Heinz Karl Gruber
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Heinz Karl Gruber (he professionally uses the form HK Gruber) is an Austrian composer, bass player and singer, born in Vienna on 3 January 1943 and a leading figure of the so-called 'Third Viennese School'.
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[edit] Career
Gruber is said to be a descendant (though the descent remains obscure) of Franz Xaver Gruber, composer of the carol Stille Nacht (Silent Night). From 1953 to 1957 Gruber was a member of the Vienna Boys Choir. He studied at the Vienna Hochschule für Musik, his composition teachers being Alfred Uhl, Erwin Ratz and Hanns Jelinek, and later Gottfried von Einem, with whom he also studied privately. In 1961 Gruber joined the ensemble die reihe as a double bass player, and became principal bass of the Vienna Tonkünstler Orchestra in 1963. In 1968, with his composer friends Kurt Schwertsik and Otto M. Zykan and the violinist Ernst Kovacic, he co-founded the 'MOB-art & tone-ART' ensemble, partly to perform their own repertoire (which included a short piece by Gruber, Bossa Nova, which rapidly became a hit tune) and partly that of Mauricio Kagel. The ensemble may be regarded as the cradle of what has been called the 'Third Viennese School', of which Gruber is now the best-known representative.
Like Schwertsik, Gruber had been taught in the post-Schoenbergian style of the Second Viennese School, but – also like Schwertsik – rapidly came to his own personal accommodation to tonality and older Viennese traditions. The critic Paul Driver has written of Gruber: ‘Neo-romantic, neo-tonal, neo-expressionistic, neo-Viennese: he isn’t any of those things, so much as a sentient (and downright accomplished) composer who keeps responding to whatever musical stimulus, be it highbrow or lowbrow, 12-tone or 7-tone, bitter or sweet, that comes his way’.
Gruber had been composing – and also playing jazz – from his student days, but achieved international fame in 1978 with Frankenstein!!, a 'pan-demonium' for chansonnier and orchestra (or large ensemble) on poems from allerleirausch, a collection of children's verse by his friend, the absurdist and Viennese-dialect poet H.C. Artmann, which he performed as singer around the world in the following few years. He and Schwertsik shared a 'Composers' Portrait' feature at the 1979 Berlin Festival, and Gruber has subsequently been ranked among Austria’s leading composers. As a performer (conductor, singer, bass player) he has been involved in music by Peter Maxwell Davies, Hanns Eisler, and Kurt Weill, and made notable CD recordings of the latter two composers.
[edit] Selected Worklist
[edit] Stage Works:
- Die Vertreibung aus dem Paradies, melodrama for speakers and instrumentalists (1966)
- Gomorra, opera to a libretto by Richard Bletschacher (1970-96)
- Gloria von Jaxtberg (Gloria, a Pigtale), 2-act music-theatre for 5 singers and 9 session musicians, plus harp (1992-4)
- Der Herr Nordwind, opera in 2 parts (2003-5)
[edit] Orchestral:
- Concerto for Orchestra, op.3 (1960)
- Manhattan Broadcasts for light orchestra (1962-4)
- fürbass, Concerto for double bass and orchestra (1965)
- Revue for chamber orchestra, op.22 (1968; first movement recomposed as Vergröszerung for orchestra, 1971)
- Phantom-Bilder auf dem Spur eines verdächtigen Themas (Photo-fit Pictures on the trail of a suspected theme) for small orchestra (1977)
- Violin Concerto No.1 ‘... aus schatten Duft gewebt ...’ (1978)
- Rough Music – Concerto for percussion and orchestra (1983)
- Charivari - An Austrian Journal for orchestra (1983)
- Violin Concerto No.2 Nebelsteinmusik for violin and strings (1988)
- Cello Concerto (1989)
- Aerial, concerto for trumpet and orchestra (1989-9)
- Zeitfluren, Concerto for Chamber Orchestra (2001)
- Dancing in the Dark, orchestra (2002)
- Hidden Agenda for orchestra (2006)
[edit] Brass
- Demilitarized Zones, March-Paraphrase for brass band (1979)
[edit] Vocal & Choral:
- Mass for chorus and ensemble (1960)
- 3 Songs by Rabindranath Tagore for baritone, ensemble & text (1961)
- Frankenstein!!, a pan-demonium for chansonnier and orchestra (or chamber orchestra) on verses of HC Artmann (1976-77; developed from voice-ensemble Frankenstein Suite, 1971)
- Zeitstimmung for chansonnier and orchestra (1996)
[edit] Chamber ensemble
- Suite for 2 pianos, wind instruments and percussion (1960)
- 3 Mob Stücke for 7 interchangeable instruments and percussion (1968; version for trumpet and orchestra arr. 1999)
- Bossa Nova, op.21 (1968)
- An einen Haushalt
- Die wirkliche Wut über der verlorenen Groschen for 5 players (1972)
- Anagramm for 6 celli (1987)
[edit] Instrumental:
- 4 Pieces for solo violin, op.11
- 6 Episoden (aus einem unterbrochenen Chronik) for piano, op.20 (1966-7)
- Bossa Nova for violin and piano, op.21e
- Luftschlösser (Castles in the Air) for piano (1981)
