John Murray Anderson
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John Murray Anderson (September 20, 1886 - January 30, 1954) was a theatre director and producer, songwriter, screenwriter, and lighting designer.
Born in St. John's, Newfoundland, the son of Hon. John Anderson and brother of Hugh Abercrombie Anderson, he was educated at Edinburgh Academy in Scotland and Lausanne University in Switzerland. He studied singing with Sir Charles Stanley and art with Sir Herbert Beerbohm Tree. Before beginning his theatrical career, he was an art dealer in New York City, where he sold collections he had accumulated in Newfoundland during 1910. [1]
Anderson made his Broadway debut wearing three hats, as writer, director, and producer of The Greenwich Village Follies in 1919. He subsequently produced new editions of the revue in each of the five succeeding years. He also was responsible for productions of the Ziegfeld Follies in 1934, 1936, and 1943, the Harold Arlen-Ira Gershwin-E. Y. Harburg revue Life Begins at 8:40 (1934), Billy Rose's Jumbo (1935), One for the Money (1939), Two for the Show (1940), and Three to Make Ready (1946), and New Faces of 1952. In the West End he directed The League of Notions, Bow Bells, and Fanfare.
In the 1920s he ran an acting school in Manhattan, teaching Lucille Ball and Bette Davis, among others. He and Davis remained good friends, and when her 1952 Broadway-bound revue Two's Company ran into problems on the road, he was hired to restage it.
Anderson worked as a director at Radio City Music Hall in 1933, at the Great Lakes Exposition in Cleveland in 1937, at Billy Rose's Diamond Horseshoe from 1938-1950, and for Ringling Brothers Circus from 1942-1951.
Anderson wrote the screenplay for Ziegfeld Follies and directed the water ballets in Bathing Beauties and circus sequences in The Greatest Show on Earth.
Anderson died of a heart attack in New York City.
