Jefferson Airplane

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Jefferson Airplane

Background information
Also known as Jefferson Starship
Starship
Jefferson Starship The Next Generation
Origin San Francisco, California
Genre(s) Psychedelic rock
Hard rock
Rock
Years active 1965–72 (as Jefferson Airplane)
1974–84 (as Jefferson Starship)
1984–91 (as Starship)
1989 (reunited Jefferson Airplane for one album)
1991–present (as Starship featuring Mickey Thomas)
1991–present (as Jefferson Starship TNG)
Former members
Signe Toly Anderson
Marty Balin
Grace Slick
Jack Casady
Joey Covington
Papa John Creach
Spencer Dryden
Bob Harvey
Paul Kantner
Jorma Kaukonen
Jerry Peloquin
Skip Spence

Jefferson Airplane was an American rock band from San Francisco, a pioneer of the LSD-influenced psychedelic rock movement.

Successive incarnations of the band have performed under different names, reflecting changing times and performer lineups, known as Jefferson Starship, and later simply Starship before becoming Jefferson Starship The Next Generation in 1991.

Jefferson Airplane was inducted in the Rock and Roll Hall of Fame in 1996.

The term "Jefferson airplane" is also slang for a used paper match split open to hold a marijuana joint that has been smoked too short to hold without burning the hands, an improvised roach clip.[citation needed] An urban legend claims this was the origin for the band's name, but according to band member Jorma Kaukonen, the name was invented by his friend Steve Talbot as a parody of blues names such as 'Blind Lemon' Jefferson.[1]

Contents

[edit] History

[edit] Jefferson Airplane

The group formed on the West Coast of the USA during the summer of 1965 in what was called the San Francisco Bay folk music boom (see American folk music revival). Singer Marty Balin recruited another folk musician, Paul Kantner, blues guitarist Jorma Kaukonen, jazz and folk vocalist Signe Toly Anderson, drummer Jerry Peloquin, and acoustic bassist Bob Harvey. They drew inspiration from groups such as the Beatles, The Byrds, and The Lovin' Spoonful, and built a local following at the Matrix Club.

The group made its first public appearance August 13, 1965 at The Matrix club in San Francisco. Peloquin was a seasoned musician whose disdain for the others' drug use was a factor in his departure just a few weeks after the group began its career. Skip Spence then took the drum throne. The band gradually developed a more electric sound that led to Harvey's replacement by Kaukonen's childhood friend, Jack Casady, in October 1965. Later that year, they signed with RCA Victor and recorded an album for release the following year called Jefferson Airplane Takes Off. Folk music very much influenced the album, which included such staples as John D. Loudermilk's "Tobacco Road" and Dino Valente's "Let's Get Together", as well as original ballads "It's No Secret" and "Come Up the Years." In 1966, Spence was replaced by jazz drummer Spencer Dryden and Anderson by singer Grace Slick, formerly of another San Francisco group, The Great Society. Slick brought with her a powerful and supple contralto voice, well-suited to the group's amplified psychedelic music, as well as a number of important compositions, including "White Rabbit" (which Grace wrote) and "Somebody to Love" (written by Grace's brother-in-law, Great Society guitarist Darby Slick).

The group sprang from local to national renown with their appearance at the epochal Monterey International Pop Festival in June 1967. Monterey showcased leading bands from several major music "scenes" including New York, San Francisco, Los Angeles, and England and the resulting TV and film coverage gave national (and international) exposure to groups that had previously had only regional fame. All these bands were also greatly assisted by appearances on nationally syndicated TV shows such The Ed Sullivan Show, which were videotaped in color and augmented by recent developments in video techniques. The Airplane's famous appearance on the Sullivan show, performing "White Rabbit", has been frequently re-screened and is notable for its pioneering use of the Chroma key process to simulate the Airplane's customary psychedelic light show.

