Hoosier Hot Shots

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The Hoosier Hot Shots were an American quartet of madcap musicians who entertained on stage, screen, radio, and records from the mid 1930s into the 1970s. The group initially consisted of players from the U. S. State of Indiana. From beginnings on local Indiana radio in the early 1930s, the Hot Shots went on to a successful national radio career on the National Barn Dance at WLS in Chicago, Illinois and a successful and prolific recording career, before moving to Hollywood to become featured stars in many Western movie serials.

The Hot Shots' core personnel were multi-instrumentalists, playing brass band instruments as well as their standard instrumentation of guitar (Ken), clarinet (Gabe), string bass (various), and a strange, homemade instrument known as the "zither," played by Paul "Hezzie" Trietsch. The "zither" consisted of a corrugated sheet metal washboard on a metal stand with various noisemakers attached, including bells and a multi-octave range of squeeze type bicycle horns. Trietsch constructed this instrument himself as well as a series of slide whistles he played in addition to the "zither."

The Hot Shots' repertoire focused on swing and jazz standards and originals, especially those with a comedic element. Powered by a frantic and seemingly freewheeling instrumental virtuosity, grounded in the musical comedy of Vaudeville, the Hot Shots were nevertheless able to cover both comic and more serious material, although some of their more serious recordings retain whimsical ornamental elements, capable of evoking a subtle musical irony.

The original lineup consisted of Ken Trietsch (September 13, 1903 - 1987), Paul "Hezzie" Trietsch (April 11, 1905 - 1979), and Gabe Ward. Supporting players (as the decades passed) were Frank Kettering (d. 1973), Gil Taylor, Nate Harrison, and Billy Keith Milheim.

1 Success in vaudeville and radio
2 Developing their style in Chicago
3 Successful Recording and Film Career
4 Legacy
5 External links

[edit] Success in vaudeville and radio

The story of the Hoosier Hot Shots begins in the first years of the 20th century on the Trietsch family farm near Arcadia, Indiana, about 20 miles north of Indianapolis. The Trietsch family grew to be one of four girls and five boys, two of which -- Kenneth and Paul -- were to become the nucleus of the Hotshots.

Growing up in rural Indiana and aided by the example of a banjo-playing father, Kenneth, Paul and the other Trietsch children developed a keen interest in music and developed their various talents. An ensemble featuring father and sons toured the American and Canadian Vaudeville circuit for several years. After the family act broke up, Ken and Paul went to work with another vaudeville group called Ezra Buzzington's Rube Band. It was while touring with the Rube Band that they met another Hoosier, Charles Otto Ward, known to his audiences as Gabriel Hawkins. "Gabe" became the third Hot Shot.

When the crash of '29 effectively ended vaudeville they, like other vaudevillians, looked to radio and landed a job at WOWO in Ft. Wayne, Indiana. One day they arrived late for a performance and the announcer greeted them with "Hey, you Hoosier hot shots, get in here!", and the name stuck.

[edit] Developing their style in Chicago

In 1933 they moved to Chicago's WLS, the Prairie Farmer Station. Now Paul ("Hezzie", on his washboard), "Gabe" (on clarinet) and Ken (hot jazz chops on his tenor guitar) had the opportunity to develop the nutty style that would make them one of the nation's most popular acts.

Their music was characterized by novelty songs and arrangements – such as "I Like Bananas (Because They Have No Bones)" and "From the Indies to the Andes in His Undies" – hot jazz rhythms and the occasional sweet harmonies. They also played the pop songs of the day, like "Nobody's Sweetheart". Ken kicked off the band with "Are you ready, Hezzie?" -- directed at his brother Paul -- and it became one of the band's big taglines,, even entering the common vernacular.

With the addition in 1934 of Frank Delaney Kettering on bass fiddle, the Hoosier Hot Shots became the quartet that they would remain for most of their career.

[edit] Successful Recording and Film Career

Over their career the Hoosier Hot Shots recorded hundreds of 78s for such labels as Banner, Conqueror, Decca, Melotone, Oriole, Perfect, Romeo, and Vocalion. Some of these releases have made it to LPs, cassettes, and compact discs.

Recordings of songs made by the Hoosier Hot Shots often include the signature spoken (by Ken Triesch) intro, "Are you ready, Hezzie?" followed by the sound of the bustle of the musicians preparing to play their instruments. However, the tightly-rehearsed skill of the performers lets the listener in on the joke as soon as the song actually begins. Their producer avoided recording too many takes of their performances, preferring a spontaneous sound: according to one member, the producer would record at most two takes of a particular song, and use the one that sounded worse.

Between 1937 and 1950 the Hot Shots appeared in more than 20 movies, sharing billing with the likes of Gene Autry, Dale Evans, Bob Wills and Merle Travis. During the mid- to late 1940s they starred in their own series of musical westerns for Columbia Pictures.

The World War II era their popularity was at its peak and, in addition to their normal pursuits they toured with the USO in North Africa and Italy.

Frank Kettering left the Hot Shots in 1946, replaced by Gil Taylor. They moved to the West Coast where they continued to make movies, records, stage, and radio appearances. They made the transition to television easily and were seen on such TV shows as the Tex Ritter "Ranch Party."

[edit] Legacy

The Hoosier Hot Shots' career was winding down by the late '50s but they continued recording (adding Keith Milheim on drums) and playing live venues until the death of Paul "Hezzie" Trietsch on April 20, 1980. Gabe Ward continued to perform solo after the others had died or retired, until shortly before his own death in 1992.

The Hoosier Hot Shots were not just a comical music act, they were the inspiration for a musical genre that thrived during the '30s, '40s and, thanks to latter-day proponents like "Weird Al" Yankovic and John Lithgow (who recorded a terrific cover of "From the Indies to the Andes in His Undies"), can still be heard today.

Among the acts that were inspired by the Hot Shots were the Freddie Fisher's Schnickelfritz Band, the Korn Kobblers, and Spike Jones and His City Slickers. Spike Jones's early recordings were heavily influenced by the Hoosier Hot Shots; reportedly Jones asked to join the band in the late 1940s, as the Hot Shots were in decline.