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This article is a history of the classical guitar. For the article about the history of the classical guitar by country or region see History of the classical guitar by country or Region.

The history of the classical guitar and its repertoire span over four centuries, including its ancestry the baroque guitar. Throughout the centuries, the classical guitar has evolved principally from three sources: the lute, the vihuela, and the Renaissance five-string guitar. The popularity of the classical guitar has been sustained over the years by many great players, arrangers, and composers. A very short list might include Gaspar Sanz (1640-1710), Fernando Sor (1778-1839), Mauro Giuliani (1781-1829), Francisco Tárrega (1852-1909), Andrés Segovia (1893-1987), and John Williams (1941).

Contents 1 Origins - Renaissance 1.1 Origins 1.2 Middle age 2 Renaissance - Classical music era 2.1 Renaissance guitars and vihuela 2.1.1 Renaissance guitar 2.1.1.1 The gittern or Renaissance four-string guitar 2.1.1.2 The renaissance five-string guitar 2.1.2 The vihuela 2.1.2.1 Instrument 2.1.2.2 Technique 2.1.2.3 Repertoire 2.2 Baroque guitar 2.2.1 Instrument 2.2.2 Technique 2.2.3 Repertoire 3 Classical music era - contemporary guitar 3.1 "Early romantic guitar" or "Guitar during the Classical music era" 3.1.1 Instrument 3.1.2 Technique 3.1.3 Repertoire 3.2 Romantic guitar 3.2.1 Instrument 3.2.2 Technique 3.2.3 Repertoire 3.3 Modern classical guitar 3.3.1 Instrument 3.3.2 Technique 3.3.3 Repertoire 3.4 Contemporary classical guitar 3.4.1 Instrument 3.4.2 Technique 3.4.3 Repertoire 3.5 New perspectives 3.5.1 Instrument 3.5.2 Technique 3.5.3 Repertoire 3.6 Bibliography 4 See also 5 External links

[edit] Origins - Renaissance

[edit] Origins

Instruments similar to what we know as the guitar have been popular for at least 5,000 years. The guitar appears to be derived from earlier instruments known in ancient central Asia as the cithara. Instruments very similar to the guitar appear in ancient carvings and statues recovered from the old Iranian capitol of Susa. The modern word, guitar, was adopted into English from Spanish guitarra, possibly from earlier Greek word kithara. Prospective sources for various names of musical instruments that guitar could be derived from appear to be a combination of two Indo-European roots: guit-, similar to Sanskrit sangeet meaning "music", and -tar a widely attested root meaning "chord" or "string".

The word guitar may also be a Persian loanword to Iberian Arabic. The word qitara is an Arabic name for various members of the lute family that preceded the Western guitar. The name guitarra was introduced into Spanish when guitars were brought into hort list of signifiant compositions for the contemporary classical guitar. For a longer list see the article Iberia by the Moors after the 10th century. (See related article).

[edit] Middle age

During the Middle Ages, guitars with three, four, and five strings co-existed. The Guitarra Latina had curved sides and is thought to have come to Spain from elsewhere in Europe. The Guitarra Morisca, brought to Spain by the Moors, had an oval soundbox and many sound holes on its soundboard. By the fifteenth century, four double-string guitars, similar to lutes, became popular, and by the sixteenth century, a fifth double-string had been added. During this time, composers wrote mostly in tablature notation. Italy was the center of guitar world during the 17th century, and the the Spanish school of guitar making only began to flourish late in the 18th century after the addition of the sixth string. During the 19th century, improved communication and transportation enabled performers to travel widely and the guitar became a widely known instrument. Guitar music became especially popular in Spain and Antonio de Torres developed the Spanish guitar in its modern form, with a broadened body, increased waist curve, thinned belly, improved internal bracing, single string courses replacing double courses, and a machined head replacing wooden tuning pegs.

[edit] Renaissance - Classical music era

[edit] Renaissance guitars and vihuela

See also Renaissance era

[edit] Renaissance guitar

Main article: Renaissance guitar

[edit] The gittern or Renaissance four-string guitar

Main article: Gittern

The gittern, English for renaissance guitar is a musical instrument resembling a small lute or guitar. It is related to but is not a citole, another medieval instrument. The gittern was carved from a single piece of wood with a curved ("sickle-shaped") pegbox. An example has survived from around 1450.

[edit] The renaissance five-string guitar

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[edit] The vihuela

Main article: Vihuela

IT STARTED IN ANCIENT EAST

[edit] Instrument

The Spanish vihuela appears to be an intermediate form between the ancestral guitar and the modern guitar, with lute-style tuning and a small, but guitar-like body. It is not clear whether this represents a transitional form or simply a design that combined features from the two families of instruments. In favor of the latter view, the reshaping of the vihuela into a guitar-like form can be seen as a strategy of differentiating the European lute visually from the Moorish oud. (See the article on the lute for further history.) The Ancient Iranian lute, called tar in Persian also is found in the word guitar. The tar is thousands of years old, and could be found in 2, 3, 5, and 6 string variations.