Membership remained stable until 1970, by which time they had recorded five more albums. The first of these, Surrealistic Pillow (1967), included two classic tracks, "White Rabbit" (inspired by the psychedelic drug LSD, then extremely popular in San Francisco, Maurice Ravel's "Bolero", and Lewis Carroll's Alice in Wonderland), and the rousing anthem "Somebody to Love", as well as a reminder of their earlier folk incarnation, Kaukonen's solo acoustic guitar tour de force, "Embryonic Journey", which referenced contemporary acoustic guitar masters such as John Fahey and helped to establish the popular genre exemplified by acoustic guitarist Leo Kottke. The album was extremely successful, reaching #3 in the US album charts, and alongside The Beatles' Sgt. Pepper's Lonely Hearts Club Band, it is widely regarded as one of the seminal albums of the so-called "Summer of Love".

The name Surrealistic Pillow was suggested by the 'shadow' producer of the album, Jerry Garcia, when he mentioned that, as a whole, the album sounded 'as Surrealistic as a pillow'. The record company would not allow Garcia's considerable contributions to the album to garner him a 'Producer' credit, so Garcia is listed in the album's credits as 'spiritual advisor'.

The band delved deeper into acid rock with 1967's After Bathing at Baxter's, an album of long multi-part suites, which demonstrated the group's proficiency with psychedelic rock. Its famous cover features a whimsical re-imagining of the group's Haight-Ashbury house as a Heath Robinson-inspired flying machine, drawn by artist and cartoonist Ron Cobb. Crown of Creation (1968) was a transitional record, more structured than its predecessor. The album's notable tracks include Grace Slick's Lather, said to be about drummer Spencer Dryden, with whom she was rumored to be having an affair, "Triad", a David Crosby song that had been rejected by his group, the Byrds, because they deemed its subject matter, a ménage à trois, to be objectionable, and the searing sex and drug anthem "Greasy Heart." In 1968, Jefferson Airplane unleashed Bless Its Pointed Little Head, which captured their live concert sound at the Fillmore and the Fillmore East. In the aftermath of the demise of the San Francisco scene, the band released Volunteers (1969), their most political venture. The title track, "Volunteers", "We Can Be Together", "Good Shepherd", and the post-apocalyptic "Wooden Ships" were all highlights. ("Wooden Ships", which Paul Kantner co-wrote with David Crosby and Stephen Stills, was recorded by both Jefferson Airplane and Crosby, Stills & Nash. As both groups released the song the same year and as it was co-written by members of both bands, both versions are considered to be an original version of the song.)

In 1968, the group toured Europe with fellow psych-rockers The Doors, and appeared in the Netherlands, England, Belgium, Germany and Sweden. One infamous incident involving Jim Morrison was recalled by Grace Slick and Paul Kantner in an interview: While the Airplane were on stage performing one of their faster songs, "Plastic Fantastic Lover", the unpredictable Morrison appeared on stage and began dancing. Jorma and the rest of the group began playing faster and faster until Jim spun wildly and fell to the ground. Morrison was unable to perform his set with the Doors and Ray Manzarek was forced to sing all the vocals.

The band performed in an early 'morning maniac music' slot at the Woodstock festival in August 1969. In December that year, they played at the infamous Altamont Free Concert held at the Altamont Speedway in California. The concert, which was headlined by The Rolling Stones, was marred by crowd violence, as Marty Balin was knocked out during a scuffle with Hells Angels members who had been hired to act as "security". The event became notorious for the now-famous "Gimme Shelter Incident", due to the fatal stabbing of black teenager Meredith Hunter in front of the stage by Hells Angels "guards" after allegedly pulling out a revolver during the Stones' performance (this incident was the centerpiece of the documentary film Gimme Shelter).

Although the band released its first greatest-hits album, The Worst of Jefferson Airplane, in 1970, its only new songs that year were two tracks available only on the single, "Mexico" b/w "Have You Seen the Saucers". The A-side was a staunch criticism of President Richard Nixon's Operation Intercept, which had been implemented to curtail the flow of marijuana into the United States, while the B-side marked the beginning of a science-fiction obsession that Kantner would explore with his music over the rest of the decade.

