I Threw You Away
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| I Threw You Away | ||
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| Studio album by Jandek | ||
| Released | 2002 | |
| Recorded | Unknown | |
| Genre | Outsider music | |
| Length | 49:09 | |
| Label | Corwood Industries | |
| Producer(s) | Corwood Industries | |
| Jandek chronology | ||
|---|---|---|
| Worthless Recluse (2001) |
I Threw You Away (2002) |
The Humility of Pain (2002) |
I Threw You Away is the 32nd album by Jandek, and one of two released in 2002. Corwood Industries release #0770, it is the start of his "modern period," which can be divided into pre-live and post-live phases. It features minimalist, dissonant acoustic guitar and MUCH older vocals with sparse, dark lyrics and much longer songs, recorded professionally. This is perhaps the first album that we can speculate was recorded around the same time as release.
Contents |
[edit] Overview
From one surprise to another. Following the trilogy of "a capella" albums, Jandek clears the slate for an entirely new phase and seems quite conscious of doing so. Right off one notices the cover, which turns out to be a picture of Cork, Ireland (and, judging by later, similar covers, a vacation shot). This is the first time that a cover has featured a foreign location (that we know of), and rather than the "blurred" quality of many recent photos this looks like it could have come out of a travel magazine. Then there is the music.
This is obviously a much older man than the one we heard on the previous music albums. His voice resembles that of the a capella albums, but this time he sounds like a howling banshee, moaning his dark lyrics in a gravelly voice that builds to an atonal wail that will turn many ears. The guitar is tuned to a more dissonant, dark sound than ever - gone are the warm tones that defined much of the "second acoustic phase." Also gone from that era are the picked blueslines (see White Box Requiem) and varied phrasings. The songs are also longer than ever - between eight and twelve minutes - and there are only five of them.
In other words, when the artist begins the album by singing "my blues turned black...and my rotting, stinking flesh/black black black black," take it at face value. This forms a "travelogue of the living dead" of sorts, with the artist explaining that he's a "zombie on the inside/unknown on the outside." This has been speculated to possibly relating to his health, but it is never explicitly stated. Instead, the long, similar-sounding chaotic songs form a series of minimalist "sung monologues" (there is a spoken element to much of the "un-moaned" sections of the songs) directed at a person that sometimes seems to be a lover, and sometimes seems to be the listener. Regardless, the narrator has a spiritual message to offer, saying, "I tried to be happy/what a foolish thing/the gems of the universe/don’t care about that" and advising the listener that "There’s nothing but a pathway/follow your footsteps." (hard to miss the prior album reference, though it is appropriate) In other words, Jandek here plays like the chain-covered ghost in Charles Dickens' A Christmas Carol. From there the album follows the path of the narrator as he ponders the love he "threw away," then re-addresses his fellow traveller saying, "walk with me frozen beauty/as I reclaim my life" before ending the album by saying that at the end of the road, "All the differences disappear/and a quiet calm floats me in the air." Ultimately, it seems Jandek has a message to get through, and this tortured, dissonant music is how he's going to do it.
[edit] Track listing
- Blues Turned Black – 12:14
- It Seems Forever – 7:39
- I Threw You Away – 8:10
- Frozen Beauty – 11:50
- The World Stops – 9:01
[edit] Album cover description
A Street in Cork City, Ireland. The Cathedral in the distance is the Cathedral of St. Mary and St. Anne.
[edit] Reviews
From Aquarius Records:
Jandek preceded I Threw You Away with three a cappella / spoken word albums that were ultimately forgettable detours from his signature sound of damaged folk music. Here, the Texan mystery man has returned to the open chord guitar strum and meandering finger picking techniques while he unleashes that desolate moan of a voice revealing staggering visions of any number of inescapable existential truths. Musically, I Threw You Away is a very obtuse (even for Jandek!) maze of untuned acoustic dissonance and emotional caterwauling.
