Howard Taubman
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Howard Taubman (July 4, 1907 – January 8, 1996) was an American music critic, theater critic, and author.
Born in Manhattan, Hyman Howard Taubman attended DeWitt Clinton High School and then won a four-year scholarship to Cornell University, from which he graduated, as a Phi Beta Kappa member, in 1929.
He then returned to New York and began working for The New York Times. He joined the Music Department there in 1930. In 1935, he was named Music Editor. For about a year, from 1944-1945, Taubman served in the Army and worked in Italy as a writer for Stars and Stripes.
In 1955, he became the Chief Music Critic at the Times, replacing Olin Downes upon Downes’ death. Also in the 1950s, Taubman acted as the ghostwriter for opera singer Marian Anderson’s autobiography “My Lord, What a Morning.”
In 1960, he took the post of Chief Drama Critic for the Times after Brooks Atkinson retired from that position. Taubman remained in that role until 1965.
In 1961, Taubman, along with six other theater critics, was the victim of a famous hoax when Broadway producer David Merrick placed a newspaper ad for his show Subways Are For Sleeping. The ad quoted Howard Taubman, Walter Kerr, and other prominent New York critics singing praises for Merrick's commercially faltering musical. The individuals quoted, however, were not the renowned theater critics themselves, but like-named New Yorkers hired by Merrick to provide positive quotes [1][2].
From 1966 until he retired in 1972, Taubman was a critic-at-large for the Times writing about cultural events from around the globe. After retiring from the Times, Taubman worked as a consultant to Exxon Corporation for the PBS series Great Performances.
Taubman was the author of several books, primarily related to music. He was the recipient of honorary degrees from the Philadelphia Academy of Music, Oberlin College and Temple University.
Twice married and the father of two sons, Taubman died in Sarasota, Florida at the age of 88.
[edit] Works
- The Pleasure of Their Company (Amadeus Press, 1994)
- The Making of the American Theatre (Coward McCann, 1965)
- How to Bring up your Child to Enjoy Music (1958)
- How to Build a Record Library (1953)
- The Maestro: The Life of Arturo Toscanini (Simon and Schuster, 1951)
- Music on My Beat: An Intimate Volume of Shop Talk (1943)
- Music as a Profession (C. Scribner's Sons, 1939)
- Opera: Front and Back (C. Scribner's Sons, 1938)
[edit] Quotes
- "It is the destiny of the theater nearly everywhere and in every period to struggle even when it is flourishing." ~Howard Taubman, 1964
[edit] References
- The New York Times, January 9, 1996
- The New York Times Book Review, November 13, 1994
- Baker's Biographical Dictionary of Musicians, Centennial Edition. Nicolas Slonimsky, Editor. Schirmer, 2001