Balin chose to leave the band shortly after the release of the single. Shortly thereafter, Kantner and Slick fired Dryden from Airplane, dismissing him as an "embarrassing idiot". The group continued on without them, releasing Bark (whose cover featured a dead fish wrapped in an A&P-style grocery bag) in 1971, and Long John Silver (whose cover folded into a humidor, presumably for the storage of marijuana) in 1972. Both albums were released on the band's own label, Grunt, which would continue to be distributed by RCA. The group replaced Dryden with drummer Joey Covington (who also provided the vocals on the 1971 single, "Pretty as You Feel", from Bark). The legendary Afro-American blues fiddler Papa John Creach (1917-1994) also joined the group in the early seventies.

During this time, Kaukonen and Casady began a side project they named Hot Tuna, in which the two of them, often supported by a changing group of supporting musicians, began exploring traditional blues. They released the acoustic Hot Tuna in 1970, and the electric First Pull Up-Then Pull Down in 1971. As time went by, Kaukonen and Casady began devoting more of their attention to Hot Tuna and less to the Airplane. (In the song, "Third Week In The Chelsea", from Bark, Kaukonen details the thoughts he is having about leaving the band.)

Jefferson Airplane's second live album, Thirty Seconds Over Winterland (1973), is now best remembered for its cover art of a squadron of flying toasters, which the band later alleged to have spawned the famous "After Dark" computer screensaver design. In 1974, a collection of leftovers (singles and B-sides, including "Mexico" and "Have You Seen The Saucers", as well as other non-album material) was released as Early Flight, the last official Jefferson Airplane album.

[edit] Jefferson Starship

During the transitional period of the early 1970s, Paul Kantner recorded Blows Against the Empire, a concept album featuring an ad hoc group of musicians that he dubbed Jefferson Starship, marking the first use of that name. This edition of Jefferson Starship (such as it was) included members of Crosby, Stills, Nash & Young (David Crosby and Graham Nash) and members of Grateful Dead (Jerry Garcia, Bill Kreutzmann, and Mickey Hart), as well as some of the remaining members of Jefferson Airplane (Slick, Covington, and Casady). In Blows Against the Empire, Kantner (and Slick) sang about a group of people escaping earth in a hijacked starship. In 1971, the album was nominated for the prestigious science fiction prize, the Hugo Award, a rare honor for a musical recording. It was while that album was being made that Kantner sealed his love affair with Grace Slick; their daughter China Kantner (who made a name for herself as an MTV veejay in the 1980s) was born shortly thereafter.

Kantner and Slick (with a similar group of musicians, but without a 'Jefferson Starship' artist credit) released two follow-up albums: Sunfighter, an environmentalism-tinged album released in 1971 to celebrate China's birth, and 1973's Baron von Tollbooth & The Chrome Nun, titled after the nicknames David Crosby had given to the couple. The artist credit on Baron von Tollboth gave ex-Quicksilver Messenger Service bassist-keyboard player-vocalist David Freiberg equal billing with Kantner and Slick. (Freiberg, who had also appeared on Blows Against the Empire, had joined Jefferson Airplane in time to appear on Thirty Seconds over Winterland.) Also in 1973, Slick released Manhole, her first solo album.

Kantner is also credited with discovering teenage guitarist Craig Chaquico during this time, who first appeared on Sunfighter and would play with Kantner, Slick and their bands and then with Starship through 1991. He later embarked on a successful solo career as a smooth jazz artist.

By 1973, with Kaukonen and Casady now devoting their full attention to Hot Tuna, the musicians on Baron von Tollbooth formed the core of a new Airplane lineup that was formally reborn as "Jefferson Starship" in 1974. Kantner, Slick, and Freiberg were charter members. The line-up also included late-Airplane holdovers drummer John Barbata, and fiddler Papa John Creach (who also played with Hot Tuna), along with Pete Sears (who, like Freiberg, played bass and keyboards) and twenty-year-old guitarist Craig Chaquico. Although Balin was originally not among the re-christened Jefferson Starship, he joined the band while their first album, Dragonfly, was still in the works. His only contribution to the new incarnation's first effort was the haunting ballad, "Caroline". Balin stayed with the group for nearly the remainder of the decade. This line-up proved to be the band's most commercially successful so far, although some Airplane fans were less than happy with its more mainstream direction. Balin's sophisticated ballad "Miracles" helped 1975's Red Octopus reach multiple-platinum status. The follow-ups, Spitfire (1976), and Earth (1978), were both big sellers.

