January 07003-Bell Studies

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January 07003: Bell Studies for the Clock of the Long Now
January 07003: Bell Studies for the Clock of the Long Now cover
Studio album by Brian Eno
Released 2003
Recorded 2003
Genre Ambient
Length 75:40
Label Opal
Producer(s) Brian Eno
Professional reviews
Brian Eno chronology
Drawn from Life
(2001)
January 07003: Bell Studies
(2003)
Curiosities Volume 1
(2004)


January 07003: Bell Studies for the Clock of the Long Now is an ambient album by British musician Brian Eno, released in 2003.

Contents

[edit] Tracklist

  1. Fixed ratio harmonic bells - 23:22
  2. Changes where bell number = repeat number - 03:30
  3. 2 harmonic studies - 06:05
  4. Deep glass bells (with harmonic clouds) - 03:17
  5. Dark cracked bells with bass - 01:59
  6. German-style ringing - 03:19
  7. Emphasizing enharmonic partials - 03:01
  8. Changes for January 07003, soft bells, Hillis algorithm - 10:40
  9. Lithuanian bell study - 01:26
  10. Large bell change improvisation - 01:23
  11. Reverse harmonics bells - 02:45
  12. Bell Improvisation 2 - 01:40
  13. Virtual dream bells, thick glass - 03:59
  14. Tsar Kolokol lll (and friends) - 03:59
  15. 1st - 14th January 07003, hard bells, Hillis algorithm - 05:09

[edit] Overview

This is an album of "studies" made for the the Long Now Foundation, an organization founded in 1996 which aims to "provide a counterpoint to what it views as today's 'faster/cheaper' mindset and to promote 'slower/better' thinking".

One of their projects involves the construction of a clock, designed by W. Daniel Hillis, intended to keep time for 10,000 years. "I want to build a clock that ticks once a year. The century hand advances once every one hundred years, and the cuckoo comes out on the millennium". The first prototype of the clock is working and on permanent display at the London Science Museum.

Eno, a member of the foundation, created this album both as a tribute to the project, and as an artistic expression of the vast swathes of time represented by the sheer "long-termness" of the philosophy behind the clock.

"When we started thinking about The Clock, we naturally wondered what kind of sound it could make to announce the passage of time. I had nurtured an interest in bells for many years, and this seemed like a good alibi for taking it a bit deeper".

The sounds on the album are entirely synthesizer-based, although Eno studied the actual physics of bell tones in order to simulate the kinds of bells familiar to modern ears. He also tried to imagine what bells might sound like in the future, which took him "out of the bounds of current physical and material possibilities .... imagine bells with quite different physical properties from those we now know". To that end, mathematical algorithms were also used to generate some of the sounds; Eno also made use of his "generative" software.

Musically, most of the tracks are also accompanied by a variety of standard, synth-based ambient backdrops and drones.

Profits from the sale of this album are donated to the Foundation.

[edit] Pellisero Wine CD

CD front cover
CD front cover
CD back cover
CD back cover

Later, the same year, a short CD was sent out to wine dealers to promote Pelissero's Long Now wine (named in honour of the foundation). It included a further five Bell Studies; some being variants of existing material and others previously unreleased.

(The interactive track on the CD has nothing to do with Eno).

[edit] Tracklist

  1. Study 16 (x5, x3, series ratios) - 2:32
  2. Study 17 (pythagorean ratios) - 4:12
  3. If a bell became a drone... - 2:14
  4. Campion Bells (invert harmonics) - 2:25
  5. Bell Study with distant delays - 5:22

[edit] Versions

  • Opal, OPALCD 02

[edit] External links


Brian Eno
Discography
with Roxy Music Roxy Music | For Your Pleasure
Solo albums: Here Come the Warm Jets | Taking Tiger Mountain By Strategy | Discreet Music | Another Green World | Before and after Science | Music for Airports | Music for Films | Thursday Afternoon | The Shutov Assembly | Nerve Net | Neroli | The Drop | Another Day on Earth
with Robert Fripp: Fripp & Eno (No Pussyfooting) | Evening Star | Air Structures (bootleg) | The Essential Fripp and Eno | The Equatorial Stars | The Cotswold Gnomes
with Cluster: Cluster & Eno | After the Heat | Begegnungen | Begegnungen II | Harmonia: '76: Tracks and Traces
Other collaborations: June 1, 1974 | 801 Live | The Plateaux of Mirror | Day of Radiance | Fourth World, Vol 1: Possible Musics | Fourth World, Vol 2: Dream Theory in Malaya | My Life in the Bush of Ghosts | Ambient #4, On Land | Apollo: Atmospheres and Soundtracks | Music For Films Volume 2 | Textures | The Pearl | Hybrid | Music for Films III | Wrong Way Up | Wah Wah | Spinner | Original Soundtracks 1 | Music for Onmyo-Ji | Drawn from Life
Installations/Compilations etc: The Great Learning | The Portsmouth Sinfonia Plays the Popular Classics | Hallelujah! The Portsmouth Sinfonia Live at the Royal Albert Hall | June 1, 1974 | Peter and The Wolf | Working Backwards 1983-1973 |More Blank Than Frank/Desert Island Selection | My Squelchy Life | Robert Sheckley's In a Land of Clear Colours | Box I | Box II | Headcandy | [Generative Music 1 | Extracts from Music for White Cube | Lightness: Music for the Marble Palace | I Dormienti | Kite Stories | Music for Civic Recovery Centre | Compact Forest Proposal | January 07003-Bell Studies | Curiosities Volume 1 | Curiosities Volume 2 | 77 Million Paintings
Publications
A Year with Swollen Appendices | I Dormienti
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