other than the Royal Pavilion (I assume), I wonder what buildings in Europe might trace a significant influence from the Taj.
- You've got the main structure right there. Sezincote is the other English classic of what was in essence an offshoot of chinoiserie and was largely an influence in interior decoration and some textile design (paisley patterning). Though the British East India Company was in political control by c. 1800, British awareness of any of the authentic details of India was a product of the nineteenth century, transmitted by woodcuts and after mid-century through steel engravings: see this website. Indian architecture was reproduced as "picturesque": I wonder who made the first measured architectural drawings of an Indian building: might it have been as late as ca 1910 in connection with the 1911 Durbar? To what extent did the official structures built in India under the Raj present Indian details, I wonder?
- The Taj may have had a daunting perfection that protected it from vulgarized copies. The Taj Mahal's reputation in the West had its start in the late nineteenth century, I think. My American grandmother had a little ivory Taj Mahal under glass on a chimneypiece.
- Thomas Daniell's Oriental Views (1808) was a key work here, plus his other Indian watercolours and paintings, which were turned into etchings etc (but not woodcuts - wood engravings conceivably). He advised on Sezincote (but mainly re the gardens), which was visited by the Prince Regent in 1812, before he built Brighton. Later buildings, both more the interiors, and not necessarily particularly influenced by the Taj, were parts of Osbourne House for Q Victoria, and Elveden Hall in Suffolk, after Duleep Singh went to live there. I think soon after the "Mutiny" there was a proposal to demolish the Taj for the materials, the rejection of which may have marked a further turning-point in attitudes. Also Kuala Lumpur has a very fine Moghul railway station (called "Moorish" for political reasons I think), apart from the neo-Moghul buildings in India.
I'd not heard of the proposal to demolish the Taj Mahal: Northumberland House was pulled down for its materials in 1866-74. Your point about the style-designation "Moorish" concealing design vocabulary that was in fact Indian strikes the right note: Frederick Church's Olana, despite its Victorian picturesque massing.
There's a really interesting chapter in Ebba Koch's book "The complete Taj Mahal" called Everybody's Taj Mahal - Francois Bernier was there in 1659 and wrote about it - the 18th century, things become a little quiet, Josef Tieffenthaler, one of the last jesuits of the Mughal mission visited sometime after 1743, wrote an account. The British east india company got to agra in 1785 and from 1786-1798 Major William Palmers, when in agra would stay in the garden towers of the Taj. Apparently the first artist to arrive from europe was James Forbes (artist) in 1781 swiftly followed by Johan Zoffany in 1786. The first overall views of the Taj were made by William Hodges (1783)and Thomas Daniell and William Daniell who came in search of 'the sublime, picturesque and exotic'.
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- To what extent did the official structures built in India under the Raj present Indian details, I wonder? - that's an interesting lead -
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New Delhi definitely - synthesis of Indian, including Mughal architecture and neo-classicism.
There are others; in Mumbai: Gateway of India - a bit half-hearted,Chhatrapati Shivaji Terminus - Moghul-romanesque; nothing much in Calcutta. See Indo-Saracenic , the other thing they called the style. Lutyens certainly. Here is fun, but more stuff built by maharajahs etc.
- The Mughal garden in India is pretty directly drawn from the Persian garden tradition via Babur. Lutyens' use of viewing pavilions, axes, narrow canals, fountains and geometrically articulated spaces, which he recognized in India, have a more convoluted cultural history: Persian bagh-> Islamic traditions-> twin Islamic traditions of Andalusia and Sicily-> Norman garden tradition inherited by Angevins in Naples-> seen by Louis XII and Charles VIII's courts-> formal C16-C17 French garden-> Le NĂ´tre-> Lutyens.