However, Slick's alcoholism became a problem, which led to two nights of disastrous concerts in Germany in 1978. The first night, fans ransacked the stage when Slick failed to appear. The following night, Slick, in a drunken stupor, shocked the audience by using profanity and sexual references throughout most of her songs. She also reminded the audience that their country had lost during World War II, repeatedly asking "Who won the war?", and implied that all residents of Germany were responsible for the wartime atrocities. After the debacle, she left the band.

Towards the end of 1978, Jefferson Starship (now without Grace Slick) recorded "Light the Sky on Fire" for their forthcoming greatest hits album Gold, and performed it (under its original title "Cigar-Shaped Object") on-camera for The Star Wars Holiday Special. Gold, highlighting their work from 1974's Dragonfly through to 1978's Earth, was released early the following year. "Light the Sky on Fire" (backed with "Hyperdrive", from Dragonfly) was included as a bonus single in the original packaging of album. (When Gold was issued on CD, both tracks were included on the album.) The album originally had a shortened version of the hit "Miracles"; early pressings of the CD repeated this, but later editions had the full length version from the album Red Octopus.

Shortly before the release of Gold, Balin too left the group, leaving Kantner and company to find a new lead singer in Mickey Thomas (who had sung lead on Elvin Bishop's "Fooled Around and Fell in Love"). Thomas's soaring falsetto steered the band toward a harder rock sound, leading to comparisons to Journey. It didn't help that former Journey drummer Aynsley Dunbar had replaced Barbata, who had been injured in a car accident.

After the 1979 release of Freedom at Point Zero (which spawned the hit single "Jane"), Grace Slick suddenly returned to the band. She joined in time to contribute one song, "Stranger", on the group's next album, Modern Times (1981). Modern Times also included the notorious "Stairway to Cleveland," in which the band defended the numerous changes it had undergone in its musical style, personnel, and even name. One noted personnel change in the group was when Dunbar left and was replaced by Donny Baldwin, who performed with Thomas in the Elvin Bishop Group. Slick remained in the band for Jefferson Starship's final two albums, Winds Of Change (1982) and Nuclear Furniture (1984). Around this time, the band began enthusiastically embracing the rock-video age. Grace Slick would appear frequently on MTV and such music-oriented television shows as Solid Gold, giving the band a high visibility in the MTV era. However, the Jefferson Starship albums of this era were only modestly successful, yet the band remained a gold-selling (and thus commercially credible) act, and a popular concert draw.

[edit] Starship

In 1984, Kantner (the last remaining founding member of Jefferson Airplane) left the group, but not before taking legal action over the Jefferson name against his former bandmates, who wanted to continue as Jefferson Starship. Kantner won his suit, and the name was reduced to simply 'Starship', marking the third incarnation of the band. Freiberg, who had been increasingly marginalized, left as well.

In 1985, Starship released Knee Deep In The Hoopla and immediately scored two #1 hits. The first was "We Built This City", written by Bernie Taupin, Martin Page, Dennis Lambert, and Peter Wolf; the second was "Sara". No previous incarnation of the Airplane had ever had a #1 hit. The album itself reached #7, went platinum, and spawned two more singles: "Tomorrow Doesn't Matter Tonight" (#26), and "Before I Go" (#68).

In 1987, "Nothing's Gonna Stop Us Now" was featured in the film Mannequin and hit #1, although only Slick and Thomas (plus Craig Chaquico's guitar solo) appeared on it. This song made Slick the oldest female vocalist to sing on a number-one Billboard Hot 100 hit, at the age of 47. (She held this record until Cher broke it at the age of 52, in 1999 with "Believe".) The following year, the band's song "Wild Again" (which reached #78 on the Billboard singles chart) was used in the movie Cocktail.

By the time No Protection was released, bassist Pete Sears had left. The album was not released until well after "Nothing's Gonna Stop Us Now" (its most popular single) had peaked on the charts, but still went gold; in addition to "Nothing's Gonna Stop Us Now" (#1), it featured the singles "It's Not Over ('Til It's Over)" (#9), and "Beat Patrol" (#46). The last song on the album, "Set The Night To Music", would later become a huge hit when re-recorded as a duet between Roberta Flack and Maxi Priest.

