Harry Gamboa, Jr.

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Harry Gamboa, Jr. - self portrait

Harry Gamboa Jr. (born 1951) is a Chicano essayist, photographer, director and performance artist. Founding member of influential chicano performance art collective, ASCO.

He was the first of five children born to Harry T. Gamboa and Carmen Gamboa, a working class Mexican American couple. He grew up in East Los Angeles California, an urban area tormented by poverty, violence and racial conflict. Despite these surroundings, the inadequacy of the East L.A. public schools^{[citation needed]} and his parents' lack of education, Gamboa was encouraged to value education and did fairly well in school. As a teenager he was active in community organizations and politics. As a student at High School (graduated 1969) Gamboa was active in student government and as an organizer of various student-initiated reforms, most significantly the 1968 "East L.A. Blowouts" -a series of protests against the inferior conditions of public schools in poor, non-white areas.

Gamboa's extra-curricular activities were not, however, limited to politics. Already a developing artist, it was at Garfield High that Gamboa met Gronk (Glugio Nicondra), Patssi Valdez (then known as Patsy), and Willie Herrón, three of his closest associates in his later career. After the "Blowouts," of his senior year, Gamboa dropped out of the political scene in order to dedicate himself to his education. Thanks to these efforts and with the help of the Equal Opportunities Program (EOP) for disadvantaged minority students, Gamboa was able to attend California State University at Los Angeles. From this point his career as an artist—both solo and with Gronk, Valdez, and Herrón in the art collective ASCO (Spanish for nausea)—took off^{[citation needed]}.

Gamboa's work as a writer, photographer, film-maker, performance artist and multi-media creator of "things" is diverse, but in all his efforts (including those as a member of ASCO) his focus has been to reveal the absurdity of urban life and to confront both the dominant white culture and various perspectives within Chicano culture, pointing to the pain and alienation caused by both. This is often achieved by altering the media of the art itself, as opposed to just the subject matter. Gamboa's most significant works include mail art of the 1970s, ASCO's "no movies," the "urban operas" Ignore the Dents and Jetter's Jinx.

Gamboa has one son, Diego Gamboa, (b. 1978), a product of his first marriage. In 1993 Gamboa married his second wife, Chicano muralist Barbara Carrasco, after seven years of romantic and professional involvement. Their daughter, Barbara Gamboa, was born in 1994. Gamboa has two grandchildren, Gabriel Gamboa (b. 2003) , and Catalina Gamboa (b. 2005).

He has received numerous awards from institutions including: Durfee Artist Award (2001), The Flintridge Foundation Visual Artist Award (2000), Gluck Foundation (1998-1999), J. Paul Getty Trust Fund for the Visual Arts (1990), California Arts Council (1996), Art Matters, Inc. (1996), National Endowment for the Arts (1987 and 1980)

He has taught at various universities and art institutions, including: California State University, Northridge, University of California, Los Angeles, University of California, Riverside, University of California, Irvine, University of California, Santa Barbara, University of California, San Diego, Otis/Parsons, UCLA Extension, and California Institute of the Arts.

A permanent collection of his media works/papers has been established and archived at Green Library, Stanford University.

1 Works
- 1.1 Writings
- 1.2 Multimedia
2 External links

[edit] Works

[edit] Writings

Gamboa, Harry Jr.; edited by Chon A. Noriega. Urban Exile: Collected Writings of Harry Gamboa Jr. Minneapolis, Minnesota: University of Minnesota Press, c1998. ISBN 0-8166-3051-8 (hardback), ISBN 0-8166-3052-6 (paperback)