Hermann Broch
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Hermann Broch (November 1, 1886 – May 30, 1951) was a 20th century Austrian writer, considered one of the major Modernists.
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[edit] Life
He was born in Vienna to a prosperous Jewish family and worked for some time in his family's factory, though he maintained his literary interests privately. He was acquainted with Robert Musil, Rainer Maria Rilke, Elias Canetti, Franz Blei and others. He commenced on a full-time literary career only around the age of 40.
With the annexation of Austria by the Nazis (1938), Broch was arrested, but a movement organized by friends - including James Joyce - managed to have him released and allowed to emigrate; first to Britain and then to the United States.
He converted to Roman Catholicism.
Hermann Broch died in 1951 in New Haven, Connecticut. He is buried in Killingworth, Connecticut, in the cemetery on Roast Meat Hill Road.
[edit] Work
His major work, The Death of Virgil (Der Tod des Vergil), which he began to write while imprisoned in a concentration camp, was first published in the U.S., in an English translation, in 1945. This great, difficult novel, in which reality and hallucination, poetry and prose are inextricably mingled, reenacts the last hours of life of the Roman poet Virgil, in the port of Brundisium (Brindisi), where he accompanied Augustus, his decision – frustrated by the emperor – to burn his Aeneid, and his final reconciliation with his destiny. The French composer Jean Barraqué composed a number of works inspired by The Death of Virgil.
However, Erich Heller observed that if ‘The Death of Virgil is his masterpiece... it is a very problematical one, for it attempts to give literary shape to the author's growing aversion to literature. In the very year the novel appeared, Broch confessed to "a deep revulsion" from literature as such – "the domain of vanity and mendacity". Written with a paradoxical, lyrical exuberance, it is the imaginary record of the poet’s last day and his renunciation of poetry. He commands the manuscript of the Aeneid to be destroyed, not because it is incomplete or imperfect, but because it is poetry and not "knowledge". He even says his Georgics are useless, inferior to any expert treatise on agriculture. His friend the Emperor Augustus undoes his design and his works are saved.’ (Erich Heller, ‘Hitler in a very Small Town’, New York Times, January 25, 1987.)
Other important works by Broch are The Sleepwalkers (Die Schlafwandler, 1932), and The Guiltless (Die Schuldlosen, 1950). The Sleepwalkers is a trilogy, where Broch takes "the degeneration of values" as his main theme. The trilogy has been praised by Milan Kundera, whose own writing has been greatly influenced by Broch. Broch writes in a light, playfully meandering style, despite the philosophical approach.
[edit] Bibliography
Selected titles translated into English:
- Die Schlafwandler: Eine Romantrilogie: Pasenow; oder, Die Romantik - 1888, 1931; Esch; oder, Die Anarchie - 1903, 1931; Huguenau, oder, Die Sachlichkeit - 1918, 1932 - Sleepwalkers: A Trilogy
- Die unbekannte Grösse, 1933 - The Unknown Quantity
- Der Tod des Vergil, 1945 - The Death of Virgil (trans. by Jean Starr Untermeyer)
- Die Schuldlosen, 1950 - The Guiltless (trans. by Ralph Mannheim)
- Short Stories, 1966
- Hofmannsthal und seine Zeit, 1974 - Hugo von Hofmannsthal and His Time
- Die Verzauberung, 1976 - The Spell
- Geist and Zeitgeist: The Spirit in an Unspiritual Age, 2003
For a more complete listing, see the MLA bibliography
[edit] External links
- Excellent overview
- IN SEARCH OF THE ABSOLUTE NOVEL - 1985 review of The Sleepwalkers by Theodore Ziolkowski
- - Hermann Broch archive at Tale University
- Some Broch quotations
- Another review of The Sleepwalkers, with useful links
- Review of Geist and Zeitgeist
- Review of Death of Virgil
- A personal home page about Broch