Grace Slick left Starship in 1988, having become disillusioned with the band's new pop image and swearing never to perform with them again. In addition, Slick, now in her late forties, was becoming more self-conscious about her age. As Kantner and Frieberg had left the band, all the new and remaining members were more than a decade younger than her. To this day Grace maintains that old(er) people "don't belong on a rock and roll stage." With Slick's departure, Thomas became sole lead singer, an amazing feat, since he was leading a band that had been founded when he was just 15 years old. The revamped lineup released Love Among the Cannibals in 1989; however, they had disbanded by 1990.

[edit] Reunion and remnants

Solo careers and the attractions of other bands beckoned throughout. In 1981, Marty Balin issued a self-titled solo album which featured the hit singles "Hearts" and "Atlanta Lady (Something About Your Love)." In contrast to the revolutionary rock of his Jefferson Airplane days, "Hearts" was a soft pop ballad and also gave Balin a moderate Adult Contemporary chart hit.

In 1985, following his departure from Jefferson Starship, Paul Kantner reunited with Balin and Jack Casady to form the KBC Band, releasing their only album, KBC Band (which included Kantner's hit, "America"), in 1987, on Arista Records. The KBC Band also featured keyboardist Tim Gorman (who had played with The Who) and guitarist Slick Aguilar (who had played with David Crosby's band).

With Kantner reunited with Balin and Casady, the KBC Band opened the door to a full-blown Jefferson Airplane reunion. In 1989, during a solo San Francisco gig, Paul Kantner found himself joined by former bandmate (and lover) Grace Slick and two other ex-Airplane members for a cameo appearance. This led to a formal reunion of the original Jefferson Airplane (featuring nearly all the main members, including founder Marty Balin, but without Spencer Dryden, who had been kicked out of the band years earlier). A self-titled album was released by Columbia Records to modest sales. The accompanying tour was a success, but their revival was short-lived, and thus Jefferson Airplane's 'definitive' line-up officially disbanded for good.

Today, there are two versions of 'Jefferson Starship' — one (with Thomas at the forefront) officially billed as 'Starship featuring Mickey Thomas' which focuses on newer music; and the revived 'Jefferson Starship' (often called 'Jefferson Starship: The Next Generation' or 'Jefferson Starship-TNG') which is a throwback to the original Jefferson Airplane, with Kantner and Balin as leaders, and Diana Mangano replacing Grace Slick as female singer (although Slick did do guest vocals on Jefferson Starship's 1999 album Windows Of Heaven). This latter band plays frequent concerts, and on occasion, Jack Casady joins them as well. In 2005, longtime bassist David Freiberg rejoined the group for their "Jefferson Family Galactic Reunion" Tour, and continues to tour with the band, as of 2006. Mangano is an expressive and effective singer, and this revived Jefferson Starship can often capture a good deal of the feeling of the original Airplane. The current line-up also features former Grateful Dead keyboardist Tom Constanten.

Jorma Kaukonen still tours, often playing over 100 acoustic solo shows a year at small clubs throughout the country. Occasionally, Jack Casady joins him, and the pair perform as Hot Tuna. Kaukonen also operates a guitar camp in southern Ohio, where he teaches would-be guitar virtuosos his unique style of finger-picking blues.

In 2004, Marty Balin pointed, with well-deserved pride, that unlike many of their contemporaries, all of the original members of Jefferson Airplane survived the 1960s; all except original drummer Spence (who passed away on April 16, 1999) lived to see the 21st Century. Immortality would not last forever, however, as Dryden, suffering from financial and health problems, succumbed to colon cancer on January 10, 2005 at the age of 67.

