Jo Stafford

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Jo Stafford

Background information
Birth name Jo Elizabeth Stafford
Born November 12, 1917 (age 89), Coalinga, California, United States
Genre(s) Traditional Pop
Years active 1930s-1977 (until 1944, as part of vocal groups)
Label(s) Capitol, Columbia, Dot, Corinthian
Website Jo Stafford bio presented by Corinthian Records

Jo Stafford (born Jo Elizabeth Stafford November 12, 1917, in Coalinga, California) is an American pop singer whose career spanned the late 1930s through the early 1960s. Stafford is greatly admired for the purity of her voice and is considered one of the most versatile vocalists of the era. She is also viewed as a pioneer of modern musical parody, having won a Grammy Award for Best Comedy Album in 1961 (with husband Paul Weston) for their album Jonathan and Darlene Edwards in Paris.

Contents

[edit] Early years

Stafford was born to Grover Cleveland Stafford and Anna York Stafford, a distant cousin of Sergeant Alvin York. Originally, she wanted to become an opera singer and studied voice as a child. However, because of the economic Great Depression, she abandoned that idea and joined her sisters Christine and Pauline in a popular vocal group, "The Stafford Sisters," which performed on Los Angeles radio station KHJ.

[edit] The Pied Pipers

When her sisters married, the group broke up and Stafford joined a new vocal group, The Pied Pipers. This group consisted of eight members: John Huddleston (who was Stafford's husband at the time), Hal Hooper, Chuck Lowry, Bud Hervey, George Tait, Woody Newbury, and Dick Whittinghill, besides Stafford. The group became very popular, working on local radio and movie soundtracks, and caught the attention of two of Tommy Dorsey's arrangers, Axel Stordahl and Paul Weston.

In 1938, Weston persuaded Dorsey to sign The Pied Pipers for his radio show, and they went to New York for a broadcast date. Dorsey liked them enough to sign them for ten weeks, but after the second broadcast the sponsor heard them and disliked them, firing the group. They stayed in New York for three months, but landed only a single job that paid them just $3.60 each, though they did record four sides for RCA Victor Records.

Half the members of the Pied Pipers returned to Los Angeles, but they had a difficult time trying to make a living until they got an offer from Dorsey to join his big band in 1939. This led to success for the whole group, but especially for Stafford, who was also featured in solo performances. The group also backed Frank Sinatra in some of his early recordings.

In 1942, the group had an argument with Dorsey and left, but in 1943 it became one of the first groups signed to Johnny Mercer's new label, Capitol Records. Capitol's music director was the same Paul Weston who had been instrumental in introducing Stafford to Dorsey. Weston and Stafford married in 1952. They went on to have two children, Tim and Amy.

[edit] Solo career

In 1944, Stafford left the Pied Pipers to go solo. Her tenure with the USO, in which she gave countless performances for soldiers stationed overseas, acquired her the nickname "GI Jo."

Beginning in 1944, she hosted the Tuesday and Thursday broadcasts of an NBC musical variety radio program - the Chesterfield Supper Club.

In 1948 Stafford and Gordon MacRae had a million-seller with their version of "Say Something Sweet to Your Sweetheart" and in 1949 repeated their success with "My Happiness".

In 1950, she left Capitol for Columbia Records, returning to Capitol in 1961. At Columbia, she was the first recording artist to sell twenty-five million records.

In the 1950s, she had a string of popular hits with Frankie Laine, six of which charted; their duet of Hank Williams' "Hey Good Lookin'" making the top ten in 1951. It was also at this time that Stafford scored her best known hits with huge records like "Jambalaya," "Shrimp Boats," "Make Love To Me," and "You Belong to Me". The last song was Stafford's all-time biggest hit, topping the charts in both the United States and the United Kingdom (the first song by a female singer to top the UK chart).

[edit] Comedy career

Stafford briefly experimented with comedy under the name "Cinderella G. Stump" with Red Ingle and the Natural Seven. True success in the comedy genre, though, would come about almost accidentally.

Throughout the 1950s, Stafford and Paul Weston would entertain guests at parties by putting on a skit in which they assumed the identities Jonathan and Darlene Edwards, a bad lounge act. Stafford, as Darlene, would sing off-key in a high pitched voice; Weston, as Jonathan, played an untuned piano off key and with bizarre rhythms.

Finding that she had time left over following a 1957 recording session, Stafford, as a gag, recorded a track as Darlene Edwards. Those who heard bootlegs of the recording responded positively, and later that year, Stafford and Weston recorded an entire album of songs as Jonathan and Darlene, entitled Jo Stafford and Paul Weston Present: The Original Piano Artistry of Jonathan Edwards, Vocals by Darlene Edwards.

As a publicity stunt, Stafford and Weston claimed that the Edwardses were a New Jersey lounge act that they had discovered, and denied any personal connection; much time would pass before people realized (and Stafford and Weston admitted) that they were in fact the Edwardses.

The album was a commercial and critical success. The couple continued releasing Jonathan and Darlene albums, with their 1961 album, Jonathan and Darlene Edwards in Paris winning that year's Grammy Award for Best Comedy Album (they "tied" with Bob Hope, as the Grammys decided, in a rare move, to issue two comedy awards that year. Hope was given an award for "Spoken Word Comedy.") It was the only major award that Stafford ever won.

The couple continued to release Jonathan and Darlene albums for several years, and in 1977 released a final, one-off single, a cover of The Bee Gees' "Stayin' Alive" backed with "I Am Woman." The same year also saw a brief resurgence in the popularity of Jonathan and Darlene albums, when their cover of "Carioca" was featured as the opening and closing theme to The Kentucky Fried Movie.

Today, the Jonathan and Darlene albums are seen as an important step in musical comedy, and some see them as the predecessors to parody comedians such as "Weird Al" Yankovic.

[edit] Retirement

In 1966, Stafford went into semi-retirement, retiring completely from the music business in 1975. Except for the 1977 Jonathan and Darlene Edwards version of "Stayin' Alive," Stafford wouldn't perform again until 1990, at a ceremony honoring Frank Sinatra.

Stafford won a breach-of-contract lawsuit against her former record label in the early 1990s, which won her the rights to all of her old recordings, including the Jonathan and Darlene recordings. Following the lawsuit, Stafford, along with son Tim, reactivated the Corinthian Record label which began life as a religious label the deeply religious Paul Weston had started. With Paul Weston's help, she compiled a pair of Best of Jonathan and Darlene albums, which were released in 1993. In 1996, Paul Weston died of natural causes. As of 2005, Stafford continues to operate Corinthian Records. In 2006, she donated the libraries of her and her husband, Paul Weston, to the University of Arizona. As of March 12th 2007 there is an internet campaign in the UK to get 'No Other Love' into the top 40 of the uk singles chart

[edit] Samples

[edit] Notable songs

[edit] Solo

[edit] With Frankie Laine

[edit] With Gordon MacRae

[edit] With Johnny Mercer

  • "Candy"
  • "It's Great To Be Alive"

[edit] External links

Great American Songbook 
Songwriters

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