[edit] Technique

[edit] Repertoire

See main article Vihuela repertoire.

[edit] Baroque guitar

See main article about the Baroque guitar

See also Baroque music

[edit] Instrument

The voboam family, Paris, France. Nicholas Alexandre Voboam II, René Voboam, Domenico Sellas

[edit] Technique

[edit] Repertoire

See main article Baroque guitar repertoire

Main compositions and composers for the baroque guitar:

• Gaspar Sanz (1640-1710 Spain)
• Francesco Corbetta 1615-1681 (Spain)
• Robert de Visée (c.1650- 1725) (France)

[edit] Classical music era - contemporary guitar

[edit] "Early romantic guitar" or "Guitar during the Classical music era"

See main article Early romantic guitar

(Text needed)

[edit] Instrument

The earliest extant six string guitar was built in 1779 by Gaetano Vinaccia (1759 - after 1831) ^{[1] [2]} in Naples, Italy. The Vinaccia family of luthiers is known for developing the mandolin. This guitar has been examined and does not show tell-tale signs of modifications from a double-course guitar. ^[3] Authenticity of guitars before the 1790s is often in question. This also corresponds to when Moretti's 6-string method appeared, in 1792.

[edit] Technique

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[edit] Repertoire

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Notable composers:

• Luigi Boccherini 1743-1805

[edit] Romantic guitar

See main article Romantic guitar

(Introduction needed)

[edit] Instrument

[edit] Technique

[edit] Repertoire

See main article Romantic guitar repertoire

The first 'Golden Age' of the classical guitar repertoire. Composer-guitarists.

Notable composers:

• Mauro Giuliani 1781-1829
• Johann Kaspar Mertz 1806-1856
• Giulio Regondi 1822-1872
• Fernando Sor 1778-1839

[edit] Modern classical guitar

See the main article Modern classical guitar.

See also Modern art and 20th century classical music

[edit] Instrument

Antonio de Torres Jurado, Ignacio Fleta, Hermann Hauser Sr., Robert Bouchet

[edit] Technique

Francisco Tárrega, Emilio Pujol, Andrés Segovia

[edit] Repertoire

In the 20th century, many non-guitarist composers wrote for the instrument, which previously only players of the instrument had done. Francisco Tárrega, Roberto Gerhard (1896-1970), Heitor Villa-Lobos (1887-1959)

[edit] Contemporary classical guitar

See main article Contemporary classical guitar.

See also Contemporary art and Contemporary classical music

[edit] Instrument

Modern concert guitars occasionally follow the Smallman design which replaces the fan braces with a much lighter balsa brace attached to the back of the sound board with carbon fiber. The balsa brace has a honeycomb pattern and allows the (now much thinner) sound board to support more vibrational modes. This leads to greater volume and longer sustain.

Greg Smallman, Matthias Dammann

[edit] Technique

See main article Classical guitar technique

[edit] Repertoire

Short list of signifiant compositions for the contemporary classical guitar. For a longer list see the article Selected contemporary repertoire for guitar.

• Luciano Berio Sequenza XI
• Elliott Carter Changes
• Aldo Clementi 12 Variazioni, Fantasia su frammenti di M.G.
• Franco Donatoni Algo, Åse (Algo II)
• Brian Ferneyhough Kurze Schatten II
• Alberto Ginastera Sonata
• Hans Werner Henze Royal Winter Music I and II
• Ernst Krenek Suite
• Bruno Maderna Y Después
• Tristan Murail Tellur
• Maurice Ohana Si le jour parait....., Tiento
• Giacinto Scelsi Ko-Tha
• Michael Tippett The Blue Guitar

[edit] New perspectives

[edit] Instrument

[edit] Technique

[edit] Repertoire

[edit] Bibliography

See also Classical guitar bibliography

• Wade, Graham, Traditions of the Classical Guitar, London : Calder, 1980.
• Antoni Pizà: Francesc Guerau i el seu temps (Palma de Mallorca: Govern de les Illes Balears, Conselleria d'Educació i Cultura, Direcció General de Cultura, Institut d'Estudis Baleàrics, 2000) ISBN 84-89868-50-6

[edit] See also

• History of the classical guitar by country or Region
• Research on the classical guitar

[edit] External links

• [1] Classical Guitar Illustrated History by François Faucher on Classicalguitarmidi.com.

This article is part of the Classical guitar series
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