[edit] Influence

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The original 'Jefferson Airplane' - along with The Byrds, The Doors, The Grateful Dead, The Lovin' Spoonful, The Mamas and the Papas, Tommy James & the Shondells and, to some degree, Crosby, Stills, Nash & Young - will always be associated with the more melodic end of the North American rock spectrum and in due course other groups, such as Steely Dan and Eagles, continued to blend elements of folk, jazz and rock and bring the results to a global audience. Of all these bands, Jefferson Airplane excelled in the psychedelic domain and in their penchant for pretentious track titles, which came to characterize the era of 1965-75.

British bands apparently influenced by the mellow lyricism of the West Coast sound included Barclay James Harvest, David Bowie, Curved Air, Family, Fairport Convention, Jethro Tull, King Crimson, The Moody Blues, The Small Faces, Pentangle, and Yes. The Beatles have always stressed the influence that The Beach Boys had on their musical development (especially Pet Sounds), but it seems likely that other music from the West Coast also spread eastward, to play a key part in making pop music more symphonic and less predictable than it had been before 1965. The era of trans-Atlantic jet travel and the ability to send television broadcasts by satellite, also facilitated a greater interplay of musical influences across the Atlantic. Donovan was evidently one of the first British pop musicians to become aware of them, and was undoubtedly influenced by the group to some degree; he famously namechecked the band in his 1966 song "The Fat Angel" (included on his album Sunshine Superman in 1967), written many months before Jefferson Airplane achieved international stardom.

Record producers who worked with the original band included Greg Edward, Rick Jarrard, Matthew Katz, Ron Nevison, Tommy Oliver and Al Schmitt.

[edit] In popular culture

[edit] Audio samples

[edit] Albums discography

[edit] Jefferson Airplane, Jefferson Starship, Starship, and Jefferson Starship-TNG

[edit] Jefferson Airplane

[edit] Paul Kantner and the Jefferson Starship

  • Blows Against the Empire (1970)

[edit] Jefferson Starship

[edit] Starship

[edit] Jefferson Starship - The Next Generation

  • Deep Space/Virgin Sky (1995) (live album)
  • Miracles (1995) (live album)
  • Windows of Heaven (1999)
  • Greatest Hits: Live at the Fillmore (1999) (live album)
  • Extended Versions (2000) (live album)
  • Across the Sea of Suns (2001) (live album)
  • Deeper Space/Extra Virgin Sky (2003) (live album)

[edit] Compilation albums credited to 'Jefferson Airplane/Jefferson Starship/Starship'

  • Hits (1998)
  • VH1 Behind the Music (2000)
  • Love Songs (2000)

[edit] Selected solo, duo and trio efforts

[edit] Marty Balin

  • Bodacious DF (1973)
  • Balin (1981) (includes the AM radio single, "Hearts")
  • Lucky (1983)

[edit] Hot Tuna

Hot Tuna comprised Jorma Kaukonen and Jack Casady with other musicians.

  • Hot Tuna (1970)
  • First Pull Up-Then Pull Down (1971)
  • Burgers (1972)
  • The Phosphorescent Rat (1973)
  • Quah (1974) (by Jorma Kaukonen with Tom Hobson, produced by Jack Casady)
  • America's Choice (1975)
  • Yellow Fever (1975)
  • Hoppkorv (1976)
  • Double Dose (1977)
  • Final Vinyl (1979) (compilation album)

[edit] Paul Kantner/Grace Slick

  • Sunfighter (1971)
  • Baron Von Tollbooth & the Chrome Nun (1973) (by Paul Kantner, Grace Slick, and David Freiberg)

[edit] Paul Kantner

  • Planet Earth Rock And Roll Orchestra (originally issued in 1983 on RCA Records and remastered and reissued in 2005 courtesy of Sony/BMG Music Entertainment)

[edit] The KBC Band

Includes Paul Kantner, Marty Balin, and Jack Casady.

