Iron Maiden (song)

From Wikipedia, the free encyclopedia

"Iron Maiden"
Iron Maiden
Song by Iron Maiden
From the album Iron Maiden
Album released April 14, 1980
Recorded Kingsway Studios, London
Genre Heavy metal
Song Length 3:31
Record label EMI (UK), Capitol Records
Producer Will Malone
Iron Maiden Album Listing
Charlotte the Harlot
Track 7/8
Iron Maiden
Track 8/9
The Soundhouse Tapes Album Listing
"Iron Maiden"
(Track 1)
"Invasion"
(Track 2)
Live After Death Album Listing
"Hallowed Be Thy Name"
(Track 10)
"Iron Maiden"
(Track 11)
"Run to the Hills"
(Track 12)
Maiden England Album Listing
"The Number Of The Beast"
(Track 12)
"Iron Maiden"
(Track 13)
A Real Dead One Album Listing
"2 Minutes to Midnight"
(Track 10)
"Iron Maiden"
(Track 11)
"Hallowed Be Thy Name"
(Track 12)
Live at Donington Album Listing
"2 Minutes to Midnight"
(Track 5)
"Iron Maiden"
(Track 6)
"Hallowed Be Thy Name"
(Track 7)
Ed Hunter Album Listing
"Iron Maiden"
(Track 1)
"The Trooper"
(Track 2)
The BBC Archives Album Listing
"Iron Maiden"
(Track 1)
"Running Free"
(Track 2)
The BBC Archives Album Listing
"Phantom of the Opera"
(Track 13)
"Iron Maiden"
(Track 14)
The BBC Archives Album Listing
"Transylvania"
(Track 5)
"Iron Maiden"
(Track 6)
"Moonchild"
(Track 7)
The BBC Archives Album Listing
"Hallowed Be Thy Name"
(Track 13)
"Iron Maiden"
(Track 14)
Beast Over Hammersmith Album Listing
"Phantom of the Opera"
(Track 4)
"Iron Maiden"
(Track 5)
"Sanctuary"
(Track 6)
Rock in Rio Album Listing
"Fear of the Dark"
(Track 4)
"Iron Maiden"
(Track 5)
"The Number of the Beast"
(Track 6)
Death on the Road Album Listing
"Fear of the Dark"
(Track 3)
"Iron Maiden"
(Track 4)
"Journeyman"
(Track 5)

"Iron Maiden" is a song by Iron Maiden on their debut album Iron Maiden. It was written by Steve Harris and had been before featured on The Soundhouse Tapes. The original recording featured Dennis Stratton and Dave Murray on guitars. The song is now well known as the band's signature song to the general public (along with "The Number of the Beast" and "Run to the Hills") and is usually played as one of the last songs of any given show. It writes about the spirit of an actual iron maiden torture device - it is not, contrary to belief relating to the band itself.

The song has been the band's "final song" (when they leave the stage only to come back for their encores) for many tours.