[edit] Grace Slick

  • Manhole (1973)
  • Dreams (1980)
  • Welcome to the Wrecking Ball (1981)
  • Software (1984)
  • The Best of Grace Slick (2000) (compilation album, also includes tracks by Jefferson Airplane, Jefferson Starship, and Starship, in which Grace Slick was the lead vocalist)

[edit] Singles discography

[edit] Jefferson Airplane

  • "It's No Secret / Runnin' Round This World" (1966)
  • "Come Up the Years" (1966)
  • "Bringing Me Down" (1966)
  • "My Best Friend / How Do You Feel?" (1967)
  • "Somebody to Love" (1967) #5 US
  • "White Rabbit / Plastic Fantastic Lover" (1967) #8 US
  • "Ballad of You and Me and Pooneil / Two Heads" (1967) #42 US
  • "Watch Her Ride / Martha" (1967) #61 US
  • "Greasy Heart" (1968) #98 US
  • "Lather / Crown of Creation" (1968) #64 US
  • "Plastic Fantastic Lover (Live Version)" (1969)
  • "Volunteers / We Can Be Together" (1969) #65 US
  • "Mexico / Have You Seen the Saucers?" (1970)
  • "Pretty as You Feel" (1971) #60 US
  • "Long John Silver" (1972)
  • "Twilight Double Leader" (1972)

[edit] Jefferson Starship

  • "Ride the Tiger" (1974) #84 US
  • "Caroline" (1974)
  • "Miracles" (1975) #3 US
  • "Play on Love" (1975) #49 US
  • "With Your Love" (1976) #12 US
  • "St. Charles" (1976) #64 US
  • "Count on Me" (1978) #8 US
  • "Runaway" (1978) #12 US
  • "Crazy Feelin'" (1978) #54 US
  • "Light the Sky on Fire" (1978) #66 US
  • "Jane" (1979) #14 US, #21 UK
  • "Girl with the Hungry Eyes" (1980) #55 US
  • "Rock Music" (1979)
  • "Find Your Way Back" (1981) #29 US
  • "Stranger" (1981) #48 US
  • "Save Your Love" (1981)
  • "Be My Lady" (1982) #28 US
  • "Winds of Change" (1983) #38 US
  • "Can't Find Love" (1983)
  • "No Way Out" (1984) #23 US
  • "Layin' It on the Line" (1984) #66 US

[edit] Starship

  • "We Built This City" (1985) #1 US, #12 UK
  • "Sara" (1985) #1 US, #66 UK
  • "Tomorrow Doesn't Matter Tonight" (1986) #26 US
  • "Before I Go" (1986) #68 US
  • "Nothing's Gonna Stop Us Now" (1987) #1 US, #1 UK
  • "It's Not Over Til It's Over" (1987) #9 US, #86 UK
  • "Beat Patrol" (1987) #46 US
  • "Set the Night to Music" (1987)
  • "Wild Again" (1988) #73 US
  • "It's Not Enough" (1989) #12 US, #87 UK
  • "I Didn't Mean to Stay All Night" (1989) #75 US
  • "I'll Be There" (1989)
  • "Good Heart" (1991) #81 US

[edit] Jefferson Starship - The Next Generation

[edit] Personnel

[edit] Line-Ups

Jefferson Airplane (Summer 1965-October 1965)
Jefferson Airplane (October 1965-Mid 1966)
Jefferson Airplane (Mid 1966-1970)
Paul Kanter & Jefferson Starship (1970): Album - Blows Against the Empire
Jefferson Airplane (late 1970-1972)
Jefferson Airplane (early 1972-mid 1972)
Jefferson Airplane (mid 1972-1974)
Jefferson Starship (January 1974-June 1974)
Jefferson Starship (June 1974-November 1974)
Jefferson Starship (November 1974-Late 1975)
Jefferson Starship (Late 1975-Early 1978)
Jefferson Starship (Spring 1978)
Jefferson Starship (Mid 1978-Early 1979)
Jefferson Starship (Early 1979-1981)
Jefferson Starship (1981-September 1982)
Jefferson Starship (September 1982-June 1984)
Starship (June 1984-1987)
Starship (1987-1988)
Starship (1988-November 1989)
Jefferson Airplane (Reunion Tour and Album) (1989)
Starship (November 1989-1990)
Starship (1990-1991) for Greatest Hits: Ten Years and Change

[edit] Active Successor Bands

Starship Featuring Mickey Thomas (1991-Present)

-Current Members-

-Former Members-
Jefferson Starship: The Next Generation(TNG) (1992-Present)

-Current Members-

-Former or Part-Time Members-

[edit